Review: Miss Saigon, Prince Edward Theatre with TodayTix

“I’ll do my dance, I’ll make them drink”
 

I’m pretty there’s a clause in the gay contract that means it is illegal to turn down the offer of drinks in the Julie Andrews room so who was I to resist when the folks at TodayTix invited me to try out their mobile ticketing app by coming along to see Miss Saigon. Founders Merritt Baer and Brian Fenty have had big success on Broadway with their service, offering tickets for a range of shows one week to one hour before showtime and boasting of enabling tickets to be purchased in 30 seconds or less.

And I have to say that they’ve pretty much nailed it. The interface of the app is bright and easy to use (certainly it was on my iPhone6), there’s a wide range of West End shows available and the process of choosing and booking tickets at all price levels is simple and speedy with a little seatmap showing you where in the theatre your selected seats are. It really does streamline the ticket-buying process so that making any last minute decisions to see a show that much easier. Continue reading “Review: Miss Saigon, Prince Edward Theatre with TodayTix”

2015 Laurence Olivier Awards nominations

Best New Play 
King Charles III by Mike Bartlett – Almeida / Wyndham’s
Taken at Midnight by Mark Hayhurst – Theatre Royal Haymarket
The Nether by Jennifer Haley – Duke of York’s
Wolf Hall / Bring up the Bodies by Hilary Mantel, adapted by Mike Poulton – Aldwych

Best New Musical
Beautiful – Aldwych
Here Lies Love – National Theatre Dorfman
Memphis – Shaftesbury
Sunny Afternoon – Hampstead / Harold Pinter

Best Revival 
A Streetcar Named Desire – Young Vic
A View from the Bridge – Young Vic / Wyndham’s
My Night with Reg – Donmar Warehouse / Apollo
Skylight – Wyndham’s
The Crucible – Old Vic Continue reading “2015 Laurence Olivier Awards nominations”

Re-review: Miss Saigon, Prince Edward Theatre

“Why God? Why today?” 

I wasn’t the hugest fan of Miss Saigon first time round as my review from then clearly attests but I’m never one to be entirely closed-minded (though it may not often seem that way…) so when the opportunity to take a friend who had not previously been popped up, I made a return visit to the Prince Edward Theatre. The show is still basking in the glow of recently winning 9 What’s On Stage awards and it is clear that it is attracting a younger and atypically passionate crowd (for a West End show at least). 

That passion cuts both ways though as the overexcited group behind us couldn’t hold back from the flash photography and the young woman in front of me was less enthused than the rest of her party and spent most of the show on Facebook. It makes for a different kind of theatre experience when you’re having to do battle with that kind of behaviour but given my continued lack of engagement with the storyline of this particular musical theatre behemoth, it was as much a distraction for me as anything.  Continue reading “Re-review: Miss Saigon, Prince Edward Theatre”

Winners of the 2015 What’s On Stage Awards

Best Actor In A Play Sponsored By Radisson Blu Edwardian
David Tennant – Richard II (25%)
Mark Strong – A View From the Bridge (5%)
Richard Armitage – The Crucible (11%)
Tom Bateman – Shakespeare in Love (5%)
Tom Hiddleston – Coriolanus (20%)

Best Actress In A Play
Billie Piper – Great Britain (17%)
Gillian Anderson – A Streetcar Named Desire (17%)
Helen McCrory – Medea (7%)
Imelda Staunton – Good People (12%)
Lucy Briggs-Owen – Shakespeare in Love (7%)

Continue reading “Winners of the 2015 What’s On Stage Awards”

2015 What’s On Stage Award nominations

Best Actor In A Play Sponsored By Radisson Blu Edwardian
David Tennant – Richard II 
Mark Strong – A View From the Bridge 
Richard Armitage – The Crucible 
Tom Bateman – Shakespeare in Love 
Tom Hiddleston – Coriolanus 

Best Actress In A Play
Billie Piper – Great Britain 
Gillian Anderson – A Streetcar Named Desire 
Helen McCrory – Medea 
Imelda Staunton – Good People 
Lucy Briggs-Owen – Shakespeare in Love 

Continue reading “2015 What’s On Stage Award nominations”

Review: Miss Saigon, Prince Edward Theatre

 
“Hey Joe, try taking a little excursion
You’ll feel good from a little perversion”

There’s a real generational split when it comes to Miss Saigon – a contemporary of such 80s mega-musicals as Phantom and Les Mis, it has comparatively fallen by the wayside in terms of longevity nor has its score really attained the status of a bona fide classic. So there’s a group of people familiar with the show ready and waiting to make comparisons between the original and this major revival at the Prince Edward Theatre, and then there’s the rest of us – me included – for whom this is a new experience.

And as is often the case when expectations have been pumped sky-high (“Box office records broken on the first day!” “The greatest musical ever?!” “Watch out for the helicopter…”), it isn’t immediately clear what all the fuss is about. Claude-Michel Schönberg and Alain Boublil’s book is basically Madame Butterfly redux but transplanted to the Vietnam war as GI Chris is loved long-time by Kim, their love then forced apart by the US defeat in Saigon and a reunion, of sorts, organised once he finally discovers that he left more than his heart with Kim that evening… Continue reading “Review: Miss Saigon, Prince Edward Theatre”