Against a barrage of bad reviews, I tried to give Cats a fair hearing. There may have been wine involved…
“I remember the time I knew what happiness was”
I wanted to like Cats, honest. But…but…everytime you look at a detail in this unexpected horror film, there’s something ungainly or odd that distracts you inordinately:
the scale of the damn thing. The mind boggles as the cats change from being tiny compared to railway tracks to almost human-sized at Nelson’s Column, bringing almost any object into screen ends up pulling focus as you try and work out wtf is going on
why do some of them wear shoes (the ‘street’ cats in trainers, TSwift in heels…?) and of those who don’t, what’s with the toes
in fact the whole anthropomorphic thing. There’s cleavage and six packs but no genitals or anuses. You wouldn’t think it would bother you so much but there’s so many lingering shots of these places…!
the dancing cockroaches in danger of being eaten. Whyyyyyyyy?!
it’s rather amusing that pretty much every reaction shot of Dench is her looking aghast, we know how you feel Judi
An unfortunate waste of talent all-round I’m afraid.
“This is a true story, but except for my own, I’ve changed all the names and I’ve done my best to obscure identities for reasons that’ll become clear.”
Directed by Aaron Sorkin, Molly’s Game centers on the real-life memoirs of Molly Bloom, the “poker princess” who rubbed shoulders with Hollywood’s elite while hosting underground games in the basement of clubs and at the homes of her wealthy clients. It’s a poker movie that appeals to the masses, and while the action often takes place at the tables, it’s Molly’s life that is the focal point of the film.
Released in December 2017, Molly’s Game is a story of feminine power and ruthless intelligence, and any viewer who didn’t know better would think they were watching complete fiction. But director Sorkin, who won an Academy Award for directing The Social Network, as well as being well-known for screenwriting plays such as A Few Good Men, sticks closely to Bloom’s memoirs, in addition to drawing on his interviews. What we get is as close to an accurate account of Molly Bloom’s life, and even the seemingly sensationalized moments involving death threats from Russian mobsters draw right from Bloom’s own accounts. Continue reading “Film Review: Molly’s Game “
“So, because you can’t believe it’s true, logically it’s false”
So the second and final part of Series 4 of Lutheris done and well, it’s hard not to feel a little shortchanged. There’s been chatter about a movie and given that we only got 2 hours of screentime here, it’s hard to see why creator Neil Cross and star Idris Elba opted for a single two-parter split over two weeks as opposed the fiercer energy that a feature-length epic would surely have borne.
Episode 1 aired last week and did a decent job of pulling us back into the world of DCI John Luther, delving back into the show’s mythology and the tangled web of his own past but also moving forward with the dastardly exploits of a new serial killer, which proved to be the main hook for Luther’s return from semi-retirement. Part Two continues the blend, as John Heffernan’s marvellously malevolent cannabalistic killer continues his rampage and Luther deals with the past impinging severely on his present. Continue reading “TV Review: Luther (Series 4, Episode 2)”
It doesn’t quite seem right, calling this a new series of Lutherwhen it is just two episodes, but the return of Idris Elba’s maverick DCI is something to be celebrated nonetheless. Neil Cross’ two-parter finds John Luther on a leave of absence from the Met (as opposed to having jacked it all in as we might have thought), sequestered in a coastal cottage hideaway and still reckoning with the loss of his cop partner DS Ripley after the events of the last series. Almost straightaway though, the show runs into the problems that mark the whole episode.
the first ever episode way back when). They’re both new to the franchise (though weirdly not unfamiliar to Luther) but as there’s so little time, we have to assume an instant familiarity with them, and with the circumstances of Alice’s death and a new serial killer who is eating his way through East London. Continue reading “TV Review: Luther (Series 4, Episode 1)”
“You assert this fabulous moral conscience John, this adherence to unwritten law”
Despite finding Ruth Wilson’s performance as Alice Morgan one of the greatest things on TV, it was with a slightly heavy heart that I heard she would be returning to Lutherfor its third series. The way in which she was crowbarred into the second was no great success and I feared that familiarity might breed yet more contempt, but my faith in writer/creator Neil Cross was strong enough to see me through, along with the news that favourite-in-these-parts Elliot Cowan would be part of the guest cast.
The 4 part series essentially took the form of two 2-parters – the first making literal the horror trope of there being something under the bed and the second exploring vigilante justice, along with a series-long story which saw Internal Affairs turn the heat on Luther himself, trying to get to the bottom of just why so many of the people around him ended up dead. This latter strand didn’t really work for me, rehashing Dermot Crowley’s Schenk’s original role in the show, and adding a note of false jeopardy that never felt like it was going to go anywhere substantive. Continue reading “TV Review: Luther, Series 3”
Series 1, and particularly episode 1, of Luther has to rank as one of my favourite bits of television in recent years, so it was great news to hear that a second season had been commissioned. But given that my main enjoyment came from the ladies of the show, it was perhaps unsurprising that my enjoyment didn’t quite reach the same level. Taking place months after Series 1 finished, rebel detective John Luther has now joined the Serious and Serial Crimes division after some time off following the shocking events of the season finale. There, he continues to deal with the worst of human nature and utilising his own inimitable approach to catching these criminals.
For our purposes here on a Ruth Wilson level, there’s no denying that the character of Alice really has run its natural course and so it feels like a bit of a cheat having her be the first face we see just to recap the events of the series 1 finale. She reappears a couple of times after that but not in any meaningful way for the main story, so it’s a bit of a letdown. And Saskia Reeves’ Rose is not given the farewell she deserves as Luther’s former boss which feels a real shame, the impact of his repeated actions on her life and career could have been something rather interesting to explore. Continue reading “DVD Review: Luther Series 2”
“You don’t need to be thinking about Alice Morgan right now”
By the time that the television series Lutherstarted on BBC1, I was already keen on Ruth Wilson as an actress but the first episode of the first series – which now ranks as one of my all-time favourite pieces of television ever – confirmed her as one of the most exciting people we have working in this country. The show is a high-quality detective drama featuring Idris Elba as DCI John Luther, a member of the Serious Crime Unit, whose unconventional and often controversial methods frequently sets him at odds with his colleagues and his estranged wife who end up paying the price for his uncompromising genius.
Entirely written and created by Neil Cross, there’s a most pleasing continuous feel to the six-part series which combines a ‘story of the week’ format featuring some extremely gory and plain icky crimes with larger story arcs which build to the shockingly climactic finish of Episode 6. Ruth Wilson stars as research scientist Alice Morgan, who is involved in the former in Episode One but soon turns into the latter as a wonderfully twisted kind of relationship builds between her and Luther. It is hard to say much more without revealing too much for those who haven’t seen it – shame on you if you haven’t, go and watch it now! – but the way in which Wilson slowly subverts our expectations in that first hour is nothing short of superlative, the gradual reveal completely compelling, the way she says the word ‘kooky’ deserves an award category of its own. Continue reading “DVD Review: Luther Series 1”