Review: Betrayal, Theatre Royal Bath

An hour plus of a straight white man justifying his affair or a modern classic? I go in for more Betrayal at the Theatre Royal Bath

“I thought it might be something like that. Something along those lines”

The things I do for the actresses I love. Despite the Herculean efforts of the Pinter at the Pinter festival, I still can’t say I am Harold’s biggest fan. But the announcement of Nancy Carroll in a play, alongside Ed Bennett and Joseph Millson, in these theatre-starved times was one I found hard to resist.

So I made the trip into the safe havens of Tier 1 from Tier 2 to see Jonathan Church’s production of  Betrayal at the Theatre Royal Bath. And once again, I kinda thought ‘huh, this is a modern classic?’. With the memories of Jamie Lloyd’s fresher take still bold too, the choice to keep it firmly in the 70s didn’t click for me. Continue reading “Review: Betrayal, Theatre Royal Bath”

More September theatre news

SIX reunite, The Theatre Channel switches on, The Shows Go On return and casting is revealed in Bath

© Danny Kaan

The Reunion is the first stage+streaming concert performance by seven powerhouse vocalists who rose to fame as the original West End queens of the musical SIX: Aimie Atkinson, Alexia McIntosh, Grace Mouat, Jarneia Richard-Noel, Maiya Quansah-Breed, Millie O’Connell, and Natalie Paris. The show will be livestreamed by theatre platform Thespie but a lucky few will also be able to get tickets to see the concerts live on Saturday 10th and Sunday 11th October.

Performances will be held in Oval Space, a spacious and well-ventilated East London venue that has been entirely reimagined for safe, seated music and theatre performances. The seating plan is entirely flexible which allows seating to be customised to the audience that books. Audiences book for themselves and their household or support bubble only (to a maximum of six), and Thespie’s technology determines a seat plan that ensures safe spacing between households and optimises use of the space. Continue reading “More September theatre news”

Re-review: Mary Poppins, Prince Edward Theatre

So good I went twice in as many weeks! I rave about Mary Poppins as it delights the West End at the Prince Edward Theatre

“I suffer no nonsense and whilst I remain
There’s nothing else I feel I need to explain”

So good I went twice in as many weeks! When the opportunity presented itself to go back to Mary Poppins, I couldn’t help myself. So why not take a read of my five star review for Official Theatre here. And if you’re that way inclined, you can read my other review here.

Running time: 2 hours 50 minutes (with interval)
Photos: Johan Persson
Mary Poppins is booking at the Prince Edward Theatre until 3rd May

Review: Mary Poppins, Prince Edward Theatre

Someone clearly has too much time on their hands…enjoy the wordplay in this review of this spectcular revival of Mary Poppins at the Prince Edward Theatre

“Um-dittle-ittl-um-dittle-I
Um-dittle-ittl-um-dittle-I”

Strallens to the fore,
umbrellas at the ready,
penguins…well we won’t mention them. Making its return to the Prince
Edward Theatre where it debuted in 2004, this
revival of
classic musical Mary Poppins
arrives at just the right time to
lift our spirits as the nights start to draw
in and politicians spout
falsehood after falsehood to further darken our nights. And there’s a
rollicking good time to be had here
as the show recalls the
good old days of easy-going entertainment.
In the
leading role, Zizi Strallen
is a constant delight as the
stern nanny with just the right amount of
twinkle in her eye as she alights upon the Banks’ household. Vocally, she
is impressive too, whether rebuffing
Charlie Stemp’s charmingly flirtatious Bert whose
enormous perma-grin may or may not be the result of
xanax
pills.
In the roles of the domestic staff, Claire Machin
and Jack North get many a
laugh and
if George Banks isn’t the  
dad of your dreams, Joseph Millson pretty much is.
Obviously
children play a big part
in this world and the pair
of tykes I saw this evening were
unusually
sweet and sour as their characters are much naughtier than the film. Continue reading “Review: Mary Poppins, Prince Edward Theatre”

Full list of 2017 UK Theatre Awards winners

The full list of winners of this year’s UK Theatre Awards have been announced and you can find them below:

Best Presentation Of Touring Theatre
Nuffield Southampton Theatres for the world premiere touring musical production of Roald Dahl’s Fantastic Mr Fox

Best Show for Children and Young People
The Snow Queen, New Vic Theatre

Best Director
Gemma Bodinetz, Liverpool Everyman and Playhouse new repertory season
Continue reading “Full list of 2017 UK Theatre Awards winners”

Nominations for the 2017 UK Theatre Awards

The UK Theatre Awards are the only nationwide Awards to honour and celebrate outstanding achievements in regional theatre throughout England, Scotland, Wales and Northern Ireland and they have just announced the nominations for the 2017 awards, the results of which will be revealed at a ceremony on Sunday 15th October. 
 
 
How many of these did you see, and who do you think should win?
 

Best new play
Half Breed by Tash Marshall, Talawa Theatre Company and Soho Theatre
Narvik by Lizzie Nunnery, Box of Tricks
Wish List by Katherine Soper, Royal Court and Royal Exchange Theatre

Best musical production
Everybody’s Talking About Jamie, Sheffield Theatres
Caroline, Or Change, Chichester Festival Theatre
Sweet Charity, Royal Exchange Theatre Continue reading “Nominations for the 2017 UK Theatre Awards”

Review: Apologia, Trafalgar Studios

“We have just elected our first African-American President
‘Let’s see what happens in the long run…'”

It is tempting to think that this revival of Alexi Kaye Campbell’s 2009 play Apologia was mooted simply so that the above line could get the laughs it richly deserves for its prescience. As it is, Jamie Lloyd has fashioned it into the vehicle that has tempted Stockard Channing back into the West End for the first time in 25 years or so (although she did make it to the Almeida in for Clifford Odets’ Awake and Sing). 

Perhaps the word should be refashioned, as the play has been subtly adapted to make its central character an American (I find myself entirely intrigued about the process of this happening – rewrites over accents) but what a character she is. Kristin Miller is celebrating both the publication of a memoir about her career as an eminent art historian and her birthday but gathering folk around the dinner table proves far from a game of happy families. Continue reading “Review: Apologia, Trafalgar Studios”

Album Review: Love Never Dies (2010 Concept Album)

“The world is hard, the world is mean

It’s hard to keep your conscience clean”

I hadn’t listened to Love Never Dies since seeing its very first preview (oh how we laughed when ALW ran furious from the stalls when the set broke down) and having popped on the concept album that was released in tandem, I was soon reminded why. The not-a-sequel to Phantom of the Opera too often feels like a lazy retread of familiar ground, demonstrating zero musical progression and revealing a stagnation where there once was innovation.

The Coney Island setting undercuts any attempt to get close to the gothic horror of the opera house, the ‘freak show’ elements are desperately tame there. The swerves into rock are ill-advised in the extreme. Lyrically, there’s no ingenuity here at all, the words play second fiddle to the music to their peril And above all, the interpolation of themes from Phantom serve as a constant reminder of what this is not, and also the ultimate folly of the enterprise. Continue reading “Album Review: Love Never Dies (2010 Concept Album)”

Round-up of news, treats and other interesting things

“Oh please, Mother, make it stop! It’s hurting.”

 

The Exorcist will be unleashed onto the West End stage for the very first time in a uniquely theatrical experience directed by Sean Mathias and adapted for the stage by John Pielmeier.
 
The Exorcist will play a strictly limited run at the Phoenix Theatre from 20 October 2017 to 10 March 2018. Tickets will go on general sale at 4pm today.

Continue reading “Round-up of news, treats and other interesting things”