UK theatre casting news – November update

Theatre Royal Bath will reopen on 3 December with a revised performance schedule for Oleanna and Copenhagen, the final two plays in the theatre’s Welcome Back Season.

David Mamet’s provocative  drama Oleanna, directed by Lucy Bailey will star Rosie Sheehy  and Jonathan Slinger, who replaces John Heffernan in the role of John. The play will now run in Theatre Royal Bath’s Ustinov Studio from 3 December to 22 December and again from 4 January to 16 January 2021. Reduced capacity at the Ustinov Studio will allow for an audience of 60 persons per performance.

The November run of Michael Frayn’s multi award-winning  Copenhagen has been postponed until the new year when it will play Theatre Royal Bath’s Main House from 20 January to 6 February 2021.  Directed by Polly Findlay it will star Haydn Gwynne, Philip Arditti, and in a change to original billing of Michael Gould, Malcolm Sinclair.


Following the latest lockdown measures in England, Curve has rescheduled The Color Purple in concert to Monday 1 to Saturday 13 Mar 2021Sunset Boulevard in concert will now open slightly later than originally planned and run Friday 18 Dec – Saturday 9 Jan. Dates for Memoirs of an Asian Football Casual remain unchanged (Monday 25 Jan to Saturday 6 Feb). 

Joining the previously announced Ria Jones as Norma Desmond and Danny Mac as Joe Gillis in Sunset Boulevard will be a host of original company members from Curve’s award-winning 2017 touring production. Molly Lynch will reprise her role as Betty Schaefer, Adam Pearce returns as Max Von Mayerling, Dougie Carter as Artie Green and Carl Sanderson as Cecil B DeMille.

The Sunset Boulevard company will also include Benjamin ChambersOwen ChapondaJoanna GoodwinKristoffer HellströmJames MeunierGemma NaylorJoanna O’HareJessica PaulSam Peggs and Barney Wilkinson.

Led by the previously announced T’Shan Williams as Celie, original company members of Curve’s 2019 production of The Color Purple, including KM Drew BoatengOwen Chaponda, Perola Congo, Danielle Kassarate, Anelisa Lamola, Karen Mavundukure, Rosemary Annabella Nkrumah, Landi Oshinowo, Simon Anthony Rhoden and Jo Servi, will also return to Curve’s stage next year. Due to prior commitments, Danielle Fiamanya is now unable to join as Nettie in the rescheduled performances.

Based on Alice Walker’s Pulitzer Prize-winning novel, performances of this evocative and life-affirming musical will be directed by Tinuke Craig, with a six-piece orchestra led by Musical Director Alex Parker. The team will be joined by Set Designer Alex Lowde and Choreographer Mark Smith

Both productions of Sunset Boulevard and The Color Purple will be lit by Curve Associate Ben Cracknell, with sound design from Tom Marshall.

Memoirs of an Asian Football Casual will see award-nominated Leicester actor Hareet Deol reprise his role as Suf Khan in Dougal Irvine’s drama based on the real life of reformed Leicester football hooligan Riaz Khan, who will also rejoin the cast. Director Nikolai Foster will once again bring the 80s streets of Leicester to life on Curve’s stage, with design from Grace Smart. Lighting Designer Charlotte Burton and Composer Tasha Taylor Johnson also join the show’s production team.


Sheffield Theatres and Evolution Pantomimes have announced the cast for Damian’s Pop–Up Panto! at the Crucible Theatre. Joining legendary Dame, Damian Williams, are comedian, presenter and internet dancing sensation Joe Tracini (CBBC’s The DengineersHollyoaks), West End star Gemma Sutton (Gypsy, Follies, Girl From the North Country), Lucas Rush (Rock of Ages) and Deborah Tracey (Standing at the Sky’s Edge).

A festive fun-sized treat for the whole family, Damian’s Pop-Up Panto! is written and directed by regular pantomime producer Paul Hendy. Sheffield Theatres and Evolution Pantomimes have produced the Sheffield Lyceum pantomime for 14 years. This year, the panto relocates across Tudor Square to the Crucible Theatre.

Review: The Beautiful Game, Union

“I’m an atheist and an internationalist – I don’t believe in God or country”

Andrew Lloyd Webber and Ben Elton’s The Beautiful Game managed a run of just under a year at the turn of the millennium. It was then rewritten and retitled The Boys in the Photograph for a 2009 North American premiere in Canada, and it is that version which now makes its London fringe debut at the Union Theatre, but under the original title of The Beautiful Game. Got it? The endless tinkering of musicals is nothing new – ‘Our Kind of Love’, the best known song in the original was filleted out and repurposed as the title song for Love Never Dies – but the clumsiness with which the ending has been redone here is ridiculously clunky.

Which is a shame, as there is much good work here in Lotte Wakeham’s production. David Shields’ simple design makes clever use of benches and Tim Jackson’s choreography finds a remarkably effective middle ground between soccer and soft shuffle in bringing the football sequences to vibrant life on the limited traverse stage. An appealingly fresh-faced cast, spearheaded by an excellent Niamh Perry, deliver performances of spirited energy and graceful enthusiasm. And musically, MD Benjamin Holder introduces an interesting range of textures to enhance the score and alleviate some of its repetitive longueurs. Continue reading “Review: The Beautiful Game, Union”