And here it is, the point at which I stopped loving new Doctor Who, even in a series that has two of the best episodes it has done, and the first series that I haven’t ever rewatched in its entirety. I do enjoy Matt Smith’s Eleven immensely but the writing across this season – which was split into two for transmission – was just fatally erratic for me. Alongside the innovative work from Neil Gaiman in The Doctor’s Wife and Steve Thompson in The Girl Who Waited, two contrasting but superlative pieces of writing, stories such as The Curse of the Black Spot and Night Terrors took the show to a less sophisticated place – (or do I really mean that I started to feel that this version of Doctor Who wasn’t necessarily aimed at me…?)
Even the big finales (for there were two, one for each half) fell a little flat. The premonition that the Doctor would “fall so much further” than ever before in A Good Man Goes to War raised expectations only to be dashed by an overloaded episode with little emotional heft aside from the River Song reveal, and The Wedding of River Song suffered from the general over-use of the characters dying-but-not-really-dying trope (poor Arthur Darvill…). That said, the high points of the series are so very good – the striking US-set opening double-bill, the Doctor finally meeting the TARDIS, and brain-scratching sci-fi with real heart. Frustratingly inconsistent. Continue reading “Countdown to new Who: Doctor Who Series 6”
“I’ve seen many things, my friend. But you’re right. Nothing’s quite as wonderful as the things you see”
So as David Tennant’s Ten regenerates into Matt Smith’s Eleven, Doctor Who also changed showrunner/lead writer/executive producer/oddjob man as Steven Moffat took over the reins from Russell T Davies. The pressure was on both to deliver – the relatively unknown Smith had low expectations, Moffat had sky-high ones due to his much-garlanded writing – and I don’t think you can argue that they didn’t. Smith revealed an impossibly ancient soul to his youthful frame with a Doctor unafraid to be as angrily dark as hyper-actively quirky. And Moffat constructed a complex series, introducing the depths of new companion Amy Pond slowly, and building to a multi-stranded timey-wimey finale that makes the head hurt just to think about it.
Elsewhere, the overused Daleks returned in multicoloured format, the Weeping Angels were much more successfully reprised in a stonking double-header, the Silurians also came back, and Arthur Darvill’s Rory grew in stature to become an effective second companion as opposed to a third wheel. Oh, and Helen McCrory stole the show, but then you knew I’d say that didn’t you 😉 Continue reading “Countdown to new Who: Doctor Who Series 5”
“You wouldn’t see Harold Pinter pushing vans down the street”
It is more than 15 years since Maggie Smith starred in Alan Bennett’s The Lady in the Vanin the West End but one can only imagine that the intervening years have deepened and enriched her performance as in this cinematic version, directed by Nicholas Hytner, she is just fantastic. The titular lady is Miss Shepherd, a cantankerous homeless woman who sets up shop on a Camden street in her junk-filled camper van and strikes up an unlikely friendship with Bennett, in whose driveway she eventually convinces him to let her park.
This happened in real life to Bennett, she spent 15 or so years there in the end, and amping up the realism, the film was shot on location in the real street but it is also a highly theatrical version of events. Alex Jennings plays two iterations of Bennett, one the somewhat timid man, the other the acutely observational writer inside, and they often argue with each other, disagreeing on whether things happened a certain way, and debating his various reasons for letting Miss Shepherd so totally into his life. Continue reading “Film Review: The Lady in the Van”
“Let the moment go, don’t forget it for a moment though”
The big screen version of Stephen Sondheim’s Into the Woodshas now become a huge box office success, apparently heralding a new golden age of movie musicals, and as a musical it comes complete with a soundtrack which you can get in either single-disc or deluxe-double-disc edition.
The main reason to get this soundtrack would be to get Emily Blunt’s gorgeous renditions of her songs. Her voice was an absolute revelation in the film and she brings such character to The Baker’s Wife that is just irresistible – she nails all the emotional colour of ‘Moments in the Woods’ and blows James Corden off the turntable with her wondrous delight in ‘It Takes Two’. I remain a fan of Anna Kendrick’s Cinderella and Meryl Streep’s Witch is also good, solid rather than spectacular if we’re being picky, in her solo moments. Continue reading “Album Review: Into the Woods soundtrack”
“Into the woods to see the King, to sell the cow, to make the potion”
After the Oscar-winning success of Chicago, it is little surprise that Rob Marshall keeps returning to the world of musical theatre for his films and it is now the turn of Stephen Sondheim and James Lapine’s Into the Woodsto get the full cinematic treatment. The story pulls together a whole raft of characters from various fairytales and asks the question ‘what happens after happy ever after?’. So we meet familiar characters like Little Red Riding Hood, Rapunzel and Jack on their respective journeys but keep on following them deeper into the woods as they’re forced to deal with the consequences of their actions.
So Cinderella has to deal with the fact she’s married to a man she barely knows, Jack is called out for thieving so many of the Giant’s possession back down the beanstalk and so on, and the characters also crash into each other’s stories too, further muddying the waters. At the heart of the film is the Baker and his wife whose desperation for a child is a key contributing factor to the chaos that emerges and Marshall manages to keep the strands of this multi-threaded story clear and comprehensible – the staging is rarely audaciously exciting but the lack of tricksiness actually works in the film’s favour.
Next up in the list of films I didn’t think I’d ever watch was Paul Potts’ biopic One Chance. For those not in the know or at least have little knowledge of Britain’s Got Talent, he emerged as the winner of the first series, his backstory as an unremarkable mobile telephone salesman with bad teeth the perfect foil for a rich operatic tenor. And as it turns out, his life was a catalogue of misfortunes, bullying and bad health holding back his dream of becoming a singer – perfect material to make into a film one might think.
Not on this evidence. David Frankel’s film is hamstrung from the outset by the fatal miscasting of James Corden in the leading role. Potts, or at least the version that is presented here, is a shy, retiring type full of crippling vulnerabilities and crucially enlivened through the gift of music but Corden conveys little, if any of this through his performance. He’s not helped by having to mime along to Potts’ own voice but there’s something more fundamentally wrong here, Corden’s cursory attempts at impersonation horribly superficial. Continue reading “DVD Review: One Chance”
“Sometimes it’s not about knowing the right answer”
Starter for 10may only have been filmed seven or eight years ago but for several of its leads, it feels like a lot longer. For it is a great opportunity to see James McAvoy, Rebecca Hall and Benedict Cumberbatch earlier in their careers and all exhibiting a youthful freshness which has now matured out of their performances. David Nicholls wrote the screenplay from his own novel, about a working class Essex lad to makes it to university in Bristol, the first in his family, and pursues his long-cherished dream of participating in TV quiz show University Challenge.
McAvoy plays Brian, the naïf at the heart of the story, looking almost impossibly young and appealingly handsome and there’s fun to be had in his awkwardness at settling into uni life, his pursuit of the brittle TV presenter wannabe blonde Alice, played by Alice Eve and his burgeoning friendship with Rebecca Hall’s politically active student Rebecca. Hall is wonderful here, full of quirky charm and wry humour and as the ‘right’ one for Brian, even though he can’t see it, there’s a great pull to their relationship. Continue reading “DVD Review: Starter for 10”
An intermittent feature on here over the last few months has been my discovery of the world of short films (you can read my other collections of reviews by clicking on the tag ‘film’ below) and it has been amazing how many links have been sent to me since I started, recommending this film and the other. It may take me a little while to get round to them all, but do keep the suggestions coming in. Continue reading “Short Film Review: #6”