Re-review: Dreamgirls, Savoy

Falling in love with Marisha Wallace in Dreamgirls is far too easy!

“You want all my love and my devotion”

As Dreamgirls goes into its second year in the West End and has just welcomed a new cast into the Savoy, what better time to revisit this most glittering of musicals. I must admit to going in with something of a sceptical mindset last time around, both in trying to resist the hype and letting thoughts of ticket prices and imported US leading ladies play on my mind. But all such things aside, this really is a belter of a show, a glowing, full-throated roller-coaster of an experience.

Marisha Wallace, Moya Angela and Karen Mav now share the role for which Amber Riley has won pretty much every award going and tonight’s Effie was the delightful Wallace, a powerhouse of a presence who pretty much nails it from start to finish. Another visitor from Broadway Brennyn Lark’s Deena is well played but I really loved Asmeret Ghebremichael’s Lorrell, possibly becoming the brightest of the Dreams despite the way the script goes. And off the men, Joe Aaron Reid’s Curtis remains a villainous delight.

It’s always lovely to see ensemble members be rewarded for their hard work and both Tosh Wanogho-Maud and Kimmy Edwards have made the leap, now playing Jimmy Early and Michelle Martin respectively. And the production as a whole remains as slick and shiny as it did when it first opened – with all those crystals, how could it not! Keep your eyes peeled for deals on the off-chance they pop up, or take a chance on TodayTix’s daily lottery – it’s worth the shot. And if that weren’t proof enough, here’s some productions shots courtesy of Dewynters. Continue reading “Re-review: Dreamgirls, Savoy”

Review: Dreamgirls, Savoy

“In the morning this feeling will be gone”

 
There’s over one million Swarovski crystals incorporated into this production of Dreamgirls which presumably explains why ticket prices go unashamedly up to £125 – Daddy’s crystal curtains, all 3 of them, don’t come cheap. In many ways, I don’t deny Dreamgirls the extravagance, it’s good to have a huge rollercoaster blowout of a blockbuster musical every now and then, it helps to balance the slightly more serious-minded ones about suicide and cancer. But it helps to be wary about that creeping top line, no matter how many five star reviews this show may garner, surely such pricing cannot be allowed to become the norm in the West End.

Part of the reason Dreamgirls can get away with it is that it has had a 35 year build-up. With book and lyrics by Tom Eyen and music by Henry Krieger, the original Broadway production premiered in 1981 and was a big success and though it may not have crossed the ocean, much of its music has, including cabaret staples ‘And I Am Telling You I’m Not Going’ and ‘One Night Only’. So it is hardly the risk of a new musical, though that it how is will be categorised, and thus it has been priced accordingly. Fortunately, the Savoy is not so big a theatre that the Grand Circle ain’t a perfectly decent to watch the show from. Continue reading “Review: Dreamgirls, Savoy”