“To do nothing is the hardest job of all”
It’s taken a little time to getting round to watching all of The Crown because, in a first for me, I found it impossible to binge-watch the show. Even with Netflix kindly providing offline downloads just at the point where I had a lot of travelling to do, Peter Morgan’s drama was lots of fun to watch but rarely captured the buzzy energy that has accompanied much online programming. Because it many ways it isn’t like much of Netflix’s previous output, it really is an encroachment into BBC Sunday night and as such, I felt it worked best spread out in almost weekly installments.
That’s partly down to the nature of the subject material, we’re not likely to get many surprises in a detailed retelling of the history of the House of Windsor. But it is also due to Morgan’s writing which tends a little to the formulaic, especially in the middle part of the series, which is when my interest was most in danger of waning. The opening two episodes started brightly but once the shock of becoming monarch was over, the rhythm became very much one of someone close to the queen has an issue and she has to weigh personal desires against public duty, the latter always winning out. Continue reading “TV Review: The Crown, Series 1”
“The country needs to be led by someone strong”
You’d be hard-pressed not to know that Netflix have a new series called The Crown as a substantial portion of the £100 million plus budget has clearly been spent on blanket marketing coverage. And like a good punter brainwashed by adverts, I’ve watched the first two episodes to get a sense of what it is like.
Written by Peter Morgan and directed by Stephen Daldry, its credentials are impeccable and there is a slight sense of stepping on the BBC’s toes here, something alluded to in pre-show publicity that informed us the Beeb were less than willing to share archive footage from Buckingham Palace. But with as considerable and lavishly-spent a budget as this, the comparison isn’t quite fair as the ambitions here are most grand. Continue reading “TV Review: The Crown Episodes 1 + 2”
“People always live forever when there is an annuity to be paid them”
Ang Lee’s Sense and Sensibility has aged rather well, a tribute to the efforts of its star and screenwriter Emma Thompson (along with countless others), and is probably one of the best big screen adaptations of any of Jane Austen’s works. It has a collection of performances that run counter to expectations – Alan Rickman makes a rare trip onto the good side as the compassionate Colonel Brandon, Kate Winslet has a raw freshness to her that makes for an ideal Marianne, and these were the days when Hugh Grant still had a suggestion of flexibility about his range as the decent Edward Ferrars.
And even when there aren’t too many surprises, Lee teases real emotion from his performers – Gemma Jones’ matriarch is full of aching emotion, a propensity echoed beautifully in Emma Thompson’s Elinor whose expressions of heartbreak and pain are just exquisite in their agony. In the smaller roles there’s delicious biting manipulation from Harriet Walter’s snobbish Fanny, riding roughshod over James Fleet’s John as they take over Norland; Imogen Stubbs finds a lovely delicacy in Lucy Steele; and it’s intriguing to see Imelda Staunton as a startling brash Charlotte Palmer, missing something of the subtlety we’re used to now from her. Continue reading “DVD Review: Sense and Sensibility (1995)”
“I’m not one of those people who goes wobbly when a boy take his shirt off”
You had me at 80s jukebox musical… Sometimes, after a crappy Wednesday in the office, all you really need is some uncomplicated, good-natured fun and that is exactly what Walking On Sunshine provides. A fresh-faced cast, the glorious Puglian sunshine, some nifty group dance routines and a track-listing that opens with the holy trifecta of Madonna’s ‘Holiday’, Bananarama’s ‘Venus’ and Whitney’s ‘How Will I Know’ – you pretty much know what you’re getting with this film (I won a bet by guessing one of the final plot flourishes just 10 minutes in) and on leaving the cinema, its fun and exuberance had done its job.
Joshua St Johnston’s writing is naff in the extreme, never quite living up to the (Italian) tongue-in-cheek spirit it opens with as Maddie (Annabel Scholey) invites her sister Taylor (Hannah Arterton) and erotic novelist friend Lil (Katy Brand) to her holiday home to surprise her with news of a lightning fast wedding to a man who just happens to be Taylor’s holiday romance three years prior, although she remains blissfully unaware of the fact. Scholey and Arterton are great value for money, throwing themselves whole-heartedly into the whole shebang – the former turns out to be quite the dancer too – and delivering 80s fierceness. Continue reading “Film Review: Walking on Sunshine”