News: A Little Night Music comes to Holland Park

Stephen Sondheim’s wry and beautiful comedy of love and regret, A Little Night Music, comes to Holland Park for a single al fresco concert performance in the year of his 90th birthday. 

Presented by Quick Fantastic and Janie Dee in association with Opera Holland Park

Inspired by Ingmar Bergman’s film, Smiles of a Summer Night, and named after Mozart’s serenade, Eine kleine Nachtmusik, Sondheim’s musical weaves a tapestry of songs and waltzes as new romances begin, ex-lovers reunite, and secret passions are revealed. The night smiles three times: first on the young, second on fools, third on the old. Last seen together in the National Theatre’s celebrated production of Follies, Janie Dee and Joanna Riding lead a cast of Olivier Award-winning performers (Sharif Afifi, Hiba Elchikhe, Danielle Fiamanya, Fra Fee, Hilary Harwood, Emma Kingston, Emma Harrold, Nadim Naaman, Laura Pitt-Pulford, Ella Tronson and Kayi Ushe), directed by Alastair Knights. Alex Parker conducts an eight piece ensemble of instrumentalists in Jason Carr’s critically acclaimed orchestration of Sondheim’s score.

In accordance with current guidelines on social distancing, capacity is strictly limited to 200. Tickets go onsale on 3rd August.

Review: Romantics Anonymous, Bristol Old Vic

Gorgeous chocolate-based musical Romantics Anonymous works another coup de foudre as it briefly returns to the Bristol Old Vic before a US tour

“What if we try and take a chance?
Whit if we simply shift our stance?
I’ll admit that just the thought of change terrifies me too.
But what if we try something new?”

In this remounting, Romantics Anonymous proves that rare thing – a show that can survive losing Joanna Riding from its cast. It’s a good couple of years since this musical adaptation of the French-Belgian film Les Émotifs Anonymes took the Sam Wanamaker Playhouse by storm and in the meantime, it has reached an almost mythic status among its devotees calling for a revival. This might not be what they had in mind but it’ll certainly do for now.

Wise Children and Plush Theatricals are taking the show on the road in the US, so this short opening stop at the Bristol Old Vic feels like a bit of a treat. For its new outing, Romantics Anonymous has been spruced up a bit – composer Michael Kooman and lyricist Christopher Dimond have added a couple of new songs and director and book writer Emma Rice has rejigged here and there too, whilst necessarily recasting some of her ensemble. Continue reading “Review: Romantics Anonymous, Bristol Old Vic”

fosterIAN awards 2019

 WinnerRunner-upOther nominees
Best Actress in a PlaySarah Niles/Natalie Simpson/Racheal Ofori,
Three Sisters
Marieke Heebink,
Medea
Adjoa Andoh,
Richard II

Sharon D Clarke,
Death of a Salesman

Claire Foy,
Lungs

Leah Harvey,
Small Island

Chris Nietvelt,
De Kersentuin
Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boysCary Crankson,
Country Music
Tobias Menzies,
The Hunt

Daniel Monks,
Teenage Dick

Wendell Pierce,
Death of a Salesman

Matt Smith,
Lungs

Zubin Varla,
Equus
Best Supporting Actress in a PlayMonica Dolan,
All About Eve
Jackie Pulford,
Karaoke Play
Ronkẹ Adékoluẹjo,
Three Sisters

Janni Goslinga,
De Kersentuin

Pippa Nixon,
The Ocean at the End of the Lane

Cecilia Noble,
Faith Hope and Charity

Gemma Whelan,
Pinter Seven
Best Supporting Actor in a PlayNick Holder,
Faith Hope and Charity
Hugo Koolschijn,
De Kersentuin
Rupert Graves,
Pinter Five

John Heffernan,
Pinter Seven

Martins Imhangbe/Natey Jones,
Death of a Salesman

Arinzé Kene/Sope Dirisu,
Death of a Salesman

Ken Nwosu,
Three Sisters
Best Actress in a MusicalAudrey Brisson,
Amélie the Musical
Kirsty Findlay/Bethany Tennick,
Islander
Lucie Jones/Katherine McPhee,
Waitress

