Book review: Time To Act – Simon Annand

Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage

Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.

Continue reading “Book review: Time To Act – Simon Annand”

News: 72-strong cast announced for Jermyn Street’s 12-hour Odyssey

Dame Janet Suzman, Miranda Raison, Michael Pennington, Jamael Westman and Kirsty Bushell among the 72 actors performing The Odyssey over 12 hours

In this digital theatrical first, Jermyn Street Theatre joins forces with The London Review Bookshop and publishers WW Norton to stage a live performance of all twenty-four books of Homer’s masterpiece Continue reading “News: 72-strong cast announced for Jermyn Street’s 12-hour Odyssey”

Book review: The Half – Simon Annand

The Half – Photographs of Actors Preparing for the Stage by Simon Annand

Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.

And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”

The 2017 Manchester Theatre Awards winners in full

New play
Gypsy Queen by Rob Ward, Hope Mill
How My Light Is Spent by Alan Harris, Royal Exchange
Narcissist in the Mirror by Rosie Fleeshman, Greater Manchester Fringe Festival – WINNER
Narvik by Lizzie Nunnery, Home

Opera
Cendrillon, Royal Northern College of Music, RNCM
La Cenerentola, Opera North, the Lowry
The Little Greats, Opera North, the Lowry
The Snow Maiden, Opera North, the Lowry – WINNER Continue reading “The 2017 Manchester Theatre Awards winners in full”

The 2017 Manchester Theatre Awards nominations

New play
Gypsy Queen by Rob Ward, Hope Mill
How My Light Is Spent by Alan Harris, Royal Exchange
Narcissist in the Mirror by Rosie Fleeshman, Greater Manchester Fringe Festival
Narvik by Lizzie Nunnery, Home

Opera
Cendrillon, Royal Northern College of Music, RNCM
La Cenerentola, Opera North, the Lowry
The Little Greats, Opera North, the Lowry
The Snow Maiden, Opera North, the Lowry

Actress
Karen Henthorn, Spring and Port Wine, Oldham Coliseum
Lisa Dwyer Hogg, People, Places and Things, Home
Nina Hoss, Returning to Reims, Manchester International Festival
Janet Suzman, Rose, Home Continue reading “The 2017 Manchester Theatre Awards nominations”

Review: Women Centre Stage: Power Play Festival, Hampstead

“Join the movement for righteous anger”

With over 100 cast, writers, directors and crew, and 25 plays (none of which were by Agatha Christie!) spread over 7 programmes, Sphinx Theatre’s Women Centre Stage: Power Play Festival was a full-on day indeed for those of us who stayed the course from midday to nearly 10pm, with scarcely time to imbibe yet another coffee as we moved from rehearsal room to studio to main house. But though I was 90% caffeine by the end, the buzz I was experiencing was one of delight at the sheer breadth and quality of the theatre we’d been privileged to witness.

The Women Centre Stage Festival was initiated by Sphinx to bring together artists, venues, commissioners and funders in expanding the range of women’s roles and this it has done in a number of different ways. Workshops ran throughout the week at the Actors Centre, a panel discussion broached the larger question of how to improve gender equality in theatre and the plays that were presented throughout the festival’s performance day ranged from works commissioned and developed from the 2105 festival, to the fruits of Sphinx Writers Group, to rapid responses to this week’s headlines. Continue reading “Review: Women Centre Stage: Power Play Festival, Hampstead”

Review: Women Centre Stage: Power Play Festival – New Women

“Engaging with the voices is a radically liberating move”

There was undoubtedly a lot of theatre during the Women Centre Stage: Power Play Festival but for me, the New Women session in the middle of the day was the highlight – three cracking pieces which variously looked to the past, the present and the future to thrilling effect. We started with a group new to me – The Hiccup Project – two Brighton based performers blurring the lines between dance, comedy, and theatre to create a most beguiling form of performance art.

Somewhat confessional, somewhat quirky, altogether fun, Cristina Mackerron and Chess Dillon-Reams’ May-We-Go-Round was a delight and a canny piece of programming as it was unlike anything else in all 10 hours of the day, made me excited to see further work by them and if nothing else, reminded us all of the benefits of a good skip. Looking to the past, Winsome Pinnock’s Tituba embroiders a rich emotional life for the character who almost incidentally appears in Arthur Miller’s The Crucible. Continue reading “Review: Women Centre Stage: Power Play Festival – New Women”

News – Women Centre Stage: Power Play Festival begins

Monday 14th November sees the launch of the Women Centre Stage: Power Play Festival at Hampstead Theatre and The Actors Centre. Produced by Sphinx Theatre Company and Joanna Hedges, Women Centre Stage exists to promote, advocate for and inspire women in the arts and has developed and commissioned a wide range of new work which uniquely brings together a diverse array of women characters far from the margins into centre stage.

