“What manner of man is he?”
Every time Harriet Walter speaks as the eponymous character, she utterly