Review: For King and Country, Southwark Playhouse

For King and Country at the Southwark Playhouse proves an ineffective revival in this centenary year of  WWI’s end

“It’s a bit amateur to plead for justice”

Belatedly, I found out that this play hasn’t been performed in London for 30-odd years and in this case, it is tempting to say you can see why. The intent behind John Wilson’s 1963 play For King and Country is certainly honorable, a courtroom drama about a WWI soldier who deserted his post. And Dilated Theatre’s production at the Southwark Playhouse has merit, the idea that it might serve as an investigation into the issues that we now label as PTSD.

But a contemporary lens reflects harshly on the play, particularly through the prism of the writer’s decade. Watching his interpretation of what happened with our current knowledge of war’s psychological impact doesn’t feel like the most effective tribute to our armed forces as we commemorate the centenary of the end of the First World War. My mind constantly wondered why we weren’t hearing either a) a fresh new piece of writing or b) something more historically direct. Continue reading “Review: For King and Country, Southwark Playhouse”

Finalists of 2015 Stephen Sondheim Society Student Performer of the Year

Emily Onsloe (Guildhall School of Music & Drama)
Ewan Black (Bristol Old Vic Theatre School)
Lydia White (Hills Road Sixth Form College)
Luke Farrugia (Royal Central School of Speech & Drama)
Charlotte Vaughan (Royal Academy of Music)
Leah West (ArtsEd)
Corey Jones (South Gloucestershire and Stroud College)
Erin Doherty (Bristol Old Vic Theatre School)
Nick Shirm (Guildhall School of Music and Drama)
Amy Bridges (The MTA)
Grant McConvey (Guildford School of Acting)
Natalie Thorn (Performance Preparation Academy)

Host: Michael Xavier
Judges: Edward Seckerson (Chair), Julia McKenzie, Elaine Paige, Laura Pitt Pulford, John Wilson and Jamie Lloyd