A contrasting pair of one-hour shows offer different experiences at the Tristan Bates Theatre, with ebullient two-hander Eggs and the striking ensemble-led Grip
“I’m not talking scientifically
I’m talking emotionally”
There’s all manner of different eggs in Florence Keith Roach’s Eggs, including some you wouldn’t necessarily talk to your mum about. Which is fine, since this is a play about female friendship and how it responds to crisis points. Girl 1 and Girl 2 were pals at uni but as they approach the end of their twenties on wildly divergent career paths, their friendship seems more a thing of a habit than something offering genuine comfort in times of need. Continue reading “Review: Eggs / Grip, Tristan Bates Theatre”
I like almost everything about The Madness of George III at Nottingham Playhouse Theatre apart from the main performance…
“I am not going out of my mind, my mind is going out of me”
Mark Gatiss has been getting rave reviews for his performance in The Madness of George III at Nottingham Playhouse but for me, there was just a little bit too much of
for my liking. There’s lots to love in Adam Penfold’s production, particularly in key supporting roles like Adrian Scarborough’s Dr Willis and Debra Gillett’s Queen Charlotte, and some of the smaller parts like Nadia Albina’s Fitzroy and Jack Holden’s Greville.
And I enjoyed that Penfold cast several of the ostensibly male parts with women, allowing the likes of Louise Jameson and Stephanie Jacob. Throw in a lusciously opulent design from Robert Jones and strikingly dramatic lighting from Richard Howell, and it’s a real theatrical treat, a real statement of intent from this nicely ambitious artistic director. Continue reading “Review: The Madness of George III, Nottingham Playhouse”
I didn’t care too much for Peter Pan, as the gif below might suggest, so I’m keeping my mouth shut for once.
Running time: 2 hours 40 minutes (with interval)
Booking until 4th February