Arrows & Traps’ TARO is a beautiful tribute to a historical figure we have sorely neglected, playing now at the Brockley Jack Theatre
“In the lens it looks different”
If TARO is to be Arrows & Traps’ final production, then it’s a hell of a high note to go out on. Bringing together so much of what has made them an enjoyable and enlightening company to follow, it’s a swansong to be proud of as the #FemaleFirsts season turns its attentions to Gerda Taro, a pioneering photojournalist whose distinction as the first female war photographer killed in action proves to be far from the most interesting thing about her.
Born Gerda Pohorylle in Stuttgart 1910, the rise of Nazism splintered her Jewish family as she, her brother and her parents were forcibly ejected to different countries. Finding herself in Paris, a chance encounter with fellow refugee Endre Freidmann sparked an interest in photography which they then parlayed into careers in war photography that revolutionised the genre. Their work covering the Spanish Civil War was the fateful making of them. Continue reading “Review: TARO, Brockley Jack”
Arrows & Traps’ #FemaleFirsts season kicks off with the striking Anne Lister biography Gentleman Jack at the Brockley Jack Theatre
“This is Paris
This is England
And this is Yorkshire!”
The temptation with biographies – particularly of those of trailblazing figures – can be to treat them with the kind of reverence that smooths away rough edges, excusing behaviour that would otherwise be questionable and questioned. So it is pleasing to see that Ross McGregor’s new play Gentleman Jack respects its subject enough to give a full picture of their life.
That subject is Anne Lister, a nineteenth century Yorkshirewoman whose determination to buck societal convention earned her the sobriquet of the “first modern lesbian”. Her daring lay more than just in her open sexuality though; as an heiress and landowner, she redefined expectations of what women could achieve society as she and her partner sought to break into the mining industry.
Continue reading “Review: Gentleman Jack, Brockley Jack”
So many of the recommendations for shows to see next year focus on the West End. And for sure, I’m excited to catch big ticket numbers like All About Eve, Come From Away, and Waitress but I wanted to cast my eye a little further afield, so here’s my top tips for shows on the London fringe (plus one from the Barbican) and across the UK.
1 Medea, Internationaal Theater Amsterdam at the Barbican
Simon Stone’s sleekly contemporary recasting of Euripides is straight up amazing. Anchored by a storming performance from Marieke Heebink, it is as beautiful and brutal as they come. It’s also one of the few plays that has legit made me go ‘oh no’ out loud once a particular penny dropped. My review from 2014 is here but do yourself a favour and don’t read it until you’ve seen it.
2 Macbeth, Watermill Theatre
2018 saw some disappointing Macbeths and I was thus ready to swear off the play for 2019. But the Watermill Ensemble’s decision to tackle the play will certainly break that resolve, Paul Hart’s innovative direction of this spectacular actor-musician team will surely break the hoodoo…
3 Noughts and Crosses, Derby Theatre, and touring
Pilot Theatre follow on from their strong Brighton Rock with this Malory Blackman adaptation by Sabrina Mahfouz, a Young Adult story but one which promises to speak to us all. Continue reading “20 shows to look forward to in 2019”
The ever-inventive Arrows and Traps company return to the Brockley Jack Theatre with a beautifully acted interpretation of Chekhov’s Three Sisters
“We know too much”
Now in their fifth year, Arrows and Traps have been building quite the reputation as a shining example of how to do fringe theatre. Cultivating relationships with theatres (they’re once more at the Brockley Jack) and creatives (beyond notions of repertory, it is pleasing to see familiar names pop up in production after production and not just as actors) and above all, producing theatre that people want to see.
And Chekhov’s Three Sisters, presented here in a new version by Ross McGregor, continues that strong tradition, paring back the starch to locate a real emotional directness to the trials of the Prozorov sisters. Trapped in the cultural desert of the provinces, far from the beloved Moscow of their childhood, the rise and fall of their hopes and dreams are traced over four crucial years. Continue reading “Review: Three Sisters, Brockley Jack”