A pair of dreamy album reviews with Matthew Croke’s Only Dreaming & Anna O’Byrne’s Dream
“Moonlight and love songs
Never out of date”
There’s only a few weeks left to catch Aladdin onstage in London so what better time to sample the debut album from Agrabah’s finest son. Matthew Croke’s Only Dreaming was released earlier this year and serves as an excellent showcase for his smoothly appealing voice. He’s a Disney leading man through and through and whether paying tribute to his current home in the sweetly lovely ‘Proud of Your Boy’, or urging us to ‘Go The Distance’ with Hercules, it’s hard to resist him.
The emphasis in this collection is mainly on classic musicals, so we get ‘Singin’ in the Rain’, ‘Something’s Coming’ from West Side Story (though I’m not the biggest fan of the arrangement used here) and a gorgeous ‘Beautiful City’ from Godspell. There’s a nod to more modern musical theatre too, in the form of powerful versions of ‘Fight the Dragons’ from Andrew Lippa’s Big Fish and ‘This Is Not Over Yet’ from Jason Robert Brown’s Parade. Top of the pops for me though is the stirring rendition of The Wiz’s ‘Home’ which more than justifies the whole album. Continue reading “Dreamy Album Reviews: Matthew Croke – Only Dreaming & Anna O’Byrne – Dream”
Lots of fun at Leicester Square Theatre for Ramin Karimloo’s intimate concert with Seth Rudetsky and a whole load of special guests
“I knew where I needed to be”
The Broadway @ The Leicester Square brand is one which surfaces infrequently but always pays rich rewards when it does. Having attracted Patti LuPone, then Audra McDonald
and John Barrowman
into the intimate surroundings of an informal chat and sing-song arrangement with Seth Rudetsky, it is now Ramin Karimloo’s turn to deliver such a boutique concert.
The particular joy of these concerts is their slightly chaotic nature, the way in which no-one seems entirely sure what is going to happen, least of Karimloo and Rudetsky themselves. Tonight we all recorded a rendition of Happy Birthday for Jenna Russell and got an impromptu duet on ‘Confrontation’ with Jeremy Secomb who was dragged out of the audience – who knows what the next two shows will bring.
And these are just the bonuses on top of a programme which dips in and out of Karimloo’s impressive career to date. Anecdotes about the awesome inspiration Colm Wilkinson provided sit alongside a haunting rendition of ‘Music of the Night’; memories of The Pirates of Penzance segue into a gloriously ripe ‘The Pirate King’; his recent forays into Evita represented by ‘High Flying Adored’.
Continue reading “Review: Ramin Karimloo with Seth Rudetsky , Leicester Square Theatre”
Featuring a pleasing amount of new musical theatre writing, Carrie Hope Fletcher releases her debut album When The Curtain Falls
“Who you are is how you’re feeling”
Fresh from winning her second What’s On Stage Award, racking up her third novel, vlogging regularly and quite possibly plotting world domination, Carrie Hope Fletcher has now released her debut album When The Curtain Falls. A pleasingly varied tracklisting sees her cover as much new musical theatre writing (shoutout for the brilliant Natasha, Pierre & The Great Comet of 1812) as age-old classics, combined with a few family favourites to make an engaging collection.
There’s a innate prettiness to Fletcher’s voice that makes it extremely easy to listen to. And it is an over-riding characteristic across the album, which is fine when it comes to the likes of the sweetly lovely ‘Times Are Hard For Dreamers’ from the short-lived Amélie or the Disney tracks here, or smoothing the edges off of Jason Robert Brown’s ‘What It Means To Be A Friend’. Continue reading “Album Review: Carrie Hope Fletcher – When The Curtain Falls”
Manhattan Concert Productions (MCP) is pleased to announce the following creative team for Broadway Classics in Concert, on Tuesday, February 20, 8:00 p.m., in Stern Auditorium / Perelman Stage at Carnegie Hall.
Don Stephenson, Stage Director
Kevin Stites, Music Director/Conductor
Christopher Ash, Projection & Video
Jason Lyons, Lighting
Dave Horowitz, Sound
Gary Mickelson, Stage Manager
Telsey + Company / Craig Burns, CSA, Casting
MCP also welcomes Nikki Renée Daniels who will be joining the outstanding alumni cast for Broadway Classics in Concert.
The full alumni cast includes Michael Arden (Ragtime, Hunchback of Notre Dame), Sierra Boggess (The Secret Garden), Carolee Carmello (Broadway Classics 2013), Allan Corduner(Titanic), Nikki Renée Daniels (The Secret Garden), Quentin Earl Darrington (The Secret Garden), Ramin Karimloo (Parade, The Secret Garden), Norm Lewis (Ragtime), Laura Osnes(Crazy For You), Lea Salonga (Ragtime), Ryan Silverman (Titanic) and Tony Yazbeck (Crazy For You). Continue reading “News: Creatives and company for Broadway Classics in Concert”
“Will I ever be more than I’ve always been?”
Proving that you don’t need to win the reality show that you’re in to set your career, and that it’s your talent that matters, Rachel Tucker’s success is testament to just how far hard work and a hella big voice can take. Headlining shows in the West End and Broadway, including playing Wicked’s Elphaba in both, 2017 has seen her play a series of dates on a UK tour with musical director Kris Rawlinson, which in turn produced an album – On The Road – which has recently been digitally released with some bonus tracks in a deluxe edition.
