“We’re all hurting”
The traditional image of musical theatre as clap-happy tap-dancing extravaganzas is one that still persists, even whilst musicals about living with cancer play at the National Theatre. And it is something that clearly occupies writers Arnoud Breitbarth and Christian Czornyj, as their introduction in the programme for their new show Catch Me tackles this issue head on.
For Catch Me is a musical based around male suicide, the mental health struggles that lead people to such an act and the repercussions it has on those left behind. And pleasingly, Breitbarth and Czornyj show a strong understanding of the musical form and its storytelling potential. Here, songs tumble out of the characters, depicting their mental state, an organic extension of the story that really works, especially in the stronger first half. Continue reading “Review: Catch Me, Above the Arts”