Review: The Green Fairy, Union Theatre

New musical The Green Fairy is a bleak but bold experience at the Union Theatre, featuring the unmissable, almighty voice of Julie Atherton

“So how are you, aside from being an alcoholic”

The Green Fairy announces itself as “a queer pub musical” which sounds like a genre that should have existed for years already and certainly feels like one rich with potential. And in the hands of debut musical writers Jack Sain (book, music and lyrics) and Stephen Libby (lyrics) together with dramaturg Hannah Hauer-King, it proves intriguing, even if the final effect is considerably more Once than Old Compton Street.

Which is a good thing because this musical fully embraces its intimate actor-musician ensemble and  in a still all-too-rare occurrence, focuses on the L (or perhaps the B) in LGBT+. It is open mic night at newly refurbished pub The Green Fairy and knowing her estranged daughter is going to be singing, Jo turns up to the place where she used to work and live and drink, and where the ghosts of her past – her girlfriend, her husband, her childhood best friend – still linger on. Continue reading “Review: The Green Fairy, Union Theatre”

Review: Ordinary Days, Cockpit Theatre

SLAM. theatre give a warm account of Adam Gwon’s amiable musical Ordinary Days at the Cockpit Theatre

“I’ll bring the red, you bring the white
That way I’ll still get drunk, you’ll still be right”

Having been around a bit, I love the fact that the first time I saw Adam Gwon’s Ordinary Days at the Trafalgar Studios in 2011, it just happened to feature such actors as Alexia Khadime, Daniel Boys and the glorious Julie Atherton in the cast. I also caught a stirring version a couple of years ago from Streetlights, People!, proving it is a musical that endures and so I was interested to see SLAM. theatre’s interpretation over at the Cockpit Theatre.

At first glance, Ordinary Days appears just that, a simple four-hander about love and life in New York. But pay a little attention, peel back a layer or two, and there’s something much more nuanced here about the loneliness that can accompany metropolitan living, whether looking for romance or friendship, as the emotional distance we use to try and protect ourselves can sometimes end up isolating us. And also how art galleries aren’t necessarily all that… 😉 Continue reading “Review: Ordinary Days, Cockpit Theatre”

Album Review: The Grinning Man (2018 London Cast Live Recording)

I thoroughly enjoy getting to revisit the dark delights of new British musical The Grinning Man

“Laughter is the best medicine”

I loved The Grinning Man in both its incarnations – from Bristol’s Old Vic to the West End – and so I was most pleased to hear that it would be immortalised in vinyl, or whatever the digital equivalent is… A new British musical (book by Carl Grose, music by Tim Phillips and Marc Teitler, lyrics by all three plus Tom Morris) is always a thing to cherish, even when it is a queerly dark a thing as this. 

It’s a live recording which has its pros and cons. Personally, I like hearing the response of a live audience, particularly in response to the devilishly dark humour of Julian Bleach’s Barkilphedro. And the raw passion you hear in the voices of Louis Maskell and Sanne den Besten as tragic lovers Grinpayne and Dea feels all the more urgent for not having that studio polish to rub off some of the more emotional edges. Continue reading “Album Review: The Grinning Man (2018 London Cast Live Recording)”