Reflecting the diversity of a live show, the record opens with a potency and confidence that could see her take her place among the Rat Pack as she swings confidently through classics like ‘Miss Otis Regrets (She’s Unable To Lunch Today)’ and ‘The Candyman’. New musical theatre gets a look in with the searching emotion of Dear Evan Hansen’s ‘Waving Through A Window’ and then the intensity is dialled down for a moment with Randy Newman’s heartbreaker ‘When She Loved Me’. Continue reading “Album Review: Rachel Tucker – On The Road (Deluxe)”
“I can’t tell you I know what the future will be.
Who knows anything?”
Though often cited as one of the titans of new musical theatre writing, I think it is fair to say that Jason Robert Brown has never managed to nail a proper commercial hit on Broadway. Despite the critical acclaim and cult status that has built up around shows like Parade and The Last Five Years, the Great White Way has resisted his charms and in 2014, it was the turn of his musical adaptation of The Bridges of Madison County to last barely even 4 months the Gerald Schoenfeld Theatre.
And as is so often the case, it is hard to tell why, just from listening to the Original Broadway Cast Recording. Based on the Robert James Waller novel, further popularised by an Academy Award-nominated film adaptation, it is a sweepingly romantic story and it is given the sweepingly romantic treatment here by JRB. And with a cast led by Kelli O’Hara (possibly too young for the middle-aged disillusionment meant to characterise the tale) and Steven Pasquale, it sounds just gorgeous. Continue reading “Album Review: The Bridges of Madison County (2014 Original Broadway Cast Recording)”
“Don’t give up
I know you can make it good”
The indefatigable Betty Buckley shows no sign of slowing down – recently appearing in the M Night Shyamalan film Split and releasing Story Songs, which I think is her 18th solo album. It’s a double album: the first disc, recorded live at the Samueli Theater at the Segerstrom Center for the Arts in Costa Mesa, California; the taped at Joe’s Pub at the Public Theater in New York. And across the two, she serves a sterling reminder of how sublime an art cabaret can be.
From a career that stretches over a number of decades, one of the real thrills of Story Songs is just how diverse the song selection is, dipping into a wide range of popular music (Joni Mitchell, Emmylou Harris, even Radiohead) as well as musical theatre from classic (Rodgers and Hammerstein) to contemporary (a trio of Jason Robert Brown numbers). And the combination is entirely seductive from start to glorious finish. Continue reading “Album Review: Betty Buckley – Story Songs”
“I am not making friki-friki”
The London Musical Theatre Orchestra’s arrival on the scene has not gone unnoticed by me but their previous concerts have always fallen on days when I couldn’t make it. So finally putting a show on on a Sunday night meant I was able to put it in the diary and to mark the occasion, they only went and invited their first guest conductor along, Mr Jason Robert Brown himself to helm the UK premiere of his show Honeymoon in Vegas.
And in the swish surroundings of the London Palladium, it was hard not to be entirely seduced by the lush sound of a 30-strong orchestra (under the musical direction of Freddie Tapner), a chorus of 16 up-and-coming performers and a main cast of bona fide West End stars directed by Shaun Kerrison. The concert staging allows for an amusingly slapdash approach which really suited the joie de vivre exuding from pretty much everyone involved here, a real passion project. Continue reading “Review: Honeymoon in Vegas, London Palladium”
“First, a story”
When The Last Five Years announced an extension of a week just after opening, it meant I was able to nab a pair of cheap tickets down the front, conveniently on the side where the shirtless scene happens, and take a friend. And I’m glad to I got to revisit the show, both to see it (literally) from a different angle and also to experience it with understudy Samuel Thomas playing Jamie, as Jonathan Bailey was suffering from an indisposition.
My original review of Jason Robert Brown’s production of his own musical can be read here and as per, it still stands. Samantha Barks has really got the role of Cathy down to perfection with a beautiful line in rueful, reflective humour alongside that gorgeous voice. And Thomas did a great job as Jamie, perhaps more of a vocal match for his co-star as evidenced in a stellar ‘Nobody Needs To Know’ – my only note would be his clock dancing could be a little freer (and that’s only because I’ve seen Bailey do it, my friend thought he ‘clocked’ just fine!). Continue reading “Re-review: The Last Five Years, St James”
“I’m not always on time
Please don’t expect that from me”
I think I have to rank Jason Robert Brown’s The Last Five Years as one of my favourite new musicals (it was first performed in 2001) as any show with such a sequence of extraordinary songs as ‘A Part Of That’, ‘The Schmuel Song’ and ‘A Summer In Ohio’ at its heart surely deserves. I had the privilege to be introduced to the show by the Paul Spicer and Julie Atherton-starring version in 2009, I loved it again with Jon Robyns and Danielle Hope a couple of years ago, and I was a fan of last year’s film version and how it adapted the show’s unique structure for a different medium.
The show’s conceit is that he tells the story of a relationship between 2 twenty-something New Yorkers both from start to finish and from finish to start at the same time. So Jamie’s narrative commences in fresh hope at the beginning and Cathy’s opens at a moment of real heartbreak and as they move along their timelines, there’s one moment where they crossover, where they actually interact, a moment of glorious happiness made all the more tragic for already knowing how it is going to end. Continue reading “Review: The Last Five Years, St James”