Best Actress in a Play
How to split these three? Why would you even want to. Their effortless grace, their ferociously detailed complexity, their heart-breaking connectivity, all three will live long in my mind.
Honourable mention: Victoria Hamilton, Albion
Not far behind in the fierceness stakes was this epic role of near-Chekhovian proportions, tailored by Mike Bartlett for one of his frequent collaborators. Quite why this hasn’t followed Ink into the West End I’m not sure.
Shirley Henderson, Girl From the North Country
Cherry Jones, The Glass Menagerie
Justine Mitchell, Beginning
Mimi Ndiweni, The Convert
Connie Walker, Trestle
Laura Donnelly, The Ferryman; Imelda Staunton, Who’s Afraid Of Virginia Woolf; Rosie Wyatt, In Event of Moone Disaster
Best Actress in a Musical
A second three-way tie? Hey, it’s my blog and my rules! From Dee thoroughly owning the Olivier through song and dance, to Gabrielle making me feel like I was hearing ‘Send in the Clowns’ for the first time, to the sheer beauty of Walker’s uncompromising love for her son, this was only way I could reward a banner year for leading female musical performances.
Sadly ineligible to win since her name doesn’t begin with J…, Giselle-Ward nevertheless blew me away at the heart of this gorgeous musical which, if there’s any justice, should continue the Hope Mill’s admirable record of London transfers.
Sharon D Clarke, Caroline or Change
Kelly Price, The Secret Diary of Adrian Mole Aged 13 ¾
T’Shan Williams, The Life
Carly Bawden, Romantics Anonymous; Sandra Marvin, Committee; Marisha Wallace, Dreamgirls;