Review: Road, Royal Court

“We all felt special but safe at the same time”

As somebody who grew up on the outskirts of a depressed Lancashire town in the 1980s, I wasn’t quite sure what to expect from the Royal Court’s revival of Jim Cartwright’s seminal debut play Road. I was only seven when the play was written (1986) and truth be told, we were far enough out of town to be on the right side of the road but still, there was a definite sense of intrigue to my anticipation.

Safe to say, the play did not reveal any biographical insight into the early life of Clowns (or anyone he went to school tbqh) but nor did it emerge as a revival with much to say to Britain today. This portrait of a society scarred by Thatcherite intervention remains very much that, contemporary allusions to a society once again divided and depressed remain unexplored, frustratingly so. Continue reading “Review: Road, Royal Court”

Casting for Royal Court’s Road announced

“Why’s the world so tough? It’s like walking through meat in high heels.”

Michelle Fairley, Mark Hadfield, Faye Marsay, Mike Noble, Dan Parr, Lemn Sissay, June Watson, Liz White and Shane Zaza have been cast in Jim Cartwright’s game-changing play Road which originally opened at the Royal Court in 1986. Road is a seminal play gives expression to the inhabitants of an unnamed northern road in Eighties Britain and most importantly for me, it is on the list.

It is directed in a new production by Royal Court Associate Director John Tiffany, with design by Chloe Lamford, lighting by Lee Curran, sound by Gareth Fry and movement by Jonathan Watkins. Continue reading “Casting for Royal Court’s Road announced”

Re-review: Escaped Alone, Royal Court

Image result for escaped alone royal court

“I’m walking down the street and there’s a door in the fence open and inside there are three women I’ve seen before”

There’s something delicious about seeing the Caryl Churchill’s Escaped Alone return to the Royal Court before heading out to New York and then a UK tour. It’s also testament to James MacDonald’s production that the quartet of actors who originated their parts have all returned – Linda Bassett, Deborah Findlay, Kika Markham and June Watson, marvels every one.

I ranked the play as the fourth best thing that I saw last year and though I don’t always like to go back to things I enjoyed (in case it sullies the memory), I wanted to treat myself to this again. And I’m glad I did, for the layered complexity of Churchill’s writing allows for re-appreciation and indeed re-interpretation. My original review holds true but given the way the world has lurched closer to apocalypse (literally so, apparently), the play’s contrast between Doomsday and the domestic feels ever more poignant and pertinent.

Running time: 50 minutes (without interval)
Booking until 11th February, then touring 15 – 26 Feb BAM, New York; 7 – 11 March The Lowry, Salford; 14- 18 March Cambridge Arts Theatre; 22 – 26 March Bristol Old Vic

 

Round-up of news and treats and other interesting things

Next week sees the 9th Gay Art Festival GFEST start, an eclectic showcase of art, films, and performance work by LGBTQI artists from London, UK and beyond. There’s all sorts to choose from – full details here – with this year’s theme being OUT [in the Margins] and some of the things piquing my interest are European films Jonathan and Brothers of the Night, at Rich Mix and Arthouse Crouch End respectively, and trans documentary The Pearl on at Rich Mix on 15th November. You might be interested in their performance night at the RADA Studio on the 19th November too, a 2 hour double bill of LGBTQI music and dance narratives. Visit their website at www.gaywisefestival.org.uk. Continue reading “Round-up of news and treats and other interesting things”

DVD Review: 102 Dalmatians

“Can you tell us how Cruella De Vil became plain Ella”

Cos you gotta have a sequel right? I really enjoyed revisiting 101 Dalmatians but remembered very little at all about the sequel that came 4 years later, even whether I’d actually seen it or not to be honest. 102 Dalmatians takes place three years after the original, Cruella De Vil having served her time in prison and undergone therapy to cure her of her tendency to have the fur off anyone’s back.

