There’s much to like about Dear Evan Hansen at the Noël Coward Theatre, not least a brilliant lead performance from Sam Tutty
“Will I ever be more than I’ve always been?”
After seeing Dear Evan Hansen, you realise that its title can be taken two ways. It’s the salutation on a letter that precipitates a world of trouble for the awkward teenager and those around him as per Steven Levenson’s effectively contemporary book. But it also ultimately emerges as an affectionate form of address, troublingly so as the show latterly pulls its punches around some of the harder-hitting topics that it raises.
High-school senior Evan’s life is crippled by social anxiety. His hard-working single mum barely has time for him, he’s got no mates to speak of, and his therapist keeps setting him homework. Then when one of his classmates Connor Murphy dies by suicide, a chink of light unexpectedly cracks through his depression, as an unlikely chain of events leads him to claiming that they were best friends in order to emotionally support the grieving family. Continue reading “Review: Dear Evan Hansen, Noël Coward Theatre”
“We’re down on our knees braving rabies and fleas”
Lynn Ahrens and Stephen Flaherty’s Ragtime was one of the highlights of the musical year in London and along with their revival of Howard Goodall’s The Hired Man, marked a year with remarkable highs for the Landor Theatre in Clapham. Their small-scale but big-impact productions have proved a welcome boost to the London fringe musical scene, marked by their success in the Offies awards last week, and the Landor are clearly looking to maintain that by reviving Ahrens and Flaherty’s first show Lucky Stiff. A frivolous musical farce, based on Michael Butterworth’s The Man Who Broke The Bank At Monte Carlo, the plot revels in the nonsensical and ridiculous as we caper from a dowdy English shoeshop and an Atlantic City optometrist’s office to the glitzy casinos of Monte Carlo with gay abandon.
Harry Witherspoon’s existence selling footwear is thrown into chaos when an unexpected bequest from an unknown uncle falls into his lap, but with certain strings attached. In order to get his inheritance, Harry needs to take the embalmed body of his uncle on a trip to Monte Carlo and pass him off as alive, or else the money will go to the Universal Dog Home of Brooklyn. Further complicating matters is the uncle’s lover Rita, six million dollars worth of diamonds that have gone missing, an over-friendly Italian, cross-dressing maids, a representative of the dogs home with her eyes on the cash and a suspicious-looking Arab, as everyone descends on the South Coast of France in a madcap rush with much confusion ensuing. Continue reading “Review: Lucky Stiff, Landor”
Though the temptation is strong, and the actuality may well prove so, I don’t think I will be catching quite so much theatre in 2012 as I did last year. I could do with a slightly better balance in my life and also, I want to focus a little more on the things I know I have a stronger chance of enjoying.
So, I haven’t booked a huge amount thus far, especially outside of London where I think I will rely more on recommendations, but here’s what I’m currently looking forward to the most: Continue reading “Shows I am looking forward to in 2012”
“If I were you, I’d take a permanent vacation”
So part two of my West End Groupon deal and an interesting one for me as it was a long-running show that I can honestly say I would never have gotten round to going to see on my own behalf: Jersey Boys. The story of four guys, Frankie Castelluchio, Tommy DeVito, Nick Massi and Bob Gaudio who rose from their humble New Jersey beginnings to rise to the top of the charts as Frankie Valli and the Four Seasons.
Things did not get off to a good start with a rap version of ‘Oh! What A Night’ and being exhorted to clap along: it is just too early in the night to start with that business and it is not like it is the type of show where there is lots of audience participation so I found it an odd way to start. We then slid into the regular run of things with the story of how the group came together and then found success, being narrated in four quarters, or seasons (see it’s clever!) by each of the band members. The music, much of which was unfamiliar to me I have to admit, as by the band in their various performances and tours which I really liked, but then oddly, random songs became story devices. So, ‘Oh! What A Night’ became a tale of the group visiting a brothel and having his innocence plucked from him though with a premature ending (‘As I recall it ended much too soon’…!). It was a bizarre moment and one that didn’t work for me and I was glad to see the majority of the rest of the music being performance-based. Continue reading “Review: Jersey Boys, Prince Edward”