fosterIAN awards 2017

 WinnerRunner-upOther nominees
Best Actress in a PlayHattie Morahan/
Kate O'Flynn/
Adelle Leonce,
Anatomy of a Suicide
Victoria Hamilton, Albion
Shirley Henderson, Girl From the North Country
Cherry Jones, The Glass Menagerie
Justine Mitchell, Beginning
Mimi Ndiweni, The Convert
Connie Walker, Trestle
Best Actor in a Play
Ken Nwosu, An OctoroonAndrew Scott, HamletAndrew Garfield, Angels in America
Gary Lilburn, Trestle
Ian McKellen, King Lear
Cyril Nri, Barber Shop Chronicles
Sam Troughton, Beginning
Best Supporting Actress in a PlayBríd Brennan, The FerrymanKate Kennedy, Twelfth Night (Royal Exchange)Sheila Atim, Girl From the North Country
Laura Carmichael, Apologia
Romola Garai, Queen Anne
Lashana Lynch, a profoundly affectionate, passionate devotion to someone (-noun)
Kate O'Flynn, The Glass Menagerie
Best Supporting Actor in a PlayFisayo Akinade,
Barber Shop Chronicles
Brian J Smith, The Glass MenageriePhilip Arditti, Oslo
Gershwn Eustache Jnr, a profoundly affectionate, passionate devotion to someone (-noun)
Fra Fee, The Ferryman
Patrice Naiambana, Barber Shop Chronicles
Nathan Stewart-Jarrett, Angels in America
Best Actress in a MusicalJanie Dee, Follies AND
Josefina Gabrielle, A Little Night Music
AND Josie Walker,
Everybody's Talking About Jamie
Amie Giselle-Ward, Little WomenSharon D Clarke, Caroline or Change
Kelly Price, The Secret Diary of Adrian Mole Aged 13 ¾
T'Shan Williams, The Life
Best Actor in a MusicalGiles Terera, HamiltonScott Hunter/Andy Coxon, Yank! A WWII Love StoryJohn McCrea, Everybody's Talking About Jamie
Philip Quast, Follies
Michael Rouse, Superhero
Jamael Westman, Hamilton
Best Supporting Actress in a Musical
Tracie Bennett,
Follies
Rachel John, HamiltonChristine Allado, Hamilton
Julie Atherton, The Grinning Man
Sharon D Clarke, The Life
Joanna Riding, Romantics Anonymous
Lucie Shorthouse, Everybody's Talking About Jamie
Best Supporting Actor in a MusicalJason
Pennycooke,
Hamilton
Mark Anderson, The Grinning ManFred Haig, Follies
Cornell S John, The Life
Chris Kiely, Yank! A WWII Love Story
Gareth Snook, Romantics Anonymous
Obioma Ugoala, Hamilton

2017 Best Supporting Actress in a Play + in a Musical


Best Supporting Actress in a Play

Bríd Brennan, The Ferryman
Thinking about this most well-received of plays, it is the role of Aunt Maggie Faraway who lingers most in my mind, the elegiac beauty of her speeches an elegant way of folding in traditions of Irish storytelling and emphasising the deep bonds of family. Breathtaking work from Brennan.

Honourable mention: Kate Kennedy, Twelfth Night (Royal Exchange)
When done well, Olivia is one of my favourite Shakespearean roles and the statuesque Kennedy didn’t disappoint with a highly-sexed take on the character which embraced all the physical potential of her height.

Sheila Atim, Girl From the North Country
Laura Carmichael, Apologia
Romola Garai, Queen Anne
Lashana Lynch, a profoundly affectionate, passionate devotion to someone (-noun)
Kate O’Flynn, The Glass Menagerie

8-10
Susan Brown, Angels in America; Jessica Brown Findlay, Hamlet; Denise Gough, Angels in America

 

Best Supporting Actress in a Musical

Tracie Bennett, Follies
All I have to say is ‘I’m Still Here’. I’M STILL HERE!

Honourable mention: Rachel John, Hamilton
Only the tiniest of margins separated these two and it’s only really the fact that she’s not Renée Elise Goldsberry that held John back from the title.

Christine Allado, Hamilton
Julie Atherton, The Grinning Man
Sharon D Clarke, The Life
Joanna Riding, Romantics Anonymous
Lucie Shorthouse, Everybody’s Talking About Jamie

8-10
Nicola Hughes, Caroline or Change ; Cathy Read, Little Women; Sharon Sexton, Bat Out of Hell

 

 

Review: The Grinning Man, Trafalgar Studios


A great transfer for a great British musical, The Grinning Man impresses in this transfer to the Trafalgar Studios

“A tale so tragic it could only be true”

I’m no real fan of the Trafalgar Studios to be honest – its seating can be cramped, its angles severe, the toilet situation far from ideal, plus the coffee machine there takes an inordinate amount of time to produce a drink. But credit where it is due, director Tom Morris and designer Jon Bausor have done a fantastically inventive job in reconceiving the space to suit the anarchic energy of The Grinning Man, first seen in Bristol last year (and my favourite musical of the year, too).

