“It’s quite different after you’ve grown up”
The hills are alive, with the sound of questions. Like, why. The UK’s first fully live musical theatre television broadcast saw ITV produce Rodgers and Hammerstein’s The Sound of Music though the result was a curious experiment that fell uneasily between two stools. Lacking the crucial energy that propels the best live theatre (which comes from an audience too), the production values (though often impressive) naturally fell short of the opportunities of filmed work
Which ultimately begs the question, what’s the point. Is the UK hankering for a new production of the show? It’s hardly as if we’re lacking for productions popping up regularly in theatres across the land. Is it showcasing the best of British musical theatre talent? In that case why cast someone like Strictly winner and former Eastender Kara Tointon as Maria and shunt the likes of Julie Atherton (one of the most outstanding performers we have, bar none) into the nun ensemble. Continue reading “TV Review: The Sound of Music Live”
““Everything in life is only for now”
There’s no show really that best typifies my love for the theatre, and specifically my love for London theatregoing, than Avenue Q. From its arrival at the Noël Coward Theatre in 2006, this was a show I fell head over heels for from the opening song and one that has provided constant pleasure to me ever since. Looking back, I think this counts up as my seventh visit to the show, plus one special Valentine’s Day cabaret show, and like every relationship it has had its ups and downs, but ultimately that’s only made my love for the show stronger and I was really pleased to be able to squeeze in one last visit to the final Friday afternoon show to bid it ‘furwell’.
As if I couldn’t have loved this show more, the grace and humour with which the closing notices were announced just melted my heart. I’ve borrowed images of the set of posters from the Avenue Q
Facebook page and posted them here to show you what I mean, I particularly love the ‘Available for Panto from 30 October’ line, it is so typical of the humour of the show and whoever has been in charge of the publicity should be commended for keeping a sense of humour throughout. The YouTube clip at the bottom is also well worth a watch.
Continue reading “Review (or more of a love letter): the fourth-to-last Avenue Q, Wyndhams”
“Ethnic jokes might be uncouth, but you laugh because they’re based on truth”
Now in its third home in the West End in its fifth year altogether, Avenue Q is proving to be something of an enduring success which fills my heart with joy. It is a couple of years since I’ve seen it, but when it first came out I just fell completely in love with the show, and particularly with the opening cast, and ended up seeing it about 5 times in the space of two years. A couple of trips to later incarnations of the cast left me a little disappointed, Jon Robyns, Simon Lipkin and Julie Atherton were just the dream team for me, and plus I ran out of people to take to it, so I hadn’t thought I would go again. However, a visit from a dear musical loving Canadian friend and a slight booking snafu for Wicked with lastminute.com meant we ended up at the half price ticket booth at Leicester Square and we plumped for this familiar old friend.
Having seen it so many times and having the soundtrack on my iPod means I know the songs inside out now, but I do maintain that Avenue Q is one of the best new musicals to have been written in the last decade. So many of the songs are classics, instantly catchy and running the emotional gamut from laugh-out-loud funny (so many to choose from but my favourites are probably ‘If You Were Gay’, ‘The Internet Is For Porn’ and ‘Everyone’s A Little Bit Racist’) to tear-in-the-eye touching (the end of ‘Fantasies Come True’, the beginning of ‘It’s A Fine Fine Line’). And they are just so sharp lyrically, full of zippy one-liners and the ring of truth. Continue reading “Review: Avenue Q, Wyndhams”