July theatre round-up

I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw  in July.

On Your Feet, aka the rhythm will get you, sometimes
the end of history…, aka how can you get cheese on toast so wrong
Equus, aka hell yes for Jessica Hung Han Yun’s lighting design
Games for Lovers, aka straight people be crazy
Captain Corelli’s Mandolin, aka the one that got my goat
The Girl on the Train, aka Philip McGinley in shorts
A Midsummer Night’s Dream, aka Another Dream? dream on
Uncle Vanya, aka I really need to stop booking for plays like this with casts like that 
Jellyfish, aka justice for the second best play of last year
Sweat, aka Clare Perkins should always be on in the West End
Sue Townsend’s The Secret Diary of Adrian Mole Aged 13 3/4 The Musical, aka yay for lovely new musicals in the West End
The Light in the Piazza, aka Molly Lynch fricking nails it
Jesus Christ Superstar, aka was third time the charm?
Continue reading “July theatre round-up”

Review: How I Learned To Drive, Southwark Playhouse

“I lay on my back in the dark and thought about you, Uncle Peck…”

I’ve always liked Olivia Poulet as an actor but after seeing her starring turn as Li’l Bit in Paula Vogel’s How I Learned To Drive, I’m really rating her now as one not to ignore. It helps that Vogel’s play is supremely well-written, skilfully questioning preconceptions about sexually abusive relationships and their ghastly dynamic through a playful format which manages to layer in humour and pathos to prevent it from being a truly dark night of the soul.

It doesn’t mean that this is by any means an easy watch. We see Poulet’s 40-year-old Li’l Bit narrate the experiences of her childhood both as a young girl and as a teenager in a backwoods Maryland town with a great sense of a natural-born raconteur. It’s hard not to be seduced by the stories that roll from her tongue but we soon come to taste the sour beneath the whiskey-heavy breath as the complexity of her relationship with her Uncle Peck slowly comes to light. Continue reading “Review: How I Learned To Drive, Southwark Playhouse”

2013 What’s On Stage Award nominations

THE DIGITAL THEATRE BEST ACTRESS IN A PLAY

Sheridan Smith – Hedda Gabler at the Old Vic
Billie Piper – The Effect, Headlong at the National, Cottesloe
Hattie Morahan – A Doll’s House at the Young Vic
Jill Halfpenny – Abigail’s Party at the Menier Chocolate Factory & Wyndham’s
Julie Walters – The Last of the Haussmans at the National, Lyttelton
Sally Hawkins – Constellations at the Royal Court Upstairs & Duke of York’s

THE DIGITAL THEATRE BEST ACTOR IN A PLAY

Rupert Everett – The Judas Kiss at Hampstead
Adrian Lester – Red Velvet at the Tricycle
David Haig – The Madness of George III at the Apollo
David Suchet – Long Day’s Journey into Night at the Apollo
Luke Treadaway – The Curious Incident of the Dog in the Night-time at the National, Cottesloe
Mark Rylance – Twelfth Night & Richard III at Shakespeare’s Globe & the Apollo Continue reading “2013 What’s On Stage Award nominations”