This is the second year of Women Centre Stage and the festival features a range of workshops and creative comings-together which will culminate in the Performance Day on Sunday 20th November which will feature seven programmes throughout the day. This will include opportunities to see emerging work from new and established writers, plays commissioned from last year’s festival, and see four playwrights respond the headlines of the day in writing a new play each in 24 hours. 

“What will we say at the Women Centre Stage Festival? Enough of being backgrounded. The world will just have to get used to our stronger presence in every walk of life and art. I’m happy to be part of that conversation.” 

Dame Janet Suzman.

(c) Ruphin Coudyzer
Reflecting the significance of the festival and the work it has been and will continue to achieve, there’s a mightily impressive role call of British talent contributing to the programme. Writers such as Rebecca Lenkiewicz, Evening Standard Award-winning Charlene James, Dawn King, Howard Brenton, Vinay Patel, April de Angelis and Sabrina Mahfouz will be represented with actors like Dame Janet Suzman, Ann Mitchell, Maggie Steed, Cecilia Noble and Ronke Adekoluejo treading the boards.


It all promises to be a fascinating and valuable day and I’m currently planning to attend a significant amount of the programme – more details below – and if you’re interested in coming along too, then take a look at their website here

Programme for the Performance Day – Sunday 20th November

A Question of Identity – 12.00pm

Three performances from emerging companies and artists looking at the question of female identity, featuring F*cking Feminists by Rose Lewenstein originally commissioned by Theatre 503 and Mama Quilla, Road to Huntsville by Stephanie Ridings originally commissioned by China Plate, Warwick Arts Centre and mac birmingham and Battleface by Sabrina Mahfouz originally commissioned by the Bush Theatre.

Women on the Edge – 1.30pm

Sphinx Theatre presents three plays commissioned and developed from the 2015 festival featuring She Didn’t Jump She was Pushed by Matilda Ibini starring Anita Joy Uwajeh and Ronke Adekoluejo, Man- Up by Camilla Harding and Alexandra Sinclair and Justice by Judith Jones and Beatrix Campbell.

In Conversation: Changing the Landscape – 2.45pm

How can we encourage change in the cultural landscape to improve gender equality in theatre? A panel discussion chaired by Sarah Crompton former Arts Editor in Chief at the Telegraph with playwright Timberlake Wertenbaker, Suzanne Bell – New Writing Associate at Royal Exchange Theatre and Elizabeth Newman -Artistic Director of the Octagon Theatre.

PRIDE and Prejudice – 4.00pm

Presenting work which provokes us to talk about prejudice. Join us for Chloe Todd Fordham’s The Night Club, an excerpt of Tanika Gupta’s A Perfect Match plus Graeae Theatre Company showcase 6 brand new pieces from an all female Deaf/disabled creative team featuring writers from all over the UK; promoting empowering female narratives and shining new light on the perceptions (and misperceptions) of women today.

New Women – 5.30pm

We present new plays by April de Angelis, and Winsome Pinnock including performances by Janet Suzman, Kathryn Pogson and Cecilia Noble plus The Hiccup Project join us straight from tour to present an excerpt of May-We-Go-Round.

Sphinx Writers Group: Power Play – 7.00pm 

Six months in development, we present new writing from the Sphinx Writers Group; Dawn King, Georgia Christou, Jessica Sian and Catriona Kerridge.

24 Hour Plays: Making Headlines – 8.30pm

Four writers are given 24 Hours to write a new play responding directly to that days news headlines. The new work will be rehearsed on the day of the festival and presented at the end of the day as the Festival Finale. Featuring four new plays from Howard Brenton, Rebecca Lenkiewicz, Charlene James and Vinay Patel. Ann Mitchell and Maggie Steed plus others will join us to perform in this hour of exciting new writing.

Review: The Odyssey, Almeida/Live-stream

“I’m stunned with wonder”

When Rupert Goold first announced the #AlmeidaGreeks season with all its familiar titles, I don’t think anyone could have predicted how genuinely epic a sweep of theatrical innovation it would usher in. From the extraordinary Oresteia to the shattering Bakkhai and Medea, the radical main house programme has been supported by a wide range of supplementary activity, not least the 16 hour, 60+ actor retelling of The Iliad (which can now be viewed in full on the Almeida website).

So it’s only natural that as the season draws to an end, it is bookended by another Homeric extravaganza in The Odyssey, again with 60 odd actors participating in a 12 hour non-stop feat of major storytelling which was live-streamed on t’internet. And conscious of raising the ante, directors Rupert Goold and Robert Icke took us on a literal journey, putting the players in taxicabs, boats, buses, trekking across rooftops and down busy streets to bring Ithaca to Islington as Odysseus winds his way home. Continue reading “Review: The Odyssey, Almeida/Live-stream”