“What does it feel like when you’re dancing?”
I got to revisit Billy Elliot the Musical as part of its 10th birthday celebrations this year and huge amounts of fun it was too – more than I was expecting actually since having seen the show before. But despite having run for a decade now, the production feels as fresh and exciting as ever, undoubtedly still “one of the best shows in town”. The full review can be read on Official Theatre here.
Running time: 3 hours (with interval)
Booking until 17th December 2016, for now
“When the stars look down and know our history”
And what history there is to behold – a run in the West End which has stretched for nearly a decade now, a company that ranges from ages 6 to 84 (surely a record!), a live broadcast to cinemas worldwide which was the first event cinema release to top the UK box office and which contained a finale that brought together 25 young men who have all played the role of Billy. That recording of Billy Elliot the Musical has now been released on DVD so that the theatrical experience can now be recreated in the comfort of your own home and allows to see the detail that you may have missed from your seat in the Victoria Palace Theatre.
That’s the crucial bit really. For all those that worry that filmed recordings are going to replace live theatre, there does seem to be a missing of this salient point that not everyone sees the show from prime seats in the centre stalls. The magic of the theatrical experience can and is tempered by uncomfortable seats and unfortunate viewing lines – so a DVD offering close-ups and other unique shots offers a much-welcomed addition to that experience – and as reasonable a deal as £105 is for a family ticket (the starting price I should add), £15 or so enables a necessary widening of access to a show, which captivate a new audience so much they decide to book tickets – this isn’t a zero-sum game. Continue reading “DVD Review: Billy Elliot Live”
“Thou art translated”
Perhaps at the time, this 1996 RSC adaptation of A Midsummer Night’s Dream by Adrian Noble was revolutionary in the way it reconceives the action of Shakespeare’s play, but to today’s eyes or at least mine in particular, it now feels rather hokey and dated. I suspect as well that something may have been lost in the translation from stage to screen as too often, the abiding vibe of this production was closer to a cheap music video.
It didn’t help that I disliked the opening conceit, and one that was carried through the whole show, of this being a figment of a young boy’s imagination, inspired by a book he’s reading. I could have lived with it had it just been at the beginning but the boy is a constant presence, we’re forever following his movements as we shift from scene to scene, but he has no real role in the show, no interaction with the characters and so it just becomes this clumsy device that continually rears its head. Continue reading “DVD Review: A Midsummer Night’s Dream (RSC 1996)”