Miriam-Teak Lee,
& Juliet

Samantha Pauly,
Evita

Joanna Riding,
Follies

Zizi Strallen,
Mary Poppins
Best Actor in a MusicalJamie Muscato,
West Side Story (Curve Leicester)
Keith Ramsay,
Preludes
Andy Coxon,
West Side Story (Royal Exchange)

Jordan Fox/Michael Vinsen,
[title of show]

David Hunter,
Waitress
,
Charlie Stemp,
Mary Poppins

Oliver Tompsett,
& Juliet
,
Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie,
& Juliet 
Jocasta Almgill/Emily Langham,
West Side Story (Royal Exchange)
Laura Baldwin/Marisha Wallace,
Waitress

Tiffany Graves/Gabrielle Lewis-Dodson,
The Boy Friend

Claire Machin/Claire Moore,
Mary Poppins

Rebecca McKinnis/Lauren Ward,
Dear Evan Hansen

Carly Mercedes Dyer/Victoria Hamilton-Barritt,
The View UpStairs
,
Best Supporting Actor in a MusicalDavid Bedella,
& Juliet
Jack Butterworth,
The Boy Friend
Ricardo Afonso,
Jesus Christ Superstar

Rob Houchen,
The Light in the Piazza

Samuel Holmes,
Curtains

Cedric Neal,
The View UpStairs

Jez Unwin,
Amélie the Musical

2019 Best Actress in a Play + in a Musical

Best Actress in a Play

Sarah Niles/Natalie Simpson/Racheal Ofori, Three Sisters
It’s practically a tradition now to split this award three years (2018, 2017) but it feels like a no-brainer once again, this trio of performances utterly reinvigorating the Chekhovian archetypes to make their characters speak compellingly anew.

Honourable mention: Marieke Heebink, Medea
Second time’s the charm, Heebink’s ferocious performance has deepened over the years and remained just as heartbreaking as before, if not more so.  

Adjoa Andoh, Richard II
Sharon D Clarke, Death of a Salesman
Claire Foy, Lungs
Leah Harvey, Small Island
Chris Nietvelt, De Kersentuin

8-10
Gillian Anderson, All About Eve; Nancy Carroll, The Deep Blue Sea; Gwendoline Christie, A Midsummer Night’s Dream (Bridge)

 

Best Actress in a Musical

Audrey Brisson, Amélie the Musical
I’ve seen Brisson leading this gorgeous musical three times now and her performance has lost none of its magic, literally so in the case of how she flies into her bedroom and figuratively so, in the otherworldly charm she brings to the role. Don’t miss your chance to catch the show as it continues to tour in 2020. 

Honourable mention: Kirsty Findlay/Bethany Tennick, Islander
One of the most inventive musicals of the year was born out of the collaboration between these two fine performers. Stupidly I left it until the last show to visit cos I’d love to see it again!

Lucie Jones/Katherine McPhee, Waitress
Miriam-Teak Lee, & Juliet
Samantha Pauly, Evita
Joanna Riding, Follies
Zizi Strallen, Mary Poppins

8-10
Janie Dee, The Boy Friend; Gabriela Garcia, West Side Story (Royal Exchange); Adriana Ivelisse, West Side Story (Curve Leicester)

The Curtain Up Show Album of the Year 2019 nominees

You can now vote for the Best London Cast Recording, Best Broadway Cast Recording and Best Solo Album here. Then fill in your details and click Vote and one lucky voter will win £100 worth of Theatre Tokens!

Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording

Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)

Best Solo Album
Cassidy Janson – Cassidy
Ramin Karimloo – From Now On
John Owen-Jones –Spotlight
Ben Platt – Sing To Me Instead
Jon Robyns – Musical Directions
Hayden Tee – Face to Face

Album Reviews: Company / Follies / Mythic

A trio of album reviews cover the (relatively) recently released cast recordings of Company, Follies and Mythic

“One more souvenir of bliss”

I adored Marianne Elliott’s reinterpretation of Stephen Sondheim and George Furth’s Company on my many visits and so the news of a cast recording was of course ecstatically received. And perhaps inevitably it doesn’t quite live up to the thrill of seeing it live but maybe that’s because the production is still so fresh in my mind. I mean we’re only talking a 4 instead of a 4.5…

