The Curtain Up Show Album of the Year 2019 winners

Controversial perhaps, but I disagree with all three of these decisions! You can’t trust the public to vote for anything these days… congratulations to all the winners though

Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
WINNER – Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording

Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
WINNER – Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)

Best Solo Album
Cassidy Janson – Cassidy
Ramin Karimloo – From Now On
WINNER – John Owen-Jones –Spotlight
Ben Platt – Sing To Me Instead
Jon Robyns – Musical Directions
Hayden Tee – Face to Face

The 2019 fosterIAN award winners

Best Actress in a Play
Sarah Niles/Natalie Simpson/Racheal Ofori, Three Sisters

Best Actress in a Musical
Audrey Brisson, Amélie the Musical

Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boys

Best Actor in a Musical
Jamie Muscato, West Side Story (Curve Leicester)

Best Supporting Actress in a Play
Monica Dolan, All About Eve

Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie, & Juliet 

Best Supporting Actor in a Play
Nick Holder, Faith Hope and Charity

Best Supporting Actor in a Musical
David Bedella, & Juliet

And my top 10 plays of the year:
1. The Curious Case of Benjamin Button, Southwark Playhouse
2. Call Me Fury, Hope Theatre
3. West Side Story, Curve Leicester
4. As You Like It, Queen’s Theatre Hornchurch
5. Islander, Southwark Playhouse
6. Amélie the Musical, Watermill Theatre/UK Tour/The Other Palace
7. & Juliet, Shaftesbury Theatre
8. Sexy Lamp, VAULT
9. Karaoke Play, Bunker Theatre
10. The Ocean at the End of the Lane, National Theatre

fosterIAN awards 2019

 WinnerRunner-upOther nominees
Best Actress in a PlaySarah Niles/Natalie Simpson/Racheal Ofori,
Three Sisters
Marieke Heebink,
Medea
Adjoa Andoh,
Richard II

Sharon D Clarke,
Death of a Salesman

Claire Foy,
Lungs

Leah Harvey,
Small Island

Chris Nietvelt,
De Kersentuin
Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boysCary Crankson,
Country Music
Tobias Menzies,
The Hunt

Daniel Monks,
Teenage Dick

Wendell Pierce,
Death of a Salesman

Matt Smith,
Lungs

Zubin Varla,
Equus
Best Supporting Actress in a PlayMonica Dolan,
All About Eve
Jackie Pulford,
Karaoke Play
Ronkẹ Adékoluẹjo,
Three Sisters

Janni Goslinga,
De Kersentuin

Pippa Nixon,
The Ocean at the End of the Lane

Cecilia Noble,
Faith Hope and Charity

Gemma Whelan,
Pinter Seven
Best Supporting Actor in a PlayNick Holder,
Faith Hope and Charity
Hugo Koolschijn,
De Kersentuin
Rupert Graves,
Pinter Five

John Heffernan,
Pinter Seven

Martins Imhangbe/Natey Jones,
Death of a Salesman

Arinzé Kene/Sope Dirisu,
Death of a Salesman

Ken Nwosu,
Three Sisters
Best Actress in a MusicalAudrey Brisson,
Amélie the Musical
Kirsty Findlay/Bethany Tennick,
Islander
Lucie Jones/Katherine McPhee,
Waitress

Miriam-Teak Lee,
& Juliet

Samantha Pauly,
Evita

Joanna Riding,
Follies

Zizi Strallen,
Mary Poppins
Best Actor in a MusicalJamie Muscato,
West Side Story (Curve Leicester)
Keith Ramsay,
Preludes
Andy Coxon,
West Side Story (Royal Exchange)

Jordan Fox/Michael Vinsen,
[title of show]

David Hunter,
Waitress
,
Charlie Stemp,
Mary Poppins

Oliver Tompsett,
& Juliet
,
Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie,
& Juliet 
Jocasta Almgill/Emily Langham,
West Side Story (Royal Exchange)
Laura Baldwin/Marisha Wallace,
Waitress

Tiffany Graves/Gabrielle Lewis-Dodson,
The Boy Friend

Claire Machin/Claire Moore,
Mary Poppins

Rebecca McKinnis/Lauren Ward,
Dear Evan Hansen

Carly Mercedes Dyer/Victoria Hamilton-Barritt,
The View UpStairs
,
Best Supporting Actor in a MusicalDavid Bedella,
& Juliet
Jack Butterworth,
The Boy Friend
Ricardo Afonso,
Jesus Christ Superstar

Rob Houchen,
The Light in the Piazza

Samuel Holmes,
Curtains

Cedric Neal,
The View UpStairs

Jez Unwin,
Amélie the Musical

2019 Best Actor in a Play + in a Musical

Best Actor in a Play

Lucian Msamati, ‘Master Harold’…and the boys
Something about the National Theatre seems to bring out the best in the already prodigiously talented Msamati, here he captures the heart of anyone who has ever disappointed a parent as his Sam suffers such cruel indignities with an unimaginable grace,

Honourable mention: Cary Crankson, Country Music
If there’s any justice in the world, Crankson will be an actor we will be talking about for years to come. Don’t miss any chance to see him, especially when it is as intense and intimate as this was.

Tobias Menzies, The Hunt
Daniel Monks, Teenage Dick
Wendell Pierce, Death of a Salesman
Matt Smith, Lungs
Zubin Varla, Equus

8-10
Gershwyn Eustache Jnr, Small Island; Ethan Kai, Equus; Gijs Scholten van Aschat, De Kersentuin

 

Best Actor in a Musical

Jamie Muscato, West Side Story (Curve Leicester)
In the battle of the Tonys, Muscato won me over with the effortless ease in which he utilises his magnificent voice. Looking as casual as you like as this would-be lover, his rendition of ‘Maria’ left about 95% of the Curve’s audience wondering how to get their name changed so that it’s about them. OK, me, it was me thinking that!

