Review: Tell Me On A Sunday, Richmond Theatre

“Long lost feelings, stir inside me”

Like many a child of the 80s, or so I like to imagine, a cassette of Andrew Lloyd Webber’s greatest hits was never too far from the car stereo, and so I’ve long been familiar with Tell Me On A Sunday and long been a fan thereof. Clearly others feel this way as the enduring popularity of the show means it has never been too far from our stages, with this latest iteration originating at Newbury’s Watermill before an extensive UK tour.

Perhaps with this sense of a classic in mind, Paul Foster’s production sticks with the original setting of the late 1970s and in Jodie Prenger, finds the ideal performer to convey the multiple romantic trials of this Englishwoman in New York – David Woodhead’s simple design evoking the period setting without overemphasising it. Prenger’s old-school charms suit the role perfectly, there’s something almost perverse in how watchable she is when playing heart-broken but crucially she invests Emma with an indefatigable quality of spirit that never seems to be truly broken. Continue reading “Review: Tell Me On A Sunday, Richmond Theatre”

Review: The Glorious Ones, Landor

“Actors can never get enough love”

The Landor Theatre in Clapham scored a major success with the Ahrens and Flaherty musical Ragtime last year and subsequently have begun to explore some of the lesser performed shows from their repertoire. February saw their first piece Lucky Stiff getting an airing and now it is the turn of their most recent collaboration from 2007, The Glorious Ones, in its European premiere.

We follow a theatre group in Renaissance Italy as they ply their trade in commedia dell’Arte, enacting their ‘improvised’ scenes with their stock characters – from whom they are not so distinct any more – and so through these, we find out about their loves and lives as actors on the road. Flaminio Scala founded the troupe and is a master at the broad, bawdy comedy, but finds that tastes are changing as its crudeness is eschewed for a turn towards scripted theatre and younger players challenge his leading man status and struggles to deal with the change. Continue reading “Review: The Glorious Ones, Landor”

Review: Finishing The Hat, Sondheim’s 80th Birthday Concert, King’s Head

“And he showed me things, many beautiful things, that I hadn’t thought to explore”

In New York, Stephen Sondheim’s 80th birthday was marked with an all-star gala featuring such names as Patti LuPone, David Hyde Pierce, Mandy Patinkin, Bernadette Peters and Elaine Stritch. In London, we got a gig in the back room of a pub in Islington. I am however quoting the show’s compere, lest you think I’m being overly critical, and in this case, small was indeed beautiful with a fun evening of mixed delights, celebrating the 80th birthday of Stephen Sondheim.

Finishing the Hat, at the King’s Head, featured a diverse array of West End performers coming together to pay tribute to Sondheim with a birthday concert, cherrypicking their favourite songs from his shows and performing them simply on a stage under Chris Peake’s musical direction, accompanied by keyboard, bass and percussion. The show was held together by compere Chris Allen, who provided some linking material whilst one performer shuffled off and the next emerged from the curtain behind, and a powerpoint presentation showed us pictures of the man himself throughout his career and even a hilarious snippet of the Simpsons. Yes, it was all a bit low-rent but this show proudly wore its heart on its sleeve and focused on highlighting the excellence of the compositions being sung, which even divested of their context remain songs of the highest quality. Continue reading “Review: Finishing The Hat, Sondheim’s 80th Birthday Concert, King’s Head”