Album Review: Heather Headley – Broadway My Way

Crikey, how I loved Heather Headley’s Broadway My Way, one of the best showtunes albums of recent years 

“I know that everything I need is in here”

I was unreasonably peeved at Heather Headley for a little while, taking her casting in the West End debut of The Bodyguard as a slight on UK talent, for which I was rewarded her not appearing when I saw the show! But on seeing this clip of her smashing ‘Memory’ out of the park, I realised I’d played myself in not trying to see the show again to witness her talent live.

The next best thing is her 2018 album Broadway My Way, which I’ve belatedly got round to listening to. And once again more fool me, as it is probably one of the best musical theatre albums I’ve had the privilege of hearing. A collection of songs both old and new, it is an absolute masterclass in reinterpreting material to make it so closely fit a voice as to suggest it was written just for it. Continue reading “Album Review: Heather Headley – Broadway My Way”

The Curtain Up Show Album of the Year 2016 nominees

Best UK Cast Recording
American Psycho – Original London Cast Recording
Close To You: Bacharach Reimagined – Original London Cast Recording
Funny Girl – Original London Cast Recording
Half A Sixpence – 2016 London Cast Recording
Kinky Boots – Original West End Cast Recording
Mrs Henderson Presents – Original London Cast Recording

Best American Cast Recording
Allegiance – Original Broadway Cast Recording
The Color Purple – New Broadway Cast Recording
Fiddler On The Roof – 2016 Broadway Cast Recording
Lazarus – Original Cast Recording
On Your Feet! – Original Broadway Cast Recording
Waitress – Original Broadway Cast Recording

Best Solo Album / Non Cast Recording
Cheyenne Jackson – Renaissance
Lin-Manuel Miranda – The Hamilton Mixtape
Idina Menzel – idina.
Kristin Chenoweth – The Art of Elegance
Nadim Naaman – Sides
Samantha Barks – Samantha Barks

CD Review: The Color Purple (2015 Broadway Revival Cast)

“They see more ’bout how things really are now”

After garnering Tony Awards for Best Revival and Best Actress in a Musical, the revival of The Color Purple is even more of a hot property so it is little surprise that a cast recording was made to crystallise this extraordinary reimagining of the show. The album was made late last year so actually came before award season but the writing was already on the wall at that point.
And it’s interesting to now have this to compare the Original Cast Recording, one which hasn’t gone down in history too well although I thought it sounded exemplary on listening to it recently. What John Doyle’s revival does seem to do though, is to strip away some of the Broadway-isms of the show to drill down to something more elemental. Something that was in ample evidence when I saw it at the Menier and which has been heightened here.
Notions of authenticity when it comes to theatricality are always bogus but there is undoubtedly a stronger feeling of Georgia in the air here, the smaller orchestra proving grittier in these arrangements and a new set of performance imbuing new, different, life into these characters. Cynthia Erivo took that Tony home and it is easy to see why, the raw truth in her voice perfectly suited to Celie’s arduous journey, finally flourishing into beautiful, soaring, warmth.
But it is Danielle Brooks (another escapee from Orange is the New Black – Kimiko Glenn is currently in Waitress and Uzo Aduba starred in The Maids on the West End) as Sofia who is the real revelation here (Erivo’s talents are of no surprise to UK theatregoers after all), a stunning performance of character that crackles with life and demands that you listen to every damn word she got to say and she needs to say…
Joaquina Kalukango’s Nettie is well done and it’s no crime that she’s not Renée Elise Goldsberry, but I do have to say that I was disappointed in Jennifer Hudson’s Shug, a vocal turn that does little to delve into the heart and damaged soul of this woman, beyond the superficial sass of ‘Push Da Button’. I’d love to be able to hear Heather Headley’s take on Shug instead, she’s now playing nightly at the Bernard B Jacobs Theatre as Hudson’s replacement, the only lead to have thus far left the production. 
So it’s a bit of a Celie’s choice – I like both of the Cast Recordings for The Color Purple in different ways, you should probably invest in them both!

2013 Laurence Olivier Awards nominations

Best New Play 
Constellations by Nick Payne – Duke of York’s Theatre
The Audience by Peter Morgan – Gielgud
The Curious Incident of the Dog in the Night-Time by Simon Stephens, adapted by Mark Haddon – National Theatre Cottesloe / Apollo
This House by James Graham – National Theatre Cottesloe / Olivier

Best New Musical
Loserville – Garrick
Soul Sister – Savoy
The Bodyguard – Adelphi
Top Hat – Aldwych

Best Revival 
Long Day’s Journey into Night – Apollo
Macbeth – Trafalgar Studios
Old Times – Harold Pinter
Twelfth Night – Globe / Apollo Continue reading “2013 Laurence Olivier Awards nominations”

2013 What’s On Stage Award nominations

THE DIGITAL THEATRE BEST ACTRESS IN A PLAY

Sheridan Smith – Hedda Gabler at the Old Vic
Billie Piper – The Effect, Headlong at the National, Cottesloe
Hattie Morahan – A Doll’s House at the Young Vic
Jill Halfpenny – Abigail’s Party at the Menier Chocolate Factory & Wyndham’s
Julie Walters – The Last of the Haussmans at the National, Lyttelton
Sally Hawkins – Constellations at the Royal Court Upstairs & Duke of York’s

THE DIGITAL THEATRE BEST ACTOR IN A PLAY

Rupert Everett – The Judas Kiss at Hampstead
Adrian Lester – Red Velvet at the Tricycle
David Haig – The Madness of George III at the Apollo
David Suchet – Long Day’s Journey into Night at the Apollo
Luke Treadaway – The Curious Incident of the Dog in the Night-time at the National, Cottesloe
Mark Rylance – Twelfth Night & Richard III at Shakespeare’s Globe & the Apollo Continue reading “2013 What’s On Stage Award nominations”

Review: The Bodyguard, Adelphi

“I know in my heart you’d find a girl who’s scared sometimes”

My first thought when I heard that they were making a musical version of 1992 film The Bodyguard supplemented by songs from Whitney Houston’s back catalogue was how on earth are they going to work my favourite of her songs, ‘I Wanna Dance With Somebody’, into that story. As it turns out, I needn’t have worried, but more of that later. Taking on the lead role in which Whitney made her acting debut is American import Heather Headley, although at this performance in the month of previews before it opens officially, we saw the alternate Gloria Onitiri (a familiar face from Avenue Q days) who made a sterling case for the vital importance of supporting Great British talent. 

For those not familiar with the film, Rachel Marron is a superstar pop singer-turned-actress who, unbeknownst to her, is receiving threats from a stalker and when her entourage employ ex-Secret Service agent Frank Farmer as a new bodyguard for her, sparks fly as the undeniable attraction between them threatens his professional distance and effectiveness. Several years in the making, Alexander Dinelaris’ book adapts Lawrence Kisdan’s original screenplay with a few changes: Rachel’s sister Nicki has a greater role; the identity of the stalker is handled differently and there’s a little modernisation to reflect a more tech-savvy and social-media friendly world.  Continue reading “Review: The Bodyguard, Adelphi”