It just so happens that her parole officer Chloe loves dalmatians and is the owner of Dipstick, one of the original puppies, who has a family of his own with Dottie. So when Cruella’s treatment is reversed by the sound of Big Ben, because…you know…that’s how therapy works, she and her faithful manservant Alonzo are well-placed to recommence her fur coat-loving ways, this time aided and abetted by fashion designer Jean-Pierre LePelt.  Continue reading “DVD Review: 102 Dalmatians”

Review: Escaped Alone, Royal Court

“I have to believe them
It has to be someone I believe
I have to believe they’re not just saying it
I have to believe they know…”

After the divisive triptych of Here We Go, we now get a second brand new play from Caryl Churchill in the form of Escaped Alone. And rather brilliantly for a venue now unafraid to shake the rafters about received notions about women in theatre (and society) under Vicky Featherstone’s leadership (cf this interview, outgoing play Linda), it stars four women of great experience, their combined acting on stage and screen adding up to over 170 years – a fact that shouldn’t be remarkable in itself but sadly, still is. 

Trying to come up with a précis of ‘what happens’ is difficult at the best of times with Churchill’s plays and Escaped Alone is no different. Suffice to say, Sally (Deborah Findlay), Lena (Kika Markham), and Vi (June Watson) play three friends enjoying a cup of tea in Miriam Buether’s highly naturalistic back garden set when neighbour Mrs Jarrett (Linda Bassett) pops along to join them. What follows is a sharing of stories, personal and political, private revelations and public address.  Continue reading “Review: Escaped Alone, Royal Court”

20 shows to look forward to in 2016

2016 is nearly upon and for once, I’ve hardly anything booked for the coming year and what I do have tickets for, I’m hardly that inspired by (the Garrick season has been ruined by the awfulness of the rear stalls seats, and I only got Harry Potter and the Cursed Child tickets due to FOMO). Not for the first time, I’m intending to see less theatre next year but I do have my eyes on a good few productions in the West End, fringe and beyond. Continue reading “20 shows to look forward to in 2016”

Film Review: The Lady in the Van

“You wouldn’t see Harold Pinter pushing vans down the street”

It is more than 15 years since Maggie Smith starred in Alan Bennett’s The Lady in the Van in the West End but one can only imagine that the intervening years have deepened and enriched her performance as in this cinematic version, directed by Nicholas Hytner, she is just fantastic. The titular lady is Miss Shepherd, a cantankerous homeless woman who sets up shop on a Camden street in her junk-filled camper van and strikes up an unlikely friendship with Bennett, in whose driveway she eventually convinces him to let her park.

This happened in real life to Bennett, she spent 15 or so years there in the end, and amping up the realism, the film was shot on location in the real street but it is also a highly theatrical version of events. Alex Jennings plays two iterations of Bennett, one the somewhat timid man, the other the acutely observational writer inside, and they often argue with each other, disagreeing on whether things happened a certain way, and debating his various reasons for letting Miss Shepherd so totally into his life. Continue reading “Film Review: The Lady in the Van”

TV Review: Unforgotten

“All these cases where people pretends to be one thing for half a century and then turn out to be something else”

The insanity that is the scheduling wars between the BBC and ITV often throws up random anomalies but rarely has the result been something as rewarding as a surfeit of Nicola Walker. Having recently made River for the BBC and Unforgotten for ITV, both police dramas were premiered in the same week and as six-part dramas, are reaching their climax at the same time too. And what has been particularly pleasing is the fact that both have proved to be highly watchable and interesting takes on the genre.

Chris Lang’s Unforgotten focused on a cold case from nearly 40 years ago as skeletal remains are found in the basement of a derelict house and in the cleverly constructed first episode, the four disparate characters that we have been following are eventually tied together as their phone numbers are found in the victim’s diary. Walker’s DCI Cassie Stuart and Sanjeev Bhaskar’s DS Sunny Khan soon identify him as a Jimmy Sullivan but the show focuses as much on the effect of long-buried secrets on the potential suspects as it does on the case itself. Continue reading “TV Review: Unforgotten”