A new British musical (book by Carl Grose, music by Tim Phillips and Marc Teitler, lyrics by all three plus Morris) based on a Victor Hugo novel, it’s a macabre tale to be sure, but one suffused with a real magic too. And Morris gives it an immediacy which scrubs away much of the distance that audiences can feel in the old Whitehall Theatre as cellists appear through walls, performers clamber into the stalls to sing, couples walk as if on air…

Continue reading “Review: The Grinning Man, Trafalgar Studios”

Review: Songs and Solidarity, Trafalgar Studios


“We could see this was a bad one immediately. The sky was glowing.”
 
Touted as an evening of song, dance and poetry, Songs and Solidarity was a remarkable event indeed. A fundraising gala evening pulled together in the space of a week by the superhuman efforts of actor Giles Terera and producer Danielle Tarento, it was a concert for the hundreds of families made homeless and the relatives of those who lost their lives in the Grenfell Tower fire. Hosted by Claire Sweeney, musically directed by the enormously talented Tim Sutton, 
 
The balance of the programme was just right too. From pure musical loveliness like the gentle harmonies of Tyrone Huntley and Jon Robyns on Cyndi Lauper’s ‘True Colors’ and the simplicity of Rachel Tucker’s acapella take on ‘She Moved Through The Fair’, to the more intense emotion of Terera’s own ‘Ol’ Man River’ and a visibly moved Clare Foster’s ‘Don’t Worry About Me’ (a song with which I wasn’t familiar but rather destroyed me). From the much-needed comic relief of Stiles & Drewe skipping through ‘A Little Bit of Nothing On A Big White Plate’ to the soul-warming ‘Indiscriminate Acts Of Kindness’ performed by the ever excellent Julie Atherton.

Continue reading “Review: Songs and Solidarity, Trafalgar Studios”

News: Songs and Solidarity – a concert for those affected by the Grenfell Tower fire


Adding to the fundraising efforts already established, actor Giles Terera and producer Danielle Tarento have put together a theatrically inclined evening of song, dance and comedy in aid of those affected by the Grenfell Tower fire.

Songs and Solidarity takes place on Sunday 25 June at 7.30pm, and will feature performances from West End stars including Olivier Award-winner Noma Dumezweni, Rachel Tucker (Wicked), Tyrone Huntley (Dreamgirls), Clare Foster (Travesties), Cassidy Janson (Beautiful) and Alexia Khadime (The Book of Mormon). Continue reading “News: Songs and Solidarity – a concert for those affected by the Grenfell Tower fire”

Review: Ordinary Days, London Theatre Workshop


“If everyone’s got a big picture
How come my picture’s something that I still have yet to see?”

I saw Adam Gwon’s 2008 musical Ordinary Days downstairs at the Trafalgar Studios back in 2011 with a grand cast that included Julie Atherton, Alexia Khadime and Daniel Boys and enjoyed it a fair bit, so news of a new production by Streetlights, People! at the transplanted London Theatre Workshop (now in the City) was glad tidings indeed. Directed by Jen Coles on the simplest of sets, decorated with a Manhattan skyline by Samantha Cates, the show’s relatable charms shine through once again.

The four-hander is a deceptively simple show – a quartet of 20-something New Yorkers are spiritually lost, swept up in what should be the romance of the city but finding that adulting isn’t quite as easy as all that. Jason is sacrificing everything for the woman he loves but Claire’s previously broken heart just won’t heal properly; grad student Deb has lost months of valuable thesis research but when struggling artist Warren finds it, she stubbornly resists any attempt at connection that he makes. Continue reading “Review: Ordinary Days, London Theatre Workshop”

Festive news #1: West End Up Close… at Christmas


‘Tis the season for goodwill to all, and proving most generous with their time are various sets of musical theatre performers who are doing all sorts of charitable endeavours this December. First up are the guys at Relative Motion have just announced West End Up Close… at Christmas, their third concert in partnership with The House of St Barnabas, a charity and members’ club in the heart of Soho.

After sold-out concerts earlier this year with Jodie Jacobs and Julie Atherton, this festive concert will take place on Wednesday 14th December at 7.30pm feature the amazing talents of Madalena Alberto, Julie Atherton, Julie Jupp, Joshua LeClair, Nigel Richards and George Ure as they bring some of their favourite songs and seasonal classics to the Chapel of St Barnabas in an intimate, acoustic concert, musically directed by James Taylor. Continue reading “Festive news #1: West End Up Close… at Christmas”