“Before I met you I was a civilised woman”
Based on the novel of the same name by Louise Doughty, psychodrama Apple Tree Yard has proved itself most watercooler-worthy with its twisting plot, classy cast and yes, controversial moments making it a hit thriller for the BBC. The story revolves around Yvonne Carmichael – celebrated scientist, mother of two, wife to Gary – who, when a chance encounter at work leads to an unexpected quickie with a literal tall dark and handsome stranger, finds her entire world tipped upside down by the consequences that follow.
Written by Amanda Coe and directed by Jessica Hobbs, the first episode plays out as a rather marvellous exploration of a 40-something woman rediscovering her sexuality and having the kind of illicit affair that makes you write naff diary entries (as Yvonne does…). But by the end of the first hour, the drama takes the first of several hard turns as [spoiler alert] she is brutally raped by a colleague. The use of rape as a dramatic device is one which should always be interrogated but here, coming from the text as it does and its devastating impact detailed as painstakingly as it was in episode 2, it felt appropriately handled and never gratuitous. Continue reading “TV Review: Apple Tree Yard”
“He wants people to face the consequences of what they say and do”
On the twelfth day of Christmas, Black Mirror gave to me…the bees, THE BEES!
After a slight hiccup in previous episode Men Against Fire, feature-length episode Hated in the Nation restored Black Mirror to its rightful glory to round off this third series. Adopting something of a police procedural approach and aligning itself closer to today’s society than the majority of previous instalments, this was a proper thriller and hugely enjoyable with it.
In a world where mini-drones have replaced the collapsing bee population, Kelly McDonald’s DCI Karin Parke is investigating a series of deaths where the victims are celebrities who have recently provoked the ire of social media. Along with newly transferred colleague and tech wiz Blue (Faye Marsay), solving the crimes leads them down a merry path of murderous hashtags, governmental misdemeanours and social responsibility. Continue reading “12 Days of Christmas – Black Mirror 3:6”
“It’s a blip when you’re 25, after 55 it’s a shambles”
Lesley Bruce’s An Interlude of Men is blessed with a brilliant pair of performances, Deborah Findlay and Barbara Flynn play Bren and Hilly whose lifelong friendship is thoroughly explored when Bren comes to stay and help as Hilly’s broken her wrist. They revisit girlhood memories and lament the time they drifted apart a little due to each being married and in the cosy warmth of nostalgia, they start to plan for a future together reclaiming that lost time. Bruce cleverly structures the rhythm of the play around the heady emotion of their initial reunion and the subsequent cooling off period and though it ends on a rather plaintive note, it sings with hard-won authenticity.
Riffing off of Chaucer’s The Wife of Bath, Edson Burton’s De Wife of Bristol is a wryly amusing take on the classic tale of one of the more vibrant characters in The Canterbury Tales and transplanted to the modern day, it gains real currency in its new location in the Afro-Caribbean community. Lorna Gayle’s Clarissa da Costa is a retired woman who has worked her way through a number of husbands and is now dispensing marital advice to recently arrived Jamaican housekeeper Shanti, a delicately moving Susan Wokoma. Shanti has her own tale to tell as well and together, they edge towards a way into the future. Jude Akuwidike, Cyril Nri and Alex Lanipekun are fun as the various men but make no mistake, this is a woman’s world.
Continue reading “Radio Review: An Interlude of Men / De Wife of Bristol / In the Depths of Dead Love”
“They are women without men, that’s all”
The list of actresses whom I adore is forever growing and changing but certain women remain constant on it, and one of them – who I never thought I would get to see on stage – is Shohreh Aghdashloo. She completely broke my heart in the film House of Sand and Fog (for which she was Oscar-nominated) and then toyed with our loyalties with a brilliant duplicitous turn in series 4 of 24. So when she was announced as taken on the titular role in the Almeida’s new version of The House of Bernarda Alba, I was ecstatic.
Emily Mann’s adaptation relocates Lorca’s Spanish story to rural Iran and changes a few of the names, but largely keeps the architecture of the play intact (although compressed into 95 minutes here). It is a relocation which is extremely successful, the oppression and repression of female sexuality sadly fitting in as easily here as in Catholic Spain and class issues are common across the world, making this a powerfully affecting, beautifully staged and haunting production that lived up to my every expectation. Continue reading “Review: The House of Bernarda Alba, Almeida”
“I would like to have a lot of sex with a man I like”
A Round-Heeled Woman made the unexpected jump from the Riverside Studios to the Aldwych Theatre to take advantage of the vacant West End theatre after the early closure of Cool Hand Luke. Adapted from a memoir by English Literature professor Jane Juska which detailed her sexual adventures when aged 66 and after 30 years of celibacy, she posted a personal ad in her favourite journal using the above-quoted line. 63 men responded and the show, written by Jane Prowse, goes through some of the adventures she has in re-engaging with her sexuality.
Sharon Gless is mostly excellent as Juska, warm and charismatic, which she needs to be to skate over the rougher edges of her character that the author has tried to smooth out. The troubled family history, the pointed self-centredness, Gless almost makes us forget about these things with an endearing sense of humour but I think that related to my perception of the actress rather than the character. Around her, a small ensemble cover a number of roles: Jane Bertish and Beth Cordingly play a pair of supportive friends nicely – Cordingly also doubles as a Trollope character amusingly well though I really didn’t care for this period addition to the drama. Continue reading “Review: A Round Heeled-Woman, Aldwych”
One is constantly learning when going to/reading /writing about theatre, there’s just so much of it to take in! Unknown to me, Eduardo Di Filippo is apparently a giant of Italian theatre but even this, The Syndicate – a version of Il Sindico Del Rione Sanità by Mike Poulton – is receiving its British premiere here, indicating that my ignorance is perhaps a little forgivable. Playing at Chichester’s Minerva Theatre, it boasts a healthy cast of 20 headed by Sir Ian McKellen, on a break from filming The Hobbit.
McKellen plays Antonio Barracano, a man smuggled to New York by the local Godfather after murdering a man in his native Naples. After many years accumulating wealth and reputation by working for the mob there, he returns to his hometown as a man of standing amongst the criminal classes who look to him to dispense his own individual brand of justice and one particular case, intervene in a vicious dispute between a son and his father, the son’s murderous urges reminding Don Antonio of his own youthful indiscretion. Continue reading “Review: The Syndicate, Minerva”