Review: Much Ado About Nothing, Katzplace

A youthful and enthusiastic Much Ado About Nothing from Exploding Whale in the Katzpace Studio Theatre in London Bridge

“Is not that strange?”

A new theatre for me is always a treat and one tucked away under a bierkeller even more so (I still don’t know how I resisted some pre-show spätzle to go with my lovely Rosarda beer…). Katzpace has been open for a year in the basement of the wittily named Katzenjammers and it even has its own theatre company in residency – Exploding Whale – who are currently mounting a revival of their 2015 production of Much Ado About Nothing.   

In this quirky little 50 seater studio, a quirky little adaptation emerges, wittily directed by Mischief Theatre’s Ellie Morris. Relocated to a modern office setting, its first half is full of delightful little twists. Office politics in place of military tensions, work parties in place of masquerade balls, and the consequent tangled inter-relationships as suited to strip-lighted open plan rooms as they are to Sicilian sunshine. It’s a surprise they haven’t gone the whole hog and have war break out because someone used the microwave to reheat fish!   Continue reading “Review: Much Ado About Nothing, Katzplace”

Album Review: Gay’s The Word (Original 2012 London Cast)

“It’s bound to be right on the night”

I remember being thoroughly enamoured of Gay’s The Word at the Finborough back in 2012 and its leading lady Sophie-Louise Dann before I really knew who she was. Now I’m a full paid-up member of her fan club, I wish I had been able to appreciate how great (and rare) a leading lady performance it was. This 1951 Ivor Novello show received its first ever revival here but whereas sometimes one can tell exactly why something has been collecting dust on the shelf, Stewart Nicholl’s production revealed a hidden gem.

As with much of Novello’s work, it is sparkly and silly but sweetly and sincerely done so that its genuine warmth elevates the whole affair. It helps that he was poking fun at his own reputation for daffiness in his writing and the show-in-a-show conceit allows for a wider variety of musical styles to be incorporated. But it is classic, old-school musical theatre through and through with songs that sound as instantly recognisable as if they’ve been played over and over in music halls and theatres across the country for decades. Continue reading “Album Review: Gay’s The Word (Original 2012 London Cast)”

Review: Gay’s the Word, Finborough

“On such a night as this”

The Finborough Theatre has long been well regarded as a powerhouse of intimate (not small!) theatre, developing a strong reputation on two fronts with its rediscoveries of old plays and in the promotion of new writing. But though the space above the rather lovely wine bar is petite, their productions never are and this revival of Ivor Novello’s Gay’s the Word, on for just six performances (now extended by two), features a cast of 19. Last year’s Perchance to Dream, another of Novello’s neglected works, was a genuine pleasure to watch – introducing me to the song ‘We’ll Gather Lilacs’ which has never since left my head – and so anticipation was indeed high for this.

This is incredibly the first professional revival of Gay’s the Word despite it being quite the success in the early 1950s. The plot is frothy nonsense, but a bit of candy floss is delightful now and then. Gay Daventry is a leading lady whose light is fading a little and when facing bankruptcy after an out-of-town flop, seizes on the chance bequest of a keen younger actress and opens up a drama school. But it isn’t plain sailing by any means as the money starts to run out, the doddery teachers grow frustrated with the lack of talent in the student body and some dastardly smugglers also arrive to cause further mayhem. Will Gay be able to save the day with some of her trademark vitality? What do you think 😉 Continue reading “Review: Gay’s the Word, Finborough”