I don’t think I’ve stayed dry-eyed a single time I’ve listened to Kate Tempest’s heart-rending and heartfelt Hold Your Own
— Dazed (@Dazed) May 1, 2020
The National Theatre has today announced nine productions that will play on the South Bank in 2020-2021 alongside previously announced shows. These run alongside their international touring productions, three plays that will tour to multiple venues across the UK and a West End transfer. The NT also announces today that it will increase the quantity of low-price tickets on the South Bank by 25%, with 250,000 available across the year at £20 or less.
In the Olivier Theatre the critically acclaimed production of Andrea Levy’s epic novel Small Island directed by Rufus Norris returns following a sold-out run in 2019. Adapted for the stage by Helen Edmundson, the revival will run from late October 2020 with casting to be announced. Continue reading “News: the National Theatre announces 9 new productions for 2020-21”
Following a sell-out run at Rose Theatre Kingston, the acclaimed two-part adaptation of Elena Ferrante’s MY BRILLIANT FRIEND by April De Angelis is reworked for the Olivier stage by Melly Still (Coram Boy). When the most important person in her life goes missing without a trace, Lenu Greco, now a celebrated author, begins to recall a relationship of more than 60 years. Continue reading “News: the National Theatre announces 15 new productions for 2019 and 2020”
A completely random selection of tracks for your listening pleasure. Miss Trunchbull singing ‘Miss Honey’; a live performance of my favourite song from Molly Wobbly; a sneak preview of the new cast of Once; and a remix of a Sinéad O’Connor track featuring Kate Tempest. Continue reading “Sunday afternoon music treats”
“We wish we knew the deeper meaning…”
I’m loving how much livestreaming is being embraced by theatrical institutions up and down the land and now Paines Plough are getting in on the act with Kate Tempest’s Wasted, playing at the Roundhouse but available to watch on YouTube for a while longer. The play was Tempest’s first but captures an excellent middle ground between the spoken word for which she has rightly gained much acclaim and a more conventional type of drama.
Three friends in their mid-20s gather at the memorial of another of their number where they reflect on different notions of waste – the wasted life of their pal, the years spent getting wasted in their (relative) youth. The theme of the disillusionment of young adulthood after the heady days of teenagerdom is a well-trodden one but Tempest gives it a new vibrancy here with the mix of poetry and prose, microphones and unamplified speech, life and death. Continue reading “Review: Wasted, via YouTube”