News: The Barn Theatre Presents – The Music of Dominic Powell

The Barn Theatre has announced the cast for their sixth virtual concert, The Barn Theatre Presents: The Music of Dominic Powell, which will celebrate the work of musical theatre composer Dominic Powell (Cases).

The concert, which will be hosted by Barn Theatre producer Jamie Chapman Dixon, is the sixth edition of the Barn Theatre in Cirencester’s virtual concert series, The Barn Presents:, which celebrates the work of British musical theatre writers.

The concert will feature performances from Andrew Patrick-Walker (Brooklyn, Bat Out of Hell) and Maiya Quansah-Breed (Six) who were cast in the 2020 production of Dominic Powell’s musical Cases at The Other Palace’s Studio space, which was unfortunately cancelled due to the pandemic. Continue reading “News: The Barn Theatre Presents – The Music of Dominic Powell”

Review: High Fidelity, Turbine Theatre

A complete lack of charm makes this musical adaptation of High Fidelity tough-going at the Turbine Theatre

“Ian’s here
To offer a safe haven
Where you can be yourself
Unshackled and unshaven.”

I’d forgotten about Natalie Imbruglia, so I was happily grateful for the (albeit sneering) reminder about her in High Fidelity and popped her greatest hits on on the way home from Battersea’s Turbine Theatre. I was not tempted to listen again Tom Kitt’s score, which is a bit of a problem when you’ve just seen a new musical. It’s indicative of this choice of production at this new theatre, which at best could be described as curious, though problematic feels closer to the truth.

Though Nick Hornby’s novel and its inevitable cinematic adaptation garnered a level of popularity, they were very much products of their time, the 90s in microcosm. And David Lindsay-Abaire’s US adaptation, retooled here for the UK by Vikki Stone, does little to adjust that, ultimately coming up with something that already feels like a period piece. Oh look a geek, haha! Oh look a vegan, hahaha! Oh look a woman who’s way out of my league who was somehow my girlfriend and who I will stalk until she gets back together with me, hahahahahaha. Continue reading “Review: High Fidelity, Turbine Theatre”

Cast announced for Bonnie and Clyde

 Part of The Other Palace’s rebranding has been to establish it as an incubator for new musical theatre pieces and so it has been opening its doors for work-in-progress performances of shows like Heathers and Joybubbles. 

And in a couple of weeks we get Bonnie and Clyde – music by Frank Wildhorn, lyrics by Don Black and a book by Ivan Menchell – which flopped on Broadway despite the best attempts of stars Laura Osnes and Jeremy Jordan. And rather excitingly, for this production, we get the talents of Evelyn Hoskins and Jamie Muscato in the leading roles. Continue reading “Cast announced for Bonnie and Clyde”

Review: Rent, St James

I’m not one to deny anyone their fandom and Lord know Rent has some of the most devoted of the lot. But for whatever reason, the show has left me cold every time I’ve seen it, increasingly so in its determination to defend artistic excess.

I was bought a ticket as a Christmas present so I was able to go and test my feelings once again but no change, no matter how good Layton Williams’ performance was. So for once, I’m just going to leave it here.

Running time: 2 hours 40 minutes (with interval)
Booking until 28th January, then touring as below