“Is it foolish to wait for the day that will never come”
You have to admire the ambition currently on display at the Union Theatre. Writing a new musical is hard enough at the best of times, but when your source material is a Booker-Prize-winning novel which has already had a much loved film adaptation made, then there’s quite a challenge ahead. But that is what Alex Loveless has taken on with his adaptation of Kazuo Ishiguro’s The Remains of the Day.
Telling the story of Stevens in post WWII England, a long-serving butler to the late Lord Darlington who is struggling to deal with his new American employer, he identifies the solution as being retrieving a former colleague from Cornwall, Miss Kenton. As he sets off on a road-trip to try and persuade her, he also goes on a journey through his memories of the inter-war period where we discover that his employer was uncomfortably sympathetic to the Nazis and that his relationship with Miss Kenton ran far far deeper than that of just butler and housekeeper. Continue reading “Review: The Remains of the Day, Union Theatre”
“Something bewildering occurred”
Assassins is the latest revival paying tribute to composer Stephen Sondheim in his 80th year, in a steady flow of productions which looks set to continue throughout the year with Into the Woods and Passion at the Open Air Theatre and the Donmar respectively. Playing in Southwark’s Union Theatre, this play looks at 9 people, all connected by their attempts to kill a President of the United States of America, some successful, some unsuccessful, as they re-enact their crimes in a timeless smoky limbo where they can interact with each other and we see their own twisted take on the American dream as they look for meaning in what they tried to do.
I was surprised to find that I just didn’t get it. Indeed I found it quite hard work: musically I did not find it particularly tuneful (only ‘Unworthy Of Your Love’ has a melody that you could remember 15 minutes after the show had ended) and consequently rather uninvolving. And in its subject matter and structure, it assumes quite an intimate knowledge of American political history, with its array of mostly (to me at least)unfamiliar characters, all out of their historical context to make things even easier. Continue reading “Review: Assassins, Union Theatre”