Review: H.R.Haitch, Union

New musical H.R.Haitch at the Union Theatre has a feel of knockabout fun which begs not to be taken too seriously

“We are hoping for a happy outcome”

As Kensington Palace gears up for one royal wedding, Iris Theatre are jumping down the aisle first with their musical take on stately nuptuals H.R.Haitch, now playing at the Union Theatre. And though it features a mixed-race woman (like Meghan) marrying a prince, such is the development time for musicals that is actually the fact that she is a ‘commoner’ (like Kate, apparently) that proves the inspiration here.

For aspiring canapé-chef Chelsea is Barking born and bred, and a strident anti-monarchist to boot. And she’s pretty excited about her suspicions that her nice-but-dim boyf Bertie is going to propose! Thing is, Bertie is actually Prince Albert – heir to the British throne and (for reasons I’m not sure we ever really understood) living incognito among the people. Will Queen Mary accept her? Can the older Princess Victoria thwart the line of succession? And what is it with politicians and pigs…? Continue reading “Review: H.R.Haitch, Union”

Review: Inside Pussy Riot, Saatchi Gallery

“Failure to do this will result in your fellow inmates being punished”

How far can immersive theatre push you? How far should immersive theatre push you? The disclaimer for Les Enfants Terribles’ Inside Pussy Riot warns us it is “not for the faint hearted, come prepared to demonstrate and stand up for what you believe in!”. But given that it is trying to give audiences a taste of what it is like to be on the wrong side of a totalitarian regime, from arrest to trial to incarceration with a bit of forced labour in there for good measure, there’s a limit to how far they can actually go.

Marking the 100th annversary of the Russian Revolution, Inside Pussy Riot revisits the experience of Nadya Tolokonnikova and her post punk, feminist art collective colleagues in Pussy Riot, who were convicted and sentenced to two years imprisonment for performing less than 40 seconds of an anti-Putin song in a Moscow cathedral. From the opening moments when you’re invited to pick a balaclava (a range of colours available) to the climactic encouragement to raise your voice in protest, there’s quite the journey ahead. Continue reading “Review: Inside Pussy Riot, Saatchi Gallery”