Review: Operation Black Antler, Southbank Centre

Daring and detailed, Operation Black Antler is a powerfully thought-provoking piece of immersive theatre booking out of the Southbank Centre

“Let’s go for a deep swim”

When a company sticks the term ‘immersive’ on its marketing copy, it can too often be a wishy-washy attempt to lure its audience in without really making them engage on any meaningful level. There’s no danger of that with Blast Theory and Hydrocracker’s Operation Black Antler though, as your undercover police mission to infiltrate a suspect protest group means you have to get right in there, really challenging yourself to see how far you can, or should, go in the name of national security.

So much of the thrill of the event comes from the unknown (is it time for more You Me Bum Bum Train yet?) so no spoilers here, but I will say that there’s something shockingly effective about the set-up, the ease with which one can slip into someone else’s shoes and adopt a voice full of abhorrent messaging, ostensibly for the greater good. You can choose how much or how little you engage with the process but let’s face it, no-one is booking an immersive show to embrace your retiring wallflower side! Continue reading “Review: Operation Black Antler, Southbank Centre”

Review: Operation Black Antler, Home

“Get a drink, stay calm, assess the room”

The heart sinks a little bit when you get a reviewing assignment which ends with the request not to reveal too much about the production. You Me Bum Bum Train is the perfect example (especially as it was my entry into the world of immersive theatre) and looking back on it, from first to second to third time around, it is clearly a skill I had to learn (and am still learning).

Which is all by means of building up to [not] talking about Operation Black Antler, a Blast Theory and Hydrocracker production running out of Manchester’s Home. In select groups, we’re thrown into the world of undercover surveillance on the streets of Manchester where we’re to “question the morality of state-sanctioned spying” – basically like an episode of Spooks if it were written by Paul Abbott and made by Channel 4.  Continue reading “Review: Operation Black Antler, Home”