Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Linda Bassett, Juliet Stevenson and Sophie Thompson are among the cast for a digital revival of Little Wars
The marvellous Juliet Stevenson leads an all-star female cast in the online revival of US creative Steven Carl McCasland’s dinner party drama, Little Wars. Joining Stevenson will be Linda Bassett (Call The Midwife; East is East), Debbie Chazen (The Smoking Room; The Girls, West End), Natasha Karp (Rags, Park Theatre; The Kite Runner, West End), Catherine Russell (Holby City; What The Butler Saw, Curve Theatre), Sarah Solemani(Him & Her; Bad Education), and Sophie Thompson (Feel Good; Present Laughter, Old Vic). Continue reading “News: top casting for Little Wars revival”
Not even Juliet Stevenson and gay French holiday romances can really make this Departure land in a satisfying way
“We’re in France, French people talk about these things”
Near the top of my list of films to finally get around to watching, where it has been for a while, is Departure, written and directed by Andrew Steggall. His is a name that is familiar to me from the days when I regularly reviewed short films, as The Door was one of the more moodily memorable of those. Departure marked his feature film debut and with its heady mixture of gay boys on French holidays and Juliet Stevenson, it’s a wonder it has taken me this long to get round to watching it.
In some ways it does live up to that anticipation. Alex Lawther plays Elliott, a moody teenager marooned in the Languedoc village where his mother is packing up their family holiday home. His attention is far more focused on the strapping Clément who ends up helping with the move and in turn, offering something for Stevenson’s Beatrice to also be swayed by. Lawther plays the hypersensitive Elliott with a neatly sharp edge of self-absorption and what a joy it must be to have Stevenson in your cast – you can just write *cries in car* and she delivers heartbreaking work. Continue reading “Lockdown film review: Departure (2015)”
Award season kicks into another gear with the arrival of the nominations for the 2020 Olivier Awards – & Juliet, Fiddler on the Roof and Dear Evan Hansen lead the musicals pack, Death of a Salesman and Rosmersholm the plays
As ever, Laurence giveth and he taketh away and it’s all subjective anyway.
The weird category shuffle that often happens has landed on ‘Best Entertainment or Comedy Play’ and ‘Best Family Show’ this year, leaving Emilia and Fleabag in a weird place that isn’t ‘Best New Play’ (last year they were divided into ‘Best Entertainment and Family’ and ‘Best New Comedy’.
I had zero desire to see Fiddler on the Roof so can’t pass comment there but can’t help wishing the supporting role in a musical nominations weren’t quite so dominated by DEH.
& Juliet’s director Luke Sheppard could rightfully feel snubbed, given the wealth of recognition the rest of the production has received.
The nominations for the 20th Annual WhatsOnStage Awards have been announced and I have a thought or two #justiceforAnneHathaway
As a publicly nominated affair, the What’s On Stage Awards always throw up an interesting set of nominations, as fanbases engage alongside theatregoers to produce an idiosyncratic reflection on the year. This year though, the nominees for the nine creative categories (Choreography, Costume Design, Direction, Graphic Design, Lighting Design, Musical Direction, Set Design, Sound Design and Video Design) have been decided by an independent panel of industry experts appointed, which has resulted in some pleasing inclusions for the likes of Equus and Small Island.
Acting-wise, the focus does land a little heavily on the more famous names (plus ça change) and that Supporting Actress in a Musical category is super-crowded (the Dear Evan Hansen mothers would have been a shoo-in for me there). My only real point of issue comes with the categorisation for the & Juliet players – are you really going to nominate Oliver Tompsett as a lead and then put Cassidy Janson in the supporting category? Did you not see the show, or get any of its message at all?!
Proper award season is starting to kick into gear now with the reveal of the shortlist for the 2019 London Evening Standard Theatre Awards and an uncharacteristically strong set of nominations that will surprise a fair few. I had little love for Sweet Charity so I’d’ve bumped its nod for something else but generally speaking, I’m loving the love for Dorfman shows and the Royal Court and I hate the reminder that there’s a couple of things I mistakenly decided not to see (Out of Water, …kylie jenner)
BEST ACTOR in partnership with Ambassador Theatre Group
K. Todd Freeman Downstate, National Theatre (Dorfman)
Francis Guinan Downstate, National Theatre (Dorfman)
Tom Hiddleston Betrayal, Harold Pinter Theatre
Wendell Pierce Death of a Salesman, Young Vic & Piccadilly
Andrew Scott Present Laughter, Old Vic
Best Actor in a New Production of a Musical
Andy Nyman, Fiddler on the Roof, Menier Chocolate Factory
David Hunter, Waitress, Adelphi Theatre
David Ricardo-Pearce, Kiss Me, Kate, The Watermill Theatre
Kayi Ushe, Kinky Boots, UK Tour
Tom Bennett, Only Fools and Horses: The Musical, Theatre Royal Haymarket
Tyrone Huntley, The View UpStairs, Soho Theatre