“Thou art all deformed”
The programme for the Southwark Playhouse’s latest main house production, The Changeling by Thomas Middleton and William Rowley, starts off with an honest explanation of the difficulties in staging such a dialogue-heavy work so full of asides and freely admits it is taking a risk in the approach they have adopted, which is to use voiceovers. Such candour is perhaps bravely admirable but in this case, it is a risk that does not pay off as The Production Works’ reimagining of the classic sadly falls short in a number of areas.
Beatrice-Joanna is engaged to Alonzo, hotly in love with Alsemero and stalked by her disfigured servant De Flores and such is the strength of her burning desire and the desire she provokes in others that in order to pursue the second she engages the third to get rid of the first. This production focuses on this twisted love triangle and completely does away with the comic subplot, thus bringing in the show at an interval-less 90 minutes but making the tone of the play unremittingly dark. Continue reading “Review: The Changeling, Southwark Playhouse”