The Shaftesbury Theatre has announced Hello Harry! – A Celebration of 40 Years at Stage Door– an online concert to celebrate the incredible 40 year career of Harry Gabriel, our night Stage Door Keeper. The concert will stream on YouTube on the 15th July at 7:30pm, with an incredible guest list of performers.
Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)
Extraordinary Public Acts for a National Theatre
The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions. A truly joyous and momentous occasion.
The fourth instalment in the Nativity film series, Nativity Rocks! restores a little of the goodwill squandered by the previous two sequels
“I’m wishing Father Christmas doesn’t forget where I live like he did last year”
I can’t think of a film franchise that has squandered such promise as the Nativity series. Debbie Isitt’s original film was such a sweetly unexpected success, but its magic sadly proved rather elusive as its subsequentsequels lost any of its sense of purpose or improvised charm. So the arrival of a third sequel in the shape of Nativity Rocks! (released in cinemas in 2018) came with a healthy dose of apprehension, even if the musical adaptation has rescued some of its lustre (though is that also now in danger of oversaturation , as the musical is now in its third consecutive winter tour).
For all my reservations though, Isitt had zero problem in attracting a quality ensemble as the cast undergoes something of an overhaul. So Marc Wootton’s Mr Poppy is dispatched to Australia and replaced with Simon Lipkin’s Mr Poppy (his long-lost brother), Daniel Boys is the fresh-faced teacher taking St Bernadette’s school choir through the rigours of yet another competition, with Helen George as the putative love interest, Gabriel Vick as the posh rival schoolmaster. Plus there’s Hugh Dennis and Anna Chancellor as some well-to-do parents, Ramin Karimloo as a refugee father, Meera Syal and Celia Imrie too, plus Craig Revel Horwood… Continue reading “Film Review: Nativity Rocks! (2018)”
I’ve long admired Jon Robyns and his new album Musical Direction reflects on his career so far beautifully, as well as suggesting what fun lies ahead
“You can get what you want or you get old”
Having fallen in love with Jon Robyns in parallel with tumbling hard for Avenue Q, he really is the leading man of my (entirely platonic) dreams, so news of a new solo album was certainly up my strasse. And Musical Direction manages an excellent job of balancing many of the aspects of that come with musical theatre performers making their own recordings.
There are nods to his performance past – a chirpy take on The Last Five Years’ ‘Moving Too Fast’ and a delicately beautiful glide through Chitty Chitty Bang Bang’s Hushabye Mountain – and a perfectly timed look to the future too. And this is where the cleverness kicks in as you may not think you really need another version of ‘Bring Him Home’ but this acoustic, cello-drenched arrangement is spine-tingling good, certainly whetting the appetite for his imminent debut as Jean Valjean when Les Misérables reopens the Sondheim Theatre. Continue reading “Album Review: Jon Robyns – Musical Direction”
The weather outside might be frightful but new musical theatre is always delightful, especially when it is festive-themed. Following a target-smashing Kickstarter campaign this October, Iris Theatre’s Xmas Factor All Stars album is released today, just in time for the holiday season. Featuring performances by Olivier Award-winner Rebecca Trehearn, Jon Robyns, Tori Allen-Martin, the Italia Conti School Choir and many more, the album is packed full of music by selected winners and runners-up of Iris Theatre’s Xmas Factor from 2013-16.
Xmas Factor is Iris Theatre’s annual showcase of the very best new musical theatre, around the theme of Christmas. Writers are invited to send in a song which is selected by the programming team to continue in the competition, culminating in a Panel Award and Audience Award at the concert. This year’s event, All Stars, features the best of those finalists from across the last four years, including winners and runners up of the two awards – all of which feature on the album. Songs cover an eclectic mix of themes from Korean festivities in ‘Christmas in Pyongyang’ to the best Yuletide movies in ‘Christmas Films Again’ and the thoughts of Jesus’s dad himself in ‘Joseph’s Lullaby’. Continue reading “News: Iris Theatre’s Xmas Factor All Stars album is released”
Clearly, it was their cumulative musical talent – between them, Scott Garnham, Simon Schofield, Craig Mather and Kieran Brown have racked up credits in pretty much every major musical from The Phantom of The Opera, Wicked and Billy Elliot to Jersey Boys, The Sound Of Music and Les Misérables. And now they’re bringing their cabaret show to The Other Palace’s Studio for a Christmas season which is enough to bring festive cheer to even the most Scrooge-like of hearts. Continue reading “The Barricade Boys announce a Christmas Cabaret season with an amazing guest cast”