A Slight Ache and The Dumb Waiter make Pinter Seven a stirring finale to Pinter at the Pinter at the Harold Pinter Theatre
“Speak to me of love”
Pinter Seven is the final entry in the Pinter at the Pinter season of limited-run short play revivals (a full length production of Betrayal then follows to cap everything off) and it is a fitting finale as it draws together two strong pieces in A Slight Ache and The Dumb Waiter and does wonders with both.
Danny Dyer and Martin Freeman play the slightly inept gunmen of the latter with a real sense of blokish glee as they banter to great effect in setting up for new job, while both suggesting a darkening and deepening of tone as they move closer to the truth of what they’re doing and why they’re there. Continue reading “Review: Pinter Seven, Harold Pinter Theatre”
– Tom Hiddleston, Kristin Scott Thomas, Kit Harington, Simon Russell Beale, Indira Varma, Zawe Ashton and many more announced
– Happy Birthday, Harold will take place on what would have been the Nobel Prize winning playwright’s 88th birthday on October 10th
– Charity event will raise money for Amnesty International and Chance to Shine
– Tickets are on sale now
Continue reading “The Jamie Lloyd Company announces cast for charity gala to celebrate Harold Pinter’s birthday”
“The murderer is never the one you initially suspect”
A real treat here for fans of Agatha Christie as Crooked House is one of the few novels of hers that has yet to be adapted for the screen. With a screenplay by Julian Fellowes, Tim Rose Price and Gilles Paquet-Brenner, the latter of whom also directs, a curious release strategy sees it materialise on Channel 5 in the UK despite it being blessed with the kind of castings and high production values that you’d’ve thought would be destined for the cinema.
The story begins as so many of them do, with a murder. This time it is wealthy 80-some tycoon Aristide Leonides who kicks the bucket and the finger of suspicion doesn’t know where to point as it could any one of the disillusioned family members who also lived in the sumptuous family pile. His grand-daughter secures the services of a private investigator to look into the case discreetly and thus the mystery begins.
Continue reading “Film Review: Crooked House (2017)”
A quick whip through Series 2 of The Crown
“History is not made by those who did nothing”
Do I still love The Crown? Yes. Do I still find it a little hard to muster enthusiasm about it until I’m watching it. Absolutely. It remains lavish prestige drama that carries little excitement about it and that’s perhaps inevitable as it trundles through the decades of the second half of the twentieth century, little dramatic surprise can really be sprung.
Instead, the thrills come from the script of Peter Morgan’s fantasia into the emotional life of our monarch, and a production that looks like the multi-millions of dollars that have been spent on it. Oh, and the cream of British acting talent popping in for a scene or two at an astonishingly high rate. Continue reading “TV Review: The Crown, Series 2”
“You hunt them where they live”
There’s something interesting about a community that can simultaneously urge the need to talk constructively about failure and also gloat endlessly about the its possibility. Where the National Theatre is concerned, the stakes feel considerably heightened and following a summer that contained the divisive Salomé and Common, sadly you could almost feel the knives being sharpened in advance for Saint George and the Dragon.
Two contrasting viewpoints from two contrasting people, to be sure, but you wonder how open-minded people are being, particularly when the start to this press night was delayed by 30 minutes or so adding fuel to certain people’s fire. But all this dancing around is doing, is delaying the inevitable, in that I found Rory Mullarkey’s new play really quite tough-going and had it not been for an effortful performance from John Heffernan keeping it afloat from the front, it would have been worse. Continue reading “Review: Saint George and the Dragon, National Theatre”
A village. A dragon. A damsel in distress.
Into the story walks George: wandering knight, freedom fighter, enemy of tyrants the world over. One epic battle later and a nation is born. As the village grows into a town, and the town into a city, the myth of Saint George, which once brought a people together, threatens to divide them. Rory Mullarkey creates a new folk tale for an uneasy nation.
Continue reading “Full cast announced for Saint George and the Dragon”
Lots of exciting news in the National’s new season announcement, taking us up to January 2018, rather putting the lie to the cries of “crisis” that pop up far too easily when a less-than-well-received show (or two) takes up residency there.
Highlights for me include the perfection of this production pic:
Justine Mitchell and Sam Troughton appearing in a thing together (this may or may not be their feet:
And of course the Ivo van Hove/Lee Hall/Bryan Cranston amazefest that will be Network
(which will have some onstage seating!):
The National Theatre last night hosted its biennial fundraising gala, Up Next, raising over a million pounds to support access to the arts for children and young people across the country. I think they forgot to invite me though… 😜
Performances commissioned especially for the event included a new piece by Poet Laureate Carol Ann Duffy, alongside performances by Sir Lenny Henry, Anne-Marie Duff and hundreds of talented young people from across London.
Continue reading “News (and photos): National Theatre gala (plus actors in suits!)”
“In Whitechapel, they die every day”
When low ratings for series 2 of Ripper Street saw the BBC decide to pull the plug on it, it was something of a surprise to hear Amazon Video would be taking it over (this was 2014 after all) in a deal that would see episodes released first for streaming, and then shown on the BBC a few months later. And thank the ripper that they did, for I’d argue that this was the best series yet, the storytelling taking on an epic quality as it shifted the personal lives of its key personnel into the frontline with a series-long arc to extraordinary effect.
And this ambition is none more so evident than in the first episode which crashes a train right in the middle of Whitechapel, reuniting Reid with his erstwhile comrades Drake and Jackson four years on since we last saw them. A catastrophic event in and of itself, killing over 50 people, it also set up new villain Capshaw (the always excellent John Heffernan) and brilliantly complicated the character of Susan, promoting her to a deserved series lead as her keen eye for business, and particularly supporting the women of Whitechapel, throws her up against some hard choices. Continue reading “DVD Review: Ripper Street Series 3”