A musical theatre album with a difference, RE:arrangement – An Album by Nick Barstow is refreshingly bold
“I’ve been changed, yes really changed”
Nick Barstow is a multi-hyphenate of a different order – musical director, arranger, and composer, a behind-the-scenes triple threat if you will. And having made a success of his cabaret series RE:arrangement, he’s now released an album RE:arrangement – An Album by Nick Barstow which showcases his gift for reinventing musical theatre standards by the likes of Sondheim, Rodgers & Hammerstein and Kander & Ebb, with the help of some guest stars including Faye from actual Steps.
Perhaps unsurprisingly given the name of the album, some of these arrangements really are quite radical and really serve the purpose of making you look at these songs anew. So I can admire the decision to transpose the elegiac beauty of Ivor Novello’s ‘We’ll Gather Lilacs’ into full-on Jason Robert Brown territory (or is it more Jonathan Larson…?), delivered with real commitment by Noel Sullivan, whilst still craving the crystalline harmonies of Muriel Barron and Olive Gilbert.It’s just different is all. Continue reading “Album Review: RE:arrangement – An Album by Nick Barstow”
“It’s bound to be right on the night”
I remember being thoroughly enamoured of Gay’s The Word at the Finborough back in 2012 and its leading lady Sophie-Louise Dann before I really knew who she was. Now I’m a full paid-up member of her fan club, I wish I had been able to appreciate how great (and rare) a leading lady performance it was. This 1951 Ivor Novello show received its first ever revival here but whereas sometimes one can tell exactly why something has been collecting dust on the shelf, Stewart Nicholl’s production revealed a hidden gem.
As with much of Novello’s work, it is sparkly and silly but sweetly and sincerely done so that its genuine warmth elevates the whole affair. It helps that he was poking fun at his own reputation for daffiness in his writing and the show-in-a-show conceit allows for a wider variety of musical styles to be incorporated. But it is classic, old-school musical theatre through and through with songs that sound as instantly recognisable as if they’ve been played over and over in music halls and theatres across the country for decades. Continue reading “Album Review: Gay’s The Word (Original 2012 London Cast)”
“On such a night as this”
The Finborough Theatre has long been well regarded as a powerhouse of intimate (not small!) theatre, developing a strong reputation on two fronts with its rediscoveries of old plays and in the promotion of new writing. But though the space above the rather lovely wine bar is petite, their productions never are and this revival of Ivor Novello’s Gay’s the Word, on for just six performances (now extended by two), features a cast of 19. Last year’s Perchance to Dream, another of Novello’s neglected works, was a genuine pleasure to watch – introducing me to the song ‘We’ll Gather Lilacs’ which has never since left my head – and so anticipation was indeed high for this.
This is incredibly the first professional revival of Gay’s the Word despite it being quite the success in the early 1950s. The plot is frothy nonsense, but a bit of candy floss is delightful now and then. Gay Daventry is a leading lady whose light is fading a little and when facing bankruptcy after an out-of-town flop, seizes on the chance bequest of a keen younger actress and opens up a drama school. But it isn’t plain sailing by any means as the money starts to run out, the doddery teachers grow frustrated with the lack of talent in the student body and some dastardly smugglers also arrive to cause further mayhem. Will Gay be able to save the day with some of her trademark vitality? What do you think 😉 Continue reading “Review: Gay’s the Word, Finborough”
“If you run out of words, just burst into song”
The Finborough Theatre in West London has had an excellent record in reviving British musicals as part of their “Celebrating British Music Theatre” series and marking the 60th anniversary of the death of composer Ivor Novello is Perchance to Dream, sliding into the Sunday/Monday slot there for the month of September. It is the first professional London production for 25 years of this show devised, written and composed by Novello himself, the only show for which he wrote the lyrics.
It is an unashamedly romantic musical, centring on the country pile Huntersmoon and the tangled love affairs of its residents as we glide from the Regency era, through Victorian times and to WWII as the ghosts of the past continue to haunt future generations. But it is the glorious music that commands the attention as Novello’s score incorporate such classics as ‘Love Is My Reason’, ‘A Woman’s Heart’ and ‘We’ll Gather Lilacs’: classic songwriting close to its best. Continue reading “Review: Perchance to Dream, Finborough”