Not-a-review: City of Angels, Garrick Theatre

City of Angels didn’t get its opening night at the Garrick Theatre but there’s still some treats out there

“Greatness can come from the sum of our parts”

City of Angels, Garrick Theatre

Interview with Vanessa Williams
Interview with Theo James
Q&A with City of Angels cast and director Josie Rourke

And if I might have snuck into a preview, I might say that it was a pretty darn slick version of the show once again, Vanessa Williams was everything.

 

News: City of Angels full cast announced

Just look at those beauties! The Olivier-winning Donmar Warehouse production of City of Angels begins previews tonight at the Garrick Theatre.

First seen in 2014, this revival of City of Angels finds stars Rosalie Craig (Company) as Gabby/Bobbi, Hadley Fraser (Les Misérables) as Stine, and Rebecca Trehearn (Showboat) as Donna/Oolie, reprising their roles in the Larry Gelbart-Cy Coleman-David Zippel musical.

New to the production are film and TV star Theo James (Divergent) as Stone, GIrls Aloud member Nicola Roberts as Avrill/Mallory, and Tony nominee Vanessa Williams (Into the Woods), making her West End debut, as Carla/Alaura. Continue reading “News: City of Angels full cast announced”

September theatre round-up

A quick round-up of the rest of September’s shows

Mary Said What She Said, aka how far I will go for Isabelle Huppert
The Provoked Wife, aka how far I will go for Alexandra Gilbreath
A Doll’s House, aka if we must have more Ibsen, at least it is like this
Falsettos, aka finding the right way, for me, to respond
The Comedy Grotto, aka a sneaky peak at Joseph Morpurgo
The Life I Lead, aka something really rather sweet
Blues in the Night, aka all hail Broadway-bound Sharon D Clarke (and Debbie Kurup, and Clive Rowe too)
Everybody’s Talking About Jamie, aka well why not go again Continue reading “September theatre round-up”

TV Review: Kiri

With a cast including Sarah Lancashire, Lucian Msamati and Lia Williams, how could Kiri be anything but good

“Stick a flake in it before you try and sell it to the tabloids will you”

Airing on Channel 4 at the beginning of the year, Jack Thorne’s Kiri was billed as a continuation of his National Treasure brand  (I managed one episode of that first series…). But any fears I had of not liking it were assuaged by a cast led by Sarah Lancashire, Lucian Msamati and Lia Williams, plus this far down the line, I’d heard enough good things about it to finally get round to watching. 

Set in Bristol, Kiri follows the abduction of a young black girl – Kiri – in the foster care system, as she is allowed a meeting with her birth grandparents in advance of her adoption by a white middle-class family. Her social worker Miriam has arranged this unorthodox meeting and sure enough, the proverbial hits the fan when she gets a phone call to say she has gone missing. Continue reading “TV Review: Kiri”

Review: Absolute Hell, National Theatre

A characterful slice of seedy Soho life,  Absolute Hell is anything but at the National Theatre

“You won’t call the police, I’ll call the police”

We’ve all got a history, a bit of a chequered past and Rodney Ackland’s play Absolute Hell is no exception. Premiered in 1952 under the title The Pink Room, it received an enormous critical drubbing which led to a 40 year near-silence from the playwright. But as time passes, trends shift and plays eventually get rewritten, a new version of the drama emerged in the late 1980s to considerably more success.

It is that version that is being revived here by Joe Hill-Gibbins with the kind of luxury casting that National Theatres are made for. And with the world of this slice-of-life play being made up of a vast ensemble of characters, it’s a great fit. Absolute Hell is set in a Soho members club in the period between the end of WWII and the Labour general election win and follows its patrons as they retreat from the social (and physical) upheaval of wartime into a fug of drink, drugs and debauchery. Continue reading “Review: Absolute Hell, National Theatre”

Review: Fanny and Alexander, Old Vic

Fancy three and a half hours of Ingmar Bergman? At least the Old Vic’s seats are comfortable for Fanny and Alexander with  a marvellous Penelope Wilton 

“I’d really like to know what anyone else thinks”

I can’t think of Fanny and Alexander without thinking of the phrase sweet Fanny Adams (which, sidebar, has quite the horrific origin). But more to the point, I have to say the idea of another adaptation of an Ingmar Bergman film didn’t quite fill me with enough joy to be rushing to the Old Vic (the extraordinary Scenes From A Marriage aside, I’ve not had the best of times with him).

So with Stephen Beresford (he of The Last of the Haussmans) adapting and Max Webster (he of The Lorax) directing, it was with a little reluctance that I devoted a swathe of my Easter Saturday to this drama. And while I’d love to say that it was totally worth it, as a way to wait for the Resurrection it left me feeling a little like Pontius Pilate must have done way back when. Continue reading “Review: Fanny and Alexander, Old Vic”

Round-up of news, treats and other interesting things

“Oh please, Mother, make it stop! It’s hurting.”

 

The Exorcist will be unleashed onto the West End stage for the very first time in a uniquely theatrical experience directed by Sean Mathias and adapted for the stage by John Pielmeier.
 
The Exorcist will play a strictly limited run at the Phoenix Theatre from 20 October 2017 to 10 March 2018. Tickets will go on general sale at 4pm today.

