Review: The Ocean at the End of the Lane, National Theatre

The theatrical magic of the excellent The Ocean at the End of the Lane finds a perfect home at the National Theatre

“A rip in forever where possibilities begin”

Based on the novel by Neil Gaiman and adapted by Joel Horwood, The Ocean at the End of the Lane is pretty much perfection at the National Theatre. Katy Rudd’s production is a triumph of creative endeavour, as she melds her various elements into a couple of hours of real theatrical magic. Key is Steven Hoggett’s inimitable movement, creating a wonderful sense of fluidity throughout, but particularly in the scene changes. The seamless ensemble work that results plays a huge part of the thoroughly enchanting world-building going on here.

That world is the England of fairytales, Sussex farmland where the fabric of the universe is thin. There, a boy meets a girl and in their japes, a monster breaks through from another world, so far so fantasy. But even the simple act of whipping props on and off stage becomes something more profound (the cooker moving just out of Dad’s reach…), manipulating fearsome puppets (designed by Samuel Wyer and directed by Finn Caldwell) makes something of an artistic statement, or just lying on the ground to embody some creature or other finds a similarly strange beauty. Continue reading “Review: The Ocean at the End of the Lane, National Theatre”

Review: Imperium II – Dictator, Gielgud

In which Imperium II: Dictator continues a compelling look at (Roman) politics at the Gielgud Theatre but in which I also feel obliged to point out just how male-heavy Imperium skews 

“We are at the mercy of the people of Rome”

Previously on Imperium

  • we enjoyed ourselves
  • we struggled to differentiate between the many names beginning with C
  • we puzzled at why people wore their togas with one bit draped impractically over a forearm
  • we marvelled at how shiny everyone’s leather sandals seemed to be
  • and we grieved at how woefully the wonderful Siobhán Redmond was underused, at how indeed the whole production treats women

The second part of this summer’s Roman epic – Imperium II: Dictator – continues much in the same vein as the first. Mike Poulton’s adaptation capturing much of the sweeping vistas of Robert Harris’ Cicero novels, and Richard McCabe excelling as that noble Cicero who increasingly reveals himself as all-too–hubristically-human.  

But as we reach the seventh hour of drama in this testosterone-heavy world, you can’t help but feel that the women, both of the time and of this company, are relatively hard done by. Between the male gaze of Harris to Poulton to Doran to McCabe, the relentless focus on the political over the personal doesn’t give us much sense of Cicero the man versus Cicero the politician. Continue reading “Review: Imperium II – Dictator, Gielgud”

Review: Imperium I – Conspirator, Gielgud

Imperium I: Conspirator is the entertaining first part of the seven hours of a proper Roman epic from the RSC (thankfully with air-con in the Gielgud Theatre)

“Stupid people tend to vote for stupid people”

With the weather as it is, there are worse ways to spend a day in London than in the blissfully air-conditioned Gielgud Theatre. There, you can partake in the near seven hours of the two-part theatrical extravaganza that is Imperium. First seen at the RSC last winter, Mike Poulton’s adaptation of Robert Harris’ Cicero novels have a suitably epic feel to them and, anchored by an excellent lead performance from Richard McCabe, also have a real thrill factor.

The first part – Imperium I: Conspirator – follows Roman consul Cicero’s valiant efforts to defend the republic and the rule of law against rebellion and rivalries. And in the hands of McCabe, his silky rhetoric is a joy to behold as he secures his primacy, relying on political manipulation where necessary. Whether defeating Joe Dixon’s Catiline, trying to outmanoeuvre Nicholas Armfield’s slippery Clodius or pin down the wildly ambitious young buck named Julius Caesar (a superb Peter de Jersey), his actions are gripping.  Continue reading “Review: Imperium I – Conspirator, Gielgud”

Full cast of the RSC’s Imperium announced

The Royal Shakespeare Company has announced casting for the upcoming productions of Imperium parts one and two. Richard McCabe will take on the role of Cicero in Mike Poulton’s adaptations of Robert Harris’ novels alongside Siobhan Redmond as Terentia, Cicero’s wife. Joseph Kloska will play Cicero’s servant Tiro, who narrates their adventures. Continue reading “Full cast of the RSC’s Imperium announced”