2020 Offie Award Winners

DESIGN

Design: Costume
WINNER – Adrian Gee, Amour, Charing Cross Theatre
Emily Bestow, 42nd Street, Upstairs at the Gatehouse
Hannah Wolfe , Great Expectations, National Youth
Theatre, Southwark Playhouse

Design: Set
WINNER – Diego Pitarch, Night of the Living Dead – Live!,
Pleasance
Justin Williams, Whistle Down the Wind, Union
Theatre
Lee Newby, The View UpStairs, Soho Theatre
Rachael Ryan, Thrill Me, Hope Theatre

Design: Sound
Benjamin Grant, The War of the Worlds, New Diorama
Lex Kosanke, Hunger, Arcola
WINNER – Matt Eaton, All’s Well That Ends Well, Guildford Bard,
Jermyn Street Theatre
Xana, Blood Knot, Orange Tree

Design: Lighting
Christopher Nairne, Preludes, Southwark Playhouse
Clancy Flynn, An Act of God, Vaults
WINNER – Jessica Hung Han Yun, Equus, English Touring Theatre,
Theatre Royal Stratford East
Nic Farman, Night of the Living Dead – Live!, Pleasance

Design: Video
Andrzej Goulding, The Unreturning, Theatre Royal
Stratford East
WINNER – Ben Bull, Baby Reindeer, Bush Theatre
Douglas Baker, Moby Dick, Jack Studio Theatre Continue reading “2020 Offie Award Winners”

The finalists of The Offies 2020

The finalists for the 2020 Offies (for performances in 2019) have been announced and congratulations to all 89 mentioned below. A tip of the hat too to the 400+ nominees who you can find here.

DESIGN

Design: Costume
Adrian Gee, Amour, Charing Cross Theatre
Emily Bestow, 42nd Street, Upstairs at the Gatehouse
Hannah Wolfe , Great Expectations, National Youth
Theatre, Southwark Playhouse

Design: Set
Diego Pitarch, Night of the Living Dead – Live!,
Pleasance
Justin Williams, Whistle Down the Wind, Union
Theatre
Lee Newby, The View UpStairs, Soho Theatre
Rachael Ryan, Thrill Me, Hope Theatre

Design: Sound
Benjamin Grant, The War of the Worlds, New Diorama
Lex Kosanke, Hunger, Arcola
Matt Eaton, All’s Well That Ends Well, Guildford Bard,
Jermyn Street Theatre
Xana, Blood Knot, Orange Tree

Design: Lighting
Christopher Nairne, Preludes, Southwark Playhouse
Clancy Flynn, An Act of God, Vaults
Jessica Hung Han Yun, Equus, English Touring Theatre,
Theatre Royal Stratford East
Nic Farman, Night of the Living Dead – Live!, Pleasance

Design: Video
Andrzej Goulding, The Unreturning, Theatre Royal
Stratford East
Ben Bull, Baby Reindeer, Bush Theatre
Douglas Baker, Moby Dick, Jack Studio Theatre Continue reading “The finalists of The Offies 2020”

Review: Preludes, Southwark Playhouse

An extraordinary piece of boundary-pushing musical theatre, Preludes is a special delight at the Southwark Playhouse

“Dangling on the melting edge of sleep”

You’d think there would come a point where it barely seems worth mentioning that musical theatre is a genre which contains multitudes, yet the stereotypical image of jazz hands prevails, people so easily writing off ever seeing any musical. I’m not saying that Dave Malloy’s Preludes would be the first choice to try and convince them otherwise, but it would certain shatter their preconceptions.

Malloy’s study of a crucial period in the life of Russian composer Sergei Rachmaninov is startlingly imaginative. Using the hypnotherapy sessions Rach endured in real life, Malloy delves into the realm of all their possibilities, to explore the demons that plague him, the complexity of his creative process, the society that trammels him, endlessly slipping between past and present, fantasy and reality. Continue reading “Review: Preludes, Southwark Playhouse”

2018 BroadwayWorld UK Awards – Winners’ list

Best Actor in a New Production of a Musical
Alex Wadham, The Full Monty: The Musical, Old Joint Stock Theatre, Birmingham
WINNER – Giles Terera, Hamilton, Victoria Palace Theatre
Jamal Kane Crawford, Fame, UK Tour
Jamie Muscato, Heathers The Musical, The Other Palace/Theatre Royal Haymarket
Louis Maskell, The Grinning Man, Trafalgar Studios
Marc Antolin, Little Shop of Horrors, Regent’s Park Open Air Theatre

Best Actor in a New Production of a Play
Aidan Turner, The Lieutenant of Inishmore, Noël Coward Theatre
Ben Batt, The York Realist, Donmar Warehouse/Crucible Theatre, Sheffield
WINNER – Ian McKellen, King Lear, Chichester Festival Theatre
Matthew Tennyson, A Monster Calls, Old Vic
Reed Birney, The Humans, Hampstead Theatre
Tyrone Huntley, Homos, Or Everyone in America, Finborough Theatre Continue reading “2018 BroadwayWorld UK Awards – Winners’ list”

2018 BroadwayWorld UK Awards Shortlist

Best Actor in a New Production of a Musical
Alex Wadham, The Full Monty: The Musical, Old Joint Stock Theatre, Birmingham
Giles Terera, Hamilton, Victoria Palace Theatre
Jamal Kane Crawford, Fame, UK Tour
Jamie Muscato, Heathers The Musical, The Other Palace/Theatre Royal Haymarket
Louis Maskell, The Grinning Man, Trafalgar Studios
Marc Antolin, Little Shop of Horrors, Regent’s Park Open Air Theatre

