Winners of the 2018 Drama Desk Awards

Outstanding Play
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Mean Girls
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Winners of the 2018 Drama Desk Awards”

The complete 72nd Tony nominations

Best play
The Children
Farinelli and the King
Harry Potter and the Cursed Child, Parts One and Two
Junk
Latin History for Morons

Best musical
The Band’s Visit
Frozen
Mean Girls
SpongeBob SquarePants: The Musical

Best book of a musical
Itamar Moses for The Band’s Visit
Jennifer Lee for Frozen
Tina Fey for Mean Girls
Kyle Jarrow for SpongeBob SquarePants: The Musical Continue reading “The complete 72nd Tony nominations”

Nominations for the 2018 Drama Desk Awards

Outstanding Play
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Mean Girls
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Nominations for the 2018 Drama Desk Awards”

Oscar Week Film Review: The Post

Star names can’t hide the dullness here

“My decision stands, and I’m going to bed”

No. No, no, no. No. The fact that The Post has any Oscar nominations is testament to how much in thrall to star power the Academy is. And fair enough, the trifecta of Steven Spielberg, Tom Hanks and Meryl Streep is a weighty one. But this is a dull film, rushed through production to try and capitalise on topicality, that is being severely over-recognised here.

 

Round-up of (international) news and treats and other interesting things

 

Tony Award winner Jessie Mueller, Tony nominee Joshua Henry, and Grammy-winning opera star Renée Fleming will headline a Broadway revival of Rodgers and Hammerstein’s Carousel. The production, helmed by Tony winner and Charlie and the Chocolate Factory director Jack O’Brien, is scheduled to begin performances Friday, March 23, 2018 at a theatre to be announced.

 

 
Mueller, a Tony winner for Beautiful: The Carole King Musical and recent star of Waitress, will take on the role of Julie Jordan, with Henry—currently playing Aaron Burr in the touring company of Hamilton—as Billy Bigelow. Fleming will play Nettie Fowler; the Grammy-winning soprano can be seen on the Metropolitan Opera stage this season in Der Rosenkavalier—a production that is said to mark her retirement from her traditional operatic repertoire.
 
The revival, produced by Scott Rudin and Roy Furman, will feature Amar Ramasar and Brittany Pollack—both of the New York City Ballet—as Jigger and Louise, respectively. New York City Ballet’s Justin Peck will choreograph the new staging on the 1945 musical. The resident choreographer promises “an even more dance-and-movement-focused production.”

Continue reading “Round-up of (international) news and treats and other interesting things”

9 of my top moments in a theatre in 2016

The end-of-year lists of favourite plays and performances should be on their way soon, once the food coma has abated, but to tide you over, here’s my list of 9 of my top moments in a theatre over 2016, the things that first come to mind when someone says ‘what did you enjoy this year’. For reference, here’s my 2015 list and 2014 list.
 

The ‘arrival’ of the Hope Theatre

I’ve been gazumped by The Stage in recognising this Islington fringe theatre for a stellar year but it is no more than Matthew Parker and his team there deserve. Over the course of 2016, intelligent and exciting programming has made the Hope into a must-see venue for me, no mean feat in a market already full of fringe venues and new ones opening every time you look up. From promoting new writing to astutely chosen revivals, scorchingly personal writing to themed seasons culminating in delightfully campy lesbian musicals, this theatre has been on fire all year long and has made me excited to see every single thing they put – and there’s precious few places, large or small, that can say that.
 

Wizards and magic and owls, oh my

I’d have to see Harry Potter and the Cursed Child again before deciding officially whether it is a great piece of drama or not, but there’s no doubting that it is a stonking piece of theatre and the atmosphere at the very first shows was something quite amazing to be a part of, even from the back row of the balcony. The romantic sweep of Christine Jones’ set and Steven Hoggett’s movement, John Tiffany’s endlessly imaginative direction and of course, the masterfully jaw-dropping effects from Jamie Harrison. It felt like something I’d never seen before and in the case of Sprocket the Owl, it was something no-one else saw either! 
 

Continue reading “9 of my top moments in a theatre in 2016”

The Curtain Up Show Album of the Year 2016 nominees

Best UK Cast Recording
American Psycho – Original London Cast Recording
Close To You: Bacharach Reimagined – Original London Cast Recording
Funny Girl – Original London Cast Recording
Half A Sixpence – 2016 London Cast Recording
Kinky Boots – Original West End Cast Recording
Mrs Henderson Presents – Original London Cast Recording

Best American Cast Recording
Allegiance – Original Broadway Cast Recording
The Color Purple – New Broadway Cast Recording
Fiddler On The Roof – 2016 Broadway Cast Recording
Lazarus – Original Cast Recording
On Your Feet! – Original Broadway Cast Recording
Waitress – Original Broadway Cast Recording

Best Solo Album / Non Cast Recording
Cheyenne Jackson – Renaissance
Lin-Manuel Miranda – The Hamilton Mixtape
Idina Menzel – idina.
Kristin Chenoweth – The Art of Elegance
Nadim Naaman – Sides
Samantha Barks – Samantha Barks

Round-up of summer album reviews

To cover the holiday period, you may have noticed an album review or three – here’s a round-up of them, including my top ten.