Honourable mention: Keith Ramsay, Preludes
A show that deserved more attention than it got, Ramsay’s extraordinary performance in an extraordinary production was a showstopper in Southwark.

Andy Coxon, West Side Story (Royal Exchange)
Jordan Fox/Michael Vinsen, [title of show];
David Hunter, Waitress
Charlie Stemp, Mary Poppins
Oliver Tompsett, & Juliet

8-10
Andy Mientus, The View UpStairs; Trent Saunders, Evita; Sam Tutty, Dear Evan Hansen

Review: West Side Story, Curve

No doubt about it, Nikolai Foster’s production of West Side Story for Curve Leicester is damn close to musical theatre perfection

“Could it be, yes it could
something’s comin’, something good”

The Royal Exchange may have gotten there first this year but Nikolai Foster’s production of West Side Story for Leicester’s Curve proves an absolute triumph. Going down a similar route of featuring brand-new choreography, here by Ellen Kane, the familiar becomes something refreshing and new and hugely emotionally satisfying. From its opening moments which set the anti-immigrant tone like never before, through Musical Supervisor Sarah Travis’ incredible treatment of this iconic Bernstein score, to Kane’s sensational set-pieces which fill every inch of the Curve’s stage, this is damn close to musical theatre perfection.

It works so well because for all of the epic sweep of its Romeo and Juliet-inspired story, this is a very intimate reading of it. Jamie Muscato and Adriana Ivelisse really are exceptional as the ill-fated lovers Tony and Maria, delivering an unforced chemistry that is sweetness personified. Theirs is a heady, instant passion that feels so natural as to be entirely captivating. Their flirting is delicately but determinedly done – there’s no mistaking what ‘Tonight’ holds here – and something ignites in them when together. And as understated as their acting is, magic happens when they start to sing. Muscato’s ‘Maria’ is as good as I’ve ever heard in my life, as natural as breathing and then taken up to the heavens with a touch of wonder with his deeply expressive tenor. And Ivelisse’s thrilling soprano imbues ‘I Feel Pretty’ with just the right amount of character to refresh its familiar rhymes. Continue reading “Review: West Side Story, Curve”

Album Reviews: The Secret Diary of Adrian Mole Aged 13 ¾ / Heathers / Calendar Girls 

A trio of quick London cast recordings – The Secret Diary of Adrian Mole Aged 13 ¾, Heathers and Calendar Girls 

“For a greasy little nobody, you do have good bone structure”

I was delighted to see a belated West End transfer for this lovely new musical by Jake Brunger and Pippa Cleary. I’ve loved every step of its journey and The Secret Diary of Adrian Mole Aged 13 ¾ (Original London Cast Recording) proves the perfect accompaniment as it captures so much of the energy of this most British of tales and sparky performances from the likes of John Hopkins and the luminous Kelly Price.

I didn’t however make it to Heathers, it just not appealing to me at all. With Heathers (Original West End Cast Recording), the opportunity to listen to this high school musical is now ours but I have to say, its charms elude me. There’s a fatal mismatch between the darkness of the source material (it really is a brutal film) and the breeziness of Laurence O’Keefe and Kevin Murphy’s pop-rock score that not even the quality of Carrie Hope Fletcher, Jodie Steele, Sophie Isaacs and Jamie Muscato’s strong performances can overcome.

And I thought I’d pay another visit to Yorkshire for Calendar Girls (Original London Recording) to see whether it stands the test of time. It proved an amiable if short-lived presence in the West End and listening to it again, I’d argue that there’s a gentleness to it that doesn’t quite linger long enough. Gary Barlow’s tunes are undeniably pretty but ultimately, they don’t really call out to be listened to over and again.

2019 What’s On Stage Award nominations

As we move towards the year end, so award season gets into full swing and What’s On Stage have now revealed their nominations celebrating everyone who works in theatre apart from sound designers and musical directors. As ever, these awards tend to work around which fanbase can weaponise the strongest and so there’s lots of love for shows which might not necessarily be troubling many other shortlists…

Still, am liking the recognition for Milly Thomas and Dust, Es Devlin’s luminous set work for Girls & Boys, and Six and The Grinning Man getting into the cast recording category (though can’t quite work out how Come From Away fits into there as well…). And it’s a bit sad that the way their eligibility period works means that Hamilton comes up against Company, making the supporting actress/actor categories ridiculously difficult to choose between.

You can vote here until 31st January, and winners will be announced on 3rd March.

Continue reading “2019 What’s On Stage Award nominations”

2018 BroadwayWorld UK Awards Shortlist

Best Actor in a New Production of a Musical
Alex Wadham, The Full Monty: The Musical, Old Joint Stock Theatre, Birmingham
Giles Terera, Hamilton, Victoria Palace Theatre
Jamal Kane Crawford, Fame, UK Tour
Jamie Muscato, Heathers The Musical, The Other Palace/Theatre Royal Haymarket
Louis Maskell, The Grinning Man, Trafalgar Studios
Marc Antolin, Little Shop of Horrors, Regent’s Park Open Air Theatre

Best Actor in a New Production of a Play
Aidan Turner, The Lieutenant of Inishmore, Noël Coward Theatre
Ben Batt, The York Realist, Donmar Warehouse/Crucible Theatre, Sheffield
Ian McKellen, King Lear, Chichester Festival Theatre
Matthew Tennyson, A Monster Calls, Old Vic
Reed Birney, The Humans, Hampstead Theatre
Tyrone Huntley, Homos, Or Everyone in America, Finborough Theatre Continue reading “2018 BroadwayWorld UK Awards Shortlist”