A Very West End Christmas
A rather special project, A Very West End Christmas has gathered up a group of nearly 50 musical theatre performers to record an EP of 5 Christmas classics for a number of charitable causes – Great Ormond Street’s Giggin’ for Good, West End Fests for CRY UK and The Band Aid Charitable Trust. It’s a steal at £3.95 for the EP and with some seriously great talent onboard, assembled by co-producers Kris Rawlinson and Darren Bell, it’s a mostly very good listen.
The strongest numbers are, a little perversely, actually the ones which don’t feature the full choir. Michael Xavier croons perfectly through ‘The Christmas Song’ (although it is sad that there is no accompanying video of him roasting his chestnuts…), Chloe Hart and Jeremy Hart have lots of fun in a swinging ‘Baby It’s Cold Outside’, and there’s an interesting arrangement of’ O Holy Night’ featuring Sabrina Aloueche, Jodie Jacobs and Katie Payne (though that song will always belong to Hannah Waddingham for me). Continue reading “Christmas music 2013”
“When I was still a school girl, standing just about yay high, I saw the face of Jesus in a coconut cream pie.”
I have to admit to being a little sceptical when I first heard that Sister Act the Musical would be touring the UK. Its run in the West End was relatively well-received (not least by me, twice) but the show itself lacked a certain something to match up to the star quality of its cast, so I was pleased to hear both that this touring production was a reworked version and some excellent word-of-mouth in advance of its arrival at the New Wimbledon.
And it was good word indeed as I really enjoyed the show third time around. An adaptation of the film of the same name in which Delores van Cartier, a nightclub singer, has to enter a witness protection programme which places her in a threatened Philadelphia convent much to her chagrin. But disguised as Sister Mary Clarence and appointed to the head of the dodgy choir which she soon whips into shape, she effects remarkable change on those around her which in turn raises their profile, jeopardising the whole undercover operation and everyone’s safety on the very day the Pope is coming to hear them sing. Continue reading “Review: Sister Act the Musical, New Wimbledon”
“Just a steel town girl on a Saturday night”
I was originally meant to see Flashdance -The Musical at the Shaftesbury Theatre a couple of weeks ago but that first preview was cancelled due to technical difficulties, so when I finally made it to one of the last previews, my heart sank as we waited for the curtain to rise and the announcement came that the start of the afternoon’s show was being delayed due to, you’ve guessed it, technical difficulties! Having been outraged at the merchandising in the foyer (£60 for a special Barbie! £15 for a pair of legwarmers!) I was thus prepared with sharpened knives for what was coming my way. Perhaps my lowered expectations had something to do with then, but I ended up having quite a good time!
Based on the Paramount Pictures film, Flashdance – The Musical has a book by Tom Hedley & Robert Cary, music by Robbie Roth and lyrics by Robbie Roth and Robert Cary, but also features choreography from Arlene Phillips (who really does belong back on our screens at the weekend). Set in Pittsburgh in the 1980s, we meet Alex, apprentice steel welder by day, club dancer by night (who isn’t!) who dreams of love and life in dance school. Watching this reminded me of just how many times I have seen variations of this story played out in countless films, of someone fighting against the odds to, delete as appropriate, date a black guy/rise above working class roots/honour a dead relative/not be a stripper and get to the audition in time to wipe the smile off that smug auditioner’s face in order to secure a place at an amazing dance school for which they are eminently unsuitable. But I love each and every one of them, there’s nothing like a cheesy teen dance film to raise the spirits! And as Flashdance got in there at the beginning, it can consider itself mistress of the genre. Continue reading “Review: Flashdance – The Musical, Shaftesbury”