Robert Icke tackles Oedipus with the same verve as his celebrated Oresteia in a spectacular Toneelgroep Amsterdam production
“‘Het draait alles om, maar staat zelf stil”
You wouldn’t think Robert Icke could do it again, especially in another language, but his version of Oedipus for Toneelgroep Amsterdam is quite frankly phenomenal. Shifting it into the world of contemporary politics and digging into his familiar bag of tricks doesn’t seem revolutionary on paper but on stage, it was just electric. I don’t think the ticking countdown has ever been so brutally effective.
Hans Kesting’s Oedipus is a breath of fresh air in the politics of this Thebes and Icke sets the play in real time on election night, confining the action to the campaign office where Oedipus awaits the result with his family and friends. That wait is filled with tension, not least because he’s decided to start investigating the death of previous leader Laius which, if you’re not familiar with the plot, is a whole can of worms… Continue reading “Review: Oedipus, Stadschouwberg Amsterdam”