News: new Netflix show Bridgerton sets its premiere date

I was already looking forward to the new Shondaland show Bridgerton, but these preview pics are really whetting the appetite. I mean, Jonathan Bailey…*insert falls over emoji*

 

Bridgerton will premiere on Netflix from 25th December

Review: Home, I’m Darling, National Theatre

Katharine Parkinson is simply superb in Laura Wade’s excellent new play Home, I’m Darling at the National Theatre

“That’s what a feminist looks like?”

What price a domestic goddess? When the chance of voluntary redundancy came up, finance worker Judy took it and with her husband Johnny, chose to indulge their mutual passion for all things 1950s by becoming a period-perfect housewife. She’s soon whipping up devilled eggs and chocolate chiffon cakes to have dinner on the table when he gets in, running his baths, pouring his drinks, getting his slippers, an idyllic picture of what marriage used to be like.

But pictures can conceal the truth and as Judy decants supermarket-bought milk into glass bottles, shoves letters into the cupboard under the sink and fixes a rictus grin on her face, it isn’t clear that picture-perfect doesn’t exist. Such is the world of Laura Wade’s new play Home, I’m Darling, a co-production between Theatr Clywd and the National Theatre, which probes incisively away at domestic politics, female choice and the wisdom of gin and lime. Continue reading “Review: Home, I’m Darling, National Theatre”

Countdown to new Who: Doctor Who Series 2

“Some things are worth getting your heart broken for”

David Tennant’s opening season took the template of the opening series and ran with it, Russell T Davies’ vision finding its ideal mate in the Scottish actor. The typically adventurous sweep was tempered with a more tender vision, which considerably upped our emotional investment (previous companions returning, romantic connections whether past or present).

Bringing back the Cybermen was an interesting move, as was the introduction of the notion of parallel worlds (and how important that became…). And if the series-long motif of Torchwood didn’t really pay off, especially not when one considers what Torchwood the show became, the finale to Doomsday is pretty close to perfection. Continue reading “Countdown to new Who: Doctor Who Series 2”

Review: The Ruling Class, Trafalgar Studios

“How do you know you are God?” 
‘Simple. When I pray to Him, I find I am talking to myself.’”

When a revival of a play is prefaced by “rarely-seen”, it’s hard not to assume that there’s often good reason for that and so it felt with Peter Barnes’ The Ruling Class. As a piece of drama, it feels dated and heavy handed, its formerly satirical edges altogether too manic and blunted. But as a piece of theatre, it has a peach of a leading role for which Jamie Lloyd has renewed his Trafalgar Transformed relationship with James McAvoy, who delivers it with an often breathtaking stage presence.

His 14th Earl of Gurney is a paranoid schizophrenic aristo called Jack who thinks he is Jesus and inherits the family pile after his father’s suicide, much to the consternation of his relatives. But even as they plot with a psychiatrist to get him shut away, Jack finds his way to (relative) sanity and locates a new target for his considerable energies – the House of Lords. That it is the aristocracy bearing the brunt of much of Barnes’ bite makes it clearer to see why the play has languished rather, its class-based pointedness showing its age. Continue reading “Review: The Ruling Class, Trafalgar Studios”

DVD Review: One Chance

“Kind of like the opera of my life”

Next up in the list of films I didn’t think I’d ever watch was Paul Potts’ biopic One Chance. For those not in the know or at least have little knowledge of Britain’s Got Talent, he emerged as the winner of the first series, his backstory as an unremarkable mobile telephone salesman with bad teeth the perfect foil for a rich operatic tenor. And as it turns out, his life was a catalogue of misfortunes, bullying and bad health holding back his dream of becoming a singer – perfect material to make into a film one might think.

Not on this evidence. David Frankel’s film is hamstrung from the outset by the fatal miscasting of James Corden in the leading role. Potts, or at least the version that is presented here, is a shy, retiring type full of crippling vulnerabilities and crucially enlivened through the gift of music but Corden conveys little, if any of this through his performance. He’s not helped by having to mime along to Potts’ own voice but there’s something more fundamentally wrong here, Corden’s cursory attempts at impersonation horribly superficial. Continue reading “DVD Review: One Chance”

Review: The Recruiting Officer, Donmar Warehouse

“There’s a pleasure sure, in being mad, which none but mad-men know”

Josie Rourke’s inaugural season as Artistic Director of the Donmar Warehouse starts off with the Donmar’s first ever Restoration comedy – George Farquhar’s The Recruiting Officer. Written in 1706, it is also well known as the play that is rehearsed by the convicts in Timberlake Wertenbaker’s Our Country’s Good and Rourke has assembled a truly impressive cast in order to make a splash with her debut. Plotwise, it is mainly about men who go ‘huzzah’ a lot as they try to recruit the young men of Shrewsbury into the army, balanced with two central romances which are negotiating the impact of a big inheritance on female romantic inclinations.

It’s a whole lot of bawdy fun rather than making any serious points about anything if one is brutally honest, but it is totally made by the quality of the cast. Tobias Menzies exudes charisma as the bounding Captain Plume, well partnered by Mackenzie Crook’s Sergeant Kite, and together they brazenly try to wheedle their way into the sense of duty of the male populace and sweep them off to war. Completely amoral but largely quite funny about it, the scene with the faux crystal ball reader is extremely well done, Nicholas Burns’ demonstrating some nifty moves as gentleman Worthy, and many a laugh is garnered. Most of them come though from the friendly(ish) rivalry with Captain Brazen, a rival recruiting officer who is well portrayed as Mark Gatiss nearly steals the show with an outrageously foppish performance: his vocal delivery at one crucial point was just delicious. Continue reading “Review: The Recruiting Officer, Donmar Warehouse”