“Don’t forget your banjo”
Take a deep breath… the 1963 musical Half A Sixpence by Beverley Cross and David Heneker, based on the HG Wells novel Kipps: The Story of a Simple Soul, has been adapted anew for Chichester audiences with Julian Fellowes writing a fresh book and George Stiles and Anthony Drewe adding new music and lyrics to Heneker’s original songs. And because Cameron Mackintosh is Cameron Mackintosh, he gets a co-creator credit.
Originally written as a star vehicle for Tommy Steele, Half A Sixpence is the story of Arthur Kipps, an orphan who dreams of a better life whilst earning a pittance as a draper’s assistant in Shalford’s Bazaar, Folkestone. An unexpected bequest thrusts a fortune into his hands but his meteoric rise in society leaves him conflicted about his place in life as his heart is pulled between two very different young women (and a banjo). Continue reading “Review: Half A Sixpence, Chichester Festival Theatre”
“Has there ever been a moment
With so much to live for?”
Dammit – one of the key rationales behind my Broadway blowout last winter was seeing actors I didn’t think I’d otherwise have the chance to see in the West End, Glenn Close being chief among them and thus I forked out a pretty penny to see her in Edward Albee’s A Delicate Balance. So naturally her return to these shores was announced a few months later with a reprisal of her Tony Award-winning performance as Norma Desmond in Andrew Lloyd Webber’s Sunset Boulevard.
And as with last year’s Sweeney Todd here at the Coliseum too, director Lonny Price and the ENO have returned to the semi-staged format which allows them to mount a bare-bones production and still charge full whack for tickets, prices thus go up to £150. I understand that money has to be made, especially for an organisation in as perilous a position as theirs and they say at least 400 tickets at every performance is available at £25 or under (altitude training not provided though…) Continue reading “Review: Sunset Boulevard, London Coliseum”
“Sock hops, soda pops, going to the malt shop”
“Sunday Monday Happy Days…” It is 40 years since ‘50s-set sitcom Happy Days started on US television screens and rose to iconic status, not least because of the creation of one of TV’s most enduring characters in The Fonz. And though it is 30 years since it came off air, a stage musical based on the show is hoping to capitalise on its retro appeal and all-American charms, with a considerable UK tour kicking off here at the Churchill Bromley.
With a book by original creator Garry Marshall and music and lyrics by Paul Williams, the show’s pedigree is beyond question, not least in the presence of Henry Winkler, the Fonz himself as a creative consultant. And in reintroducing the world of Arnold’s diner, the chirpy high-school kids that go there and the mom and pop tolerance of their hi-jinks, the show certainly succeeds in the fold-out resourcefulness of Tom Roger’s set and period-bright costume design. Continue reading “Review: Happy Days the musical, Churchill Bromley”