Nicholas Hytner finally directs a play by a woman but Lucinda Coxon’s adaptation of novel Alys, Always is a disappointment for me at the Bridge Theatre
“I’m going to bake a cake”
In well over 30 years of being a director, it seems scarcely credible that it is only now that Nicholas Hytner is turning his hand to directing a play written by a woman. For all of his considerable contributions to the British theatre ecology, it is a startling and sobering statistic that demonstrates the scale of the problem faced by those who would (rightfully) change the status quo.
The play in question here is Alys, Always, written by Lucinda Coxon from Harriet Lane’s 2012 novel. And it proves a serviceable psychological thriller of sorts that sits a little too cosily in the middle class-baiting madeleine-scented air of the Bridge Theatre. It is glossy and magazine-spread chic, undoubtedly shinily cast (Joanne Froggatt, Robert Glenister) but rarely essential. Continue reading “Review: Alys, Always, Bridge Theatre”
“Things aren’t nice any more”
London has yet to see the theatrical premiere of David Lindsay-Abaire’s Pulitzer Prize-winning Rabbit Hole as the Joanne Froggatt-starring production mooted for the Vaudeville late last year was postponed due to scheduling issues and with no further news about it forthcoming. Which is possibly a good thing for me as on watching the film version, the ugly crying it reduced me to once again is not something I’d want to replicate in a theatre!
Rabbit Hole is a simple but stunning look at the way that families deal with loss, specifically the loss of a child, and what if anything can be done to help acknowledge and move on from such a tragedy. Danny and Becca’s 4 year old Danny died in a car accident outside their house 8 months ago and it has shattered them. Caught in their own worlds of grief, their friends and family look on helplessly as they drift apart, unaware or unwilling to accept the help on offer. Continue reading “DVD Review: Rabbit Hole”
“Everyone is being followed”
A rather successful foray into the world of internet chatrooms, somewhat akin to Enda Walsh’s Chatroom, Mike Walsh’s uwantme2killhim invites descriptors such as darkly compelling and timely as it follows two teenagers sucked into a morass of online deception. Directed by Andrew Douglas, it takes a fairly traditional approach to representing digital communication – they speak as they type, which let’s face it, a lot of us do anyway – but the complications thrown up by their actions are thoroughly modern.
Based loosely on a true story, the film opens with Joanne Froggatt’s fervent Detective Inspector trying to work out why Mark has stabbed John, a schoolmate supposed to be his friend. We then loop back to the beginnings of Mark’s venturing into chatrooms and in particular with his friendship with Rachel, who turns out to John’s older sister. She’s in a witness protection program and has a violent boyfriend but Mark has fallen head over heels and will do anything for her. And ultimately he does do anything for her. Continue reading “DVD Review: uwantme2killhim (2013)”
“Are you in a relationship now?”
The Secrets now turns to Elinor Cook’s for The Lie as once again marriage falls under the scrutiny of our young writers. Here, Lexie’s domestic bliss is shattered when an inopportune phone call reveals that her husband is hiding something from her, a double life as she quickly finds out. And as with all such things, she visits the other woman’s house, who turns out to be a counsellor, and pretends to be a client in need of help.
Thus Lexie tries to explore what her husband has been up to and why, whilst not letting on to him that she knows, Joanne Froggatt’s brittle intensity perfect for the role as she comes up against the comparative glamour of Emilia Fox’s Zara. Their shared scenes are excellent and the hints of psychodrama that creep in here are amongst the story’s highlights. Ben Chaplin’s Philip isn’t quite the draw he needs to be though, the character never really suggesting adequate appeal.
Continue reading “TV Review: The Secrets 4 – The Lie”
“Kill her and be free”
Greek tragedies are never a light affair but The Libation Bearers, the second part of Aeschylus’ Oresteia trilogy is particularly brutal. Following on from the vengeful fury of Clytemnesta slaying her husband Agamemnon for sacrificing their daughter Iphigenia to the gods, the thirst for revenge switches to her other children Electra and Orestes, the latter of whom returning from exile to kill his mother for murdering his father. He’s got his own permission from the gods so it’s ok and urged on by a viciously determined Electra to conquer his nagging doubts, he sets about steeling himself for such a deed.
Ed Hime’s new version is highly atmospheric and swirls effectively on the edge of the mystical. His Chorus of slave women are voiced by Amanda Lawrence, Carys Eleri and Sheila Reid, their cracked voices recalling Macbeth’s Weird Sisters in urging Will Howard’s solid Orestes towards matricide. Lesley Sharp is strong again as Clytemnesta, haunted by her misdeeds and Electra is given a chilling intensity by Joanne Froggatt – I just find it interesting that there is no attempt to understand her mother’s actions, instead Agamemnon is venerated as the greatest leader ever despite the fact he had her sister killed. Continue reading “Radio Review: The Oresteia – The Libation Bearers / The 40 Year Twitch”