Continue reading “Round-up of news, treats and other interesting things”

Review: The Iliad Online, Almeida/Live-stream

“You can’t kill me
I can’t ever die”

After three weeks away, all my initial thoughts were on a cosy night in catching up on the first two episodes of The Great British Bake-off and I couldn’t imagine anything changing my mind – how wrong could I be! When the Almeida first announced their durational performance of Homer’s Iliad, it sounded like a madcap plan, a morning ‘til night affair in association with the British Museum and featuring over 60 actors – the only thing stopping me from booking was it being the last day of my holiday!

But fortunately, the good folk of the Almeida decided to livestream the whole shebang – all 16 hours and 18,255 lines of it – so that people could dip in and out to their heart’s content as well as attending at the British Museum for free during the daytime. I switched on at about 8pm as Bertie Carvel started his section, intending just to sample its wares but sure enough, I was there until the bitter end around 1am, having been sucked into its unique brilliance and unable to miss a minute more of it. Continue reading “Review: The Iliad Online, Almeida/Live-stream”

fosterIAN awards 2014

 WinnerRunner-upOther nominees
Best Actress in a PlayGillian Anderson, A Streetcar Named Desire Chris Nietvelt & Halina Reijn, Maria Stuart (Toneelgroep Amsterdam) Linda Bassett, Visitors
Susannah Fielding, The Merchant of Venice (Almeida)
Denise Gough, Adler and Gibb
Imelda Staunton, Good People
Best Actor in a PlayCary Crankson, The Saints Jack Holden, Johnny Get Your Gun Jonathan Broadbent, My Night With Reg
Chris Connel, Wet House
Harry Melling, peddling
Mark Strong, A View From The Bridge
Best Supporting Actress in a PlayVanessa Kirby, A Streetcar Named DesirePhoebe Fox & Nicola Walker, A View From The Bridge Blythe Duff, The James Plays
Liz White, Electra
Lydia Wilson, King Charles III
Best Supporting Actor in a PlayJoe Caffrey, Wet House Hans Kesting, Maria Stuart (Toneelgroep Amsterdam) Patrick Godfrey, Donkey Heart
Julian Ovenden, My Night With Reg
Hugh Skinner, Thérèse Raquin (Theatre Royal Bath)
Geoffrey Streatfeild, My Night With Reg
Best Actress in a MusicalImelda Staunton, Gypsy Gemma Arterton, Made in Dagenham Charlotte Baptie, Free As Air
Natalie Mendoza, Here Lies Love
Christina Modestou, In The Heights
Sophie Thompson, Guys and Dolls
Best Actor in a MusicalSam Mackay, In The Heights Benjamin Scheuer, The Lion Adrian der Gregorian, Made In Dagenham
Killian Donnelly, Memphis
Jon Robyns, The Last Five Years
Jeremy Secomb, Sweeney Todd (Tooting Arts Club)
Best Supporting Actress in a MusicalJenna Russell, Urinetown Lara Pulver, Gypsy Samantha Bond, Dirty Rotten Scoundrels
Victoria Hamilton-Barritt, In The Heights
Kiara Jay, Sweeney Todd (Tooting Arts Club)
Zoe Rainey, The Return of the Soldier
Best Supporting Actor in a MusicalJason Pennycooke, Memphis Aaron Tveit, Assassins Damian Buhagiar, In The Heights
Tyrone Huntley, Memphis
Nadim Naaman, Sweeney Todd (Tooting Arts Club)
Jonathan Slinger, Urinetown

2014 Best Supporting Actor in a Play + a Musical

Best Supporting Actor in a Play

Joe Caffrey, Wet House
One of the most painfully believable portrayals of alcoholism you could ever wish to see and just brutal in its tragedy, even if the audience around laughed merrily away

Honourable mention: Hans Kesting, Maria Stuart (Toneelgroep Amsterdam)
As the charismatic Leicester, loved by two queens, Kesting was a silkily seductive presence but one with steel at its very core. The kind of actor you can’t keep your eyes off (and if you ever see a show at the Stadschouwberg, nip upstairs to look at the very fetching portrait of him!).

Patrick Godfrey, Donkey Heart
Julian Ovenden, My Night With Reg
Hugh Skinner, Thérèse Raquin (Theatre Royal Bath)
Geoffrey Streatfeild, My Night With Reg

7-10
Sam Crane, Eternal Love; John Hodgkinson, Love’s Labours Lost/Won (RSC); Luke Norris, A View From The Bridge; Mark Rowley, The James Plays

 

Best Supporting Actor in a Musical

Jason Pennycooke, Memphis
Twinkle-eyed and twinkle-toed, Pennycooke is a sheer delight in Memphis as Bobby, the cleaner who becomes an unexpected television star, and just edges colleagues Rolan Bell and Tyrone Huntley who altogether make a superbly strong supporting line-up for this show.

Honourable Mention: Aaron Tveit, Assassins
The arrival of this square-jawed Broadway import was much heralded and certainly didn’t disappoint as he bolstered the tip-top ensemble that Jamie Lloyd assembled for Assassins with some fierce commitment and sheer quality.

Damian Buhagiar, In The Heights
Tyrone Huntley, Memphis
Nadim Naaman, Sweeney Todd (Tooting Arts Club)
Jonathan Slinger, Urinetown

7-10
Dean John-Wilson, Here Lies Love; John Marquez, Dirty Rotten Scoundrels; Michael Matus, The Return of the Soldier; Cedric Neal, Porgy and Bess