CD Review: The Mystery of Edwin Drood (2012 Broadway Cast Recording)

“I know there must be love that’s yet to be”

Fun and games to be had with this surprisingly effective piece of music hall pastiche. Rupert Holmes’ 1985 musical The Mystery of Edwin Drood is less of a Dickens adaptation that one might initially expect, opting instead to use the source material of Dickens’ unfinished novel as a springboard into something daftly enjoyable, a meta-theatrical murder mystery event with a play-within-a-play and multiple endings which are determined by audience vote. This recording is taken from the 2012 Broadway revival which was mounted by Roundabout Theatre Company.

Holmes’ songwriting thus draws from a raft of old-school influences in harking back to a classic age. There’s a healthy dose of Victoriana in the music hall and a measure of pantomimic broadness mixed in with the Broadway-heavy musical language and it is an enjoyable cast recording to listen to even if you’re not exactly sure what it going on! For completeness, we get the eight possible endings, each with their own song, and this is just one of the aspects that makes this a more full recording than the original – others include the new Act II opener ‘An English Music Hall’ and the revised version of ‘Ceylon’ incorporating ‘A British Subject’, both strong additions. 
And the recording is also blessed with a supremely talented ensemble cast, headed by the incomparable Chita Rivera whose Princess Puffer is a delight (‘The Wages of Sin’ her best number) and a dryly witty Jim Norton as The Chairman. I also enjoyed the performances of Andy Karl and Jessie Mueller as siblings Helena and Neville Landless, paving the way for their leading roles to come (in Groundhog Day and Beautiful/Waitress respectively). I opted not to see the last UK revival, at the Arts Theatre also in 2012 and on this evidence, I might have missed a trick there, so I’ll be sure to catch when it next hits a London stage.

Album Review: She Loves Me (2016 Broadway Cast Recording)

“Thank you, madam. Please call again. Do call again, madam“

Those outside of Broadway were lucky enough to have the opportunity to see She Loves Me last month as it became the first show there to be livestreamed (here’s my review) but if you missed it, never fear as a cast recording has been released which captures much of what made it an absolute pleasure to watch and to listen to. Sheldon Harnick and Jerry Bock’s Fiddler on the Roof may be better known but I’d argue that Roundabout’s revival makes a strong case for this to be the better show.

Orchestrated beautifully by Larry Hochman and played expertly under Paul Gemignani’s musical direction, it’s hard to imagine the show ever having sounded this lovely and fresh. From the thrill of the overture through the entirety of the score which allows pretty much every character to have their moment in the limelight, She Loves Me has a deceptive simplicity that seem disposable but its old-fashioned charms are revealed in all the splendour here, delivered perfectly by an ace cast. Continue reading “Album Review: She Loves Me (2016 Broadway Cast Recording)”

Review: She Loves Me, Studio 54 via BroadwayHD

“They all come here just for the mood”

It’s nice to know that you have good karma, sometimes at least, as I came very close to seeing She Loves Me on my last flying visit to Broadway, opting for Waitress instead at the last minute. So it was most gratifying to hear that She Loves Me was to become the first ever Broadway show to be live-streamed on BroadwayHD, following in the footsteps of the hugely successful NTLive enterprise (and that the show would be available for the following seven days on catch-up, making up for the time difference).

The merits (or otherwise) of live-streaming have long been debated and will likely continue to be so for years to come as circular arguments go round and round. But as long as you accept that no, a recording will never be as good as the live thing and yes, it is an amazing thing to have accessibility increased in this way, it seems to me that everyone is a winner, especially with a show on a limited engagement like She Loves Me, which closes at Studio 54 on 10th July. Speaking of which, you’ve only got until 7th July to catch it on BroadwayHD. Continue reading “Review: She Loves Me, Studio 54 via BroadwayHD”