Recommended titles
Close To You – Bacharach Reimagined (2016 Original London Cast Recording)
Hamilton (2015 Original Broadway Cast Recording)
Kelli O’Hara – Always 
Leslie Odom Jr – Leslie Odom Jr 
Matt Doyle – Uncontrolled
Samantha Barks – Samantha Barks
Thérèse Raquin (2014 Original London Cast Recording)
The Last Five Years (Original Motion Picture Soundtrack)
The Scottsboro Boys (2014 Original London Cast Recording)
Waitress (Original Broadway Cast Recording)


And the rest!
Alison Jiear – Inspirational
Allegro (2009 First Complete Recording)
An American Victory (2016 Concept Album)
Annie (1995 London Studio Cast Recording)
Annie (2014 Film Cast)
Bad Girls (2007 Original London Cast)
Billy Porter – At The Corner of Broadway and Soul
Billy Porter – Billy’s Back On Broadway
Brian Stokes Mitchell – Simply Broadway
Bright Star (Original Broadway Cast Recording)
Bring It On: The Musical (2012 Original Broadway Cast Recording)
Caroline Sheen – Raise the Curtain 
Cheyenne Jackson – I’m Blue, Skies
Cheyenne Jackson – Renaissance
Cool Rider (Original Studio Recording)
Departure Lounge (Original London Cast Recording)
Elf the Musical (2015 Original London Cast Recording)
From Here To Eternity (2014 Live Cast Recording)
Funny Girl (2016 London Cast Recording)
Ghost The Musical (Original London Cast Recording)
In The Heights (2008 Original Broadway Cast Recording)
Jane Krakowski – The Laziest Gal in Town
John Owen-Jones – Unmasked 
Kimberley Walsh – Centre Stage
Kinky Boots (Original Broadway Cast Recording)
Kristin Chenoweth – Coming Home 
Lady Day at Emerson’s Bar & Grill (2014 Cast Recording)
Lord of the Rings (2008 Original London Cast Recording)
Louise Dearman – Here Comes The Sun 
Louise Dearman – You and I 
Love Birds (Original Edinburgh Cast Recording)
Mamma Mia (Original Cast Recording 1999)
Mrs Henderson Presents (Original London Cast Recording)
Natasha, Pierre and the Great Comet of 1812
Oliver Tompsett –Sentimental Heart
Our First Mistake – The Songs of Kerrigan and Lowdermilk
Out Of Context: The Songs Of Michael Patrick Walker
Patti LuPone – Far Away Places
Patti LuPone – Matters of the Heart
Prodigy (Original Cast Recording)
Promises, Promises (2010 New Broadway Cast Recording)
Rebecca Caine – Leading Ladies 
Renée Elise Goldsberry – Beautiful EP 
Richard Beadle – Songs 
Ruthie Henshall – The Ruthie Henshall Album
Sally Ann Triplett – Anything Goes
She Loves Me (1994 London Cast Recording)
She Loves Me (2016 Broadway Cast Recording)
Stephen Ward (2013 Original Cast Recording)
Shuffle Along, Or…
The Bodyguard – The Musical (World Premiere Cast Recording)
The Color Purple (2006 Original Broadway Cast Recording)
The Color Purple (2015 Broadway Revival Cast Recording)
The Fix (1997 Original London Cast)
The Gershwins’ Porgy and Bess (2012 New Broadway Cast Recording)
The Mystery of Edwin Drood (2012 Broadway Cast Recording)
Thirteen Stories Down – The Songs of Jonathan Reid Gealt
Tony Yazbeck – The Floor Above Me
Tuck Everlasting (2016 Original Broadway Cast Recording)
Women on the Verge of a Nervous Breakdown (2011 Original Broadway Cast Recording)
Women on the Verge of a Nervous Breakdown (2015 Original London Cast Recording)
Xanadu (2007 Original Broadway Cast)

CD Review: The Mystery of Edwin Drood (2012 Broadway Cast Recording)

“I know there must be love that’s yet to be”

Fun and games to be had with this surprisingly effective piece of music hall pastiche. Rupert Holmes’ 1985 musical The Mystery of Edwin Drood is less of a Dickens adaptation that one might initially expect, opting instead to use the source material of Dickens’ unfinished novel as a springboard into something daftly enjoyable, a meta-theatrical murder mystery event with a play-within-a-play and multiple endings which are determined by audience vote. This recording is taken from the 2012 Broadway revival which was mounted by Roundabout Theatre Company.

Holmes’ songwriting thus draws from a raft of old-school influences in harking back to a classic age. There’s a healthy dose of Victoriana in the music hall and a measure of pantomimic broadness mixed in with the Broadway-heavy musical language and it is an enjoyable cast recording to listen to even if you’re not exactly sure what it going on! For completeness, we get the eight possible endings, each with their own song, and this is just one of the aspects that makes this a more full recording than the original – others include the new Act II opener ‘An English Music Hall’ and the revised version of ‘Ceylon’ incorporating ‘A British Subject’, both strong additions. 
And the recording is also blessed with a supremely talented ensemble cast, headed by the incomparable Chita Rivera whose Princess Puffer is a delight (‘The Wages of Sin’ her best number) and a dryly witty Jim Norton as The Chairman. I also enjoyed the performances of Andy Karl and Jessie Mueller as siblings Helena and Neville Landless, paving the way for their leading roles to come (in Groundhog Day and Beautiful/Waitress respectively). I opted not to see the last UK revival, at the Arts Theatre also in 2012 and on this evidence, I might have missed a trick there, so I’ll be sure to catch when it next hits a London stage.