The Michael Frayn Space downstairs at the Hampstead Theatre has become something of a hot venue. A space for more experimental fare than one might be accustomed to in Swiss Cottage, it has not been a place where press critics have been invited to, instead encouraging audience feedback as plays are developed there. But in a change of policy, the doors to Pentabus Theatre’s For Once were opened and deservedly so, as it is a beautifully written, powerfully affecting play.
It is playwright Tim Price’s debut work, though he is one to watch with an upcoming play forming part of this year’s Donmar at Trafalgar Studios season and another commission for National Theatre Wales appearing next year. And with this three-hander about a family recovering from the aftermath of a terrible car accident that has sent shockwaves through the isolated rural community in which they live, he demonstrates a real skill for sensitive storytelling, resonating with a genuine understanding of the emotional interplay of people struggling to return to everyday life. Continue reading “Review: For Once, Hampstead Downstairs”