A quick whip through Series 2 of The Crown
“History is not made by those who did nothing”
Do I still love The Crown? Yes. Do I still find it a little hard to muster enthusiasm about it until I’m watching it. Absolutely. It remains lavish prestige drama that carries little excitement about it and that’s perhaps inevitable as it trundles through the decades of the second half of the twentieth century, little dramatic surprise can really be sprung.
Instead, the thrills come from the script of Peter Morgan’s fantasia into the emotional life of our monarch, and a production that looks like the multi-millions of dollars that have been spent on it. Oh, and the cream of British acting talent popping in for a scene or two at an astonishingly high rate. Continue reading “TV Review: The Crown, Series 2”
“To do nothing is the hardest job of all”
It’s taken a little time to getting round to watching all of The Crown because, in a first for me, I found it impossible to binge-watch the show. Even with Netflix kindly providing offline downloads just at the point where I had a lot of travelling to do, Peter Morgan’s drama was lots of fun to watch but rarely captured the buzzy energy that has accompanied much online programming. Because it many ways it isn’t like much of Netflix’s previous output, it really is an encroachment into BBC Sunday night and as such, I felt it worked best spread out in almost weekly installments.
That’s partly down to the nature of the subject material, we’re not likely to get many surprises in a detailed retelling of the history of the House of Windsor. But it is also due to Morgan’s writing which tends a little to the formulaic, especially in the middle part of the series, which is when my interest was most in danger of waning. The opening two episodes started brightly but once the shock of becoming monarch was over, the rhythm became very much one of someone close to the queen has an issue and she has to weigh personal desires against public duty, the latter always winning out. Continue reading “TV Review: The Crown, Series 1”
“The country needs to be led by someone strong”
You’d be hard-pressed not to know that Netflix have a new series called The Crown as a substantial portion of the £100 million plus budget has clearly been spent on blanket marketing coverage. And like a good punter brainwashed by adverts, I’ve watched the first two episodes to get a sense of what it is like.
Written by Peter Morgan and directed by Stephen Daldry, its credentials are impeccable and there is a slight sense of stepping on the BBC’s toes here, something alluded to in pre-show publicity that informed us the Beeb were less than willing to share archive footage from Buckingham Palace. But with as considerable and lavishly-spent a budget as this, the comparison isn’t quite fair as the ambitions here are most grand. Continue reading “TV Review: The Crown Episodes 1 + 2”
Cada dia te quiero mas”
2008 musical Zorro lasted nine months in the West End, which may not seem a fantastic run but in retrospect, it lasted longer than From Here To Eternity, Stephen Ward, I Can’t Sing…any number of big musicals. Written by Stephen Clark and Helen Edmundson from Isabel Allende’s origin story, the tale positions the pulp legend as a folk hero and romantic lead, and is aided in the task by a highly atmospheric score from the Gipsy Kings and John Cameron.
Recorded live, the score has a slight feel of probably being much more fun to experience live than simply listening to in your living room. the flamenco rumba of the instrumentals impressively played but would be unquestionably improved with its accompanying choreography. So too the set pieces of pre-existing Gipsy Kings tracks Bamboléo and Djobi Djoba – both led by a fiercely charismatic Lesli Magherita – being exhorted to “baila, baila” just doesn’t quite work on record. Continue reading “Album Review: Zorro (Original Cast Recording)”
“And what’s he then that says I play the villain?When this advice is free I give and honest”
My first Othello was just last month with the Crucible’s extraordinary production which was rather breath-takingly good, so I was a little trepidatious about putting on this DVD on the Globe’s take on the play from 2007. Wilson Milam directed this rather traditional production but I was still rather keen to see an alternative version, especially once I’d found out that it contained John Stahl and Sam Crane in its ensemble.
Given how strong the four central characters were in Sheffield, I was quite surprised, and pleased, at how good I (mostly) found the four actors here to be, offering different but equally effective takes on the roles and demonstrating the malleability of Shakespeare’s text when in the right hands. Eamonn Walker’s Othello is a strident beast, most definitely a warrior though with hints of vulnerability which Zoë Tapper’s astoundingly accomplished Desdemona is clearly attracted to and thoroughly won over by. He perhaps could have worked in a little more charisma into his performance and his verse speaking didn’t always feel quite so natural, but this was mainly in comparison to Tapper whose luminosity shone through onstage, through every move she made and word she spoke, truly breaking the heart as the betrayals kick in. It feels a crime that she hasn’t done more stage work. Continue reading “DVD Review: Othello, Shakespeare’s Globe”
“I looked into her big big eyes. And found one hundred moons in amongst the blue.”
Set over a hot summer’s day in Stoke Newington, Many Moons is Alice Birch’s debut play showing at the Theatre503 in Battersea. Following four people whose isolated metropolitan existences circle round each other, their stories threatening to collide in the scorching heat of a village fête in Abney Park with potentially devastating effects. Birch is a graduate of new writing schemes at both the National and the Royal Court and with her first full-length production marks herself out as a talent to watch with a highly witty yet poetic play of great maturity and dramatic intrigue.
Edward Franklin’s nervy, nerdy Ollie is a bundle of barely-socialised but still endearing energy as a young man trying to break free from a life of dull Oxford academia and dark matter to try and find something new in London. In the flat next door, Esther Smith’s effervescent Juniper is an irrepressible perma-smiling ball of positivity, newly moved down from the Midlands and unshakeably sure that love and life have great things in store for her. Jonathan Newth’s Robert is preoccupied with caring for his Parkinson’s-suffering wife but he still has deep desires of his own. And in a house across the road, Esther Hall’s heavily-pregnant and unhappily-married Meg is wrestling with her feelings of unfulfilment and channelling her time and energies into dealing with a world of suspicions. Continue reading “Review: Many Moons, Theatre503”