Best Actor in a New Production of a Play
Aidan Turner, The Lieutenant of Inishmore, Noël Coward Theatre
Ben Batt, The York Realist, Donmar Warehouse/Crucible Theatre, Sheffield
Ian McKellen, King Lear, Chichester Festival Theatre
Matthew Tennyson, A Monster Calls, Old Vic
Reed Birney, The Humans, Hampstead Theatre
Tyrone Huntley, Homos, Or Everyone in America, Finborough Theatre Continue reading “2018 BroadwayWorld UK Awards Shortlist”

Review: The Bubbly Black Girl Sheds Her Chameleon Skin, Theatre Royal Stratford East

“I’ve decided I’m going to be white”

Just a quickie for The Bubbly Black Girl Sheds Her Chameleon Skin as it closes in a couple of days and I have to say, I was a little bit disappointed with it. Kirsten Childs’ musical follows its protagonist Viveca from childhood in 1960s LA to 1990s New York, from a relatively sheltered middle class life to the harsher realities of trying to make it as a dancer on Broadway, plus navigating her way through the racism and sexism inherent in so much of contemporary society.

But though there’s much in the story that resonates (it is partly based on Childs’ own experiences), the show never quite connects in the same way. It picks with a magpie-like glee at a world of musical theatre references without really settling into its own identity, and musically the mix of Motown, pop and r’n’b feels a bit scattershot. Josette Bushell-Mingo’s production has surface glamour but even with Karis Jack and Sophia Mackay splitting the role of the younger and older versions of Viveca, there’s not enough of the grit to really ground the story.

Running time: 2 hours 20 minutes (with interval)
Booking until 11th March

2017 Offie Award Winners

Offies Awards - Off West End Theatre Awards

Best Female 
Louise Jameson in The Diva Drag at The Hope 
Lydia Larson in Skin A Cat at The Bunker
Sarah Ridgeway in Fury at Soho Theatre 
Jenna Russell in Grey Gardens at Southwark Playhouse

Best Supporting Female 
Lynette Clarke in Karagula at The Styx
Joanna Hickman in Ragtime at Charing Cross Theatre
Sasha Waddell in After October at The Finborough

Best Male 
Fiston Barek in The Rolling Stone at The Orange Tree 
Phil Dunster in Pink Mist at The Bush 
Paul Keating in Kenny Morgan at The Arcola
John Ramm in Sheppey at The Orange Tree Continue reading “2017 Offie Award Winners”

News: #AlsoRecognised Awards shortlists announced

Shortlists for the third annual Also Recognised Awards have been announced by MyTheatreMates, founded by Mark Shenton and Terri Paddock. These audience-voted industry accolades celebrate talent in fields often overlooked by other award bodies. Voting is now open for all categories and closes on Sunday 26th March 2017. Cast your vote at: www.mytheatremates.com/AlsoRecognisedAwards-2017/
 
The aim of the awards is to recognise some of those categories that are sometimes overlooked in other awards – for example, Best Musical Direction is one that is sadly unique to the Also Recognised roster. There’s also a nod to the behind-the-scenes folk with awards for Best Twitter Engagement, Show Trailer and Show Poster recognising the invaluable part that marketing, especially digitally, has to play in the industry.
 
So find the shortlists below and head over to My Theatre Mates to cast your vote. I helped to draw up these lists along with Mark and Terri, Andrew Keates and Mike Dixon, and the rest of the My Theatre Mates collective, and I think the blend of West End, Off-West End, fringe and regional nominees reflects that, so I’ll be most interested to see how the results pan out.

Continue reading “News: #AlsoRecognised Awards shortlists announced”

2017 Offie Award Finalists

Offies Awards - Off West End Theatre Awards

Best Female 
Louise Jameson in The Diva Drag at The Hope 
Lydia Larson in Skin A Cat at The Bunker
Sarah Ridgeway in Fury at Soho Theatre 
Jenna Russell in Grey Gardens at Southwark Playhouse

Best Supporting Female 
Lynette Clarke in Karagula at The Styx
Joanna Hickman in Ragtime at Charing Cross Theatre
Sasha Waddell in After October at The Finborough

Best Male 
Fiston Barek in The Rolling Stone at The Orange Tree 
Phil Dunster in Pink Mist at The Bush 
Paul Keating in Kenny Morgan at The Arcola
John Ramm in Sheppey at The Orange Tree Continue reading “2017 Offie Award Finalists”

Re-review: Ragtime, Charing Cross

“You can never go back to before”

Mother may spend a song telling us that we can never go ‘Back To Before’ but fortunately you can go back to Ragtime with no fear. And in a post-election climate, it can’t help but feel even more charged as the USA finds itself at a(nother) momentous point in its history. You can read my original review here and if anything, Thom Southerland’s production has gotten even better as the actor-musicians feel even more confident and comfortable. 

Leading performances from Jennifer Saayeng and Ako Mitchell, Earl Carpenter and Anita Louise Combe, and Gary Tushaw remain powerful as ever. But on second viewing I enjoyed watching ensemble members and just how damn hard they’re working – Kate Robson-Stuart, Christopher Dickins and James Mack particularly standing out for me… If you’ve not seen the show yet, there’s a trailer below for your delectation but move quickly, there’s less than a month less of the run. Continue reading “Re-review: Ragtime, Charing Cross”