© Brinkhoff Mogenburg

I swear Patti LuPone’s ‘Ladies Who Lunch’ was different every time I saw it but this version here is as good as any, with the glorious fullness of her voice pointedly sharpening its wit. Her contributions to ‘The Little Things We Do Together’ are inspired, Jonny Bailey’s ‘Not Getting Married’ is breathlessly affecting and the warmth of Rosalie Craig’s character and voice infuse the whole experience with real quality.  Continue reading “Album Reviews: Company / Follies / Mythic”

Album Reviews: The Secret Diary of Adrian Mole Aged 13 ¾ / Heathers / Calendar Girls 

A trio of quick London cast recordings – The Secret Diary of Adrian Mole Aged 13 ¾, Heathers and Calendar Girls 

“For a greasy little nobody, you do have good bone structure”

I was delighted to see a belated West End transfer for this lovely new musical by Jake Brunger and Pippa Cleary. I’ve loved every step of its journey and The Secret Diary of Adrian Mole Aged 13 ¾ (Original London Cast Recording) proves the perfect accompaniment as it captures so much of the energy of this most British of tales and sparky performances from the likes of John Hopkins and the luminous Kelly Price.

I didn’t however make it to Heathers, it just not appealing to me at all. With Heathers (Original West End Cast Recording), the opportunity to listen to this high school musical is now ours but I have to say, its charms elude me. There’s a fatal mismatch between the darkness of the source material (it really is a brutal film) and the breeziness of Laurence O’Keefe and Kevin Murphy’s pop-rock score that not even the quality of Carrie Hope Fletcher, Jodie Steele, Sophie Isaacs and Jamie Muscato’s strong performances can overcome.

And I thought I’d pay another visit to Yorkshire for Calendar Girls (Original London Recording) to see whether it stands the test of time. It proved an amiable if short-lived presence in the West End and listening to it again, I’d argue that there’s a gentleness to it that doesn’t quite linger long enough. Gary Barlow’s tunes are undeniably pretty but ultimately, they don’t really call out to be listened to over and again.

Finalists of 2019 Stephen Sondheim Society Student Performer of the Year

Louise Cowling (The Hammond School, Chester)
Jamie Bogyo (RADA)
Aliza Vakil (Royal Conservatoire of Scotland)
Samantha Bingley (Brunel University)
Oisín Nolan-Power (Royal Academy of Music)
Lily Kerhoas (Royal Academy of Music)
Lucy Reynolds (Royal Welsh College of Music and Drama)
Cameron Burt (Guildford School of Acting)
Niamh James (Royal Central School of Speech and Drama)
Ahmed Hamad (ArtsEd)
Stuart Thompson (LAMDA) 
Paige Fenlon (Bird College)

Host: Joanna Riding
Judges: Edward Seckerson (Chair), Julia McKenzie, Daisy Maywood, Peter Polycarpou, Gareth Valentine

Re-review: Follies 2019, National Theatre

Follies 2019 remains the show that I need right now

“I’m so glad I came”

Just a quickie for this revisit to Follies, which remains as perfect a piece of musical theatre as I could hope for. I loved it then but I really love it now, Joanna Riding is just heartbreakingly perfect as Sally, she really brings something to the role that somehow eluded Imelda Staunton (for me at least), Alexander Hanson is superb in tracing Ben’s tragic fall, and Janie Dee and Peter Forbes maintain their stellar work as Phyllis and Buddy (seriously, Dee is a proper showstopper).

And as is surely appropriate in Dominic Cooke’s production, ghosts of the past interplay with what we’re seeing from top to bottom. It was great to see Dame Felicity Lott as Heidi, a different but no less affecting proposition than Dame Josephine Barstow (there truly ain’t nothing like a…). And the young talents of Gemma Sutton, Ian McIntosh, Harry Hepple and Christine Tucker are eloquently elegant as the younger incarnations of the central quartet. Continue reading “Re-review: Follies 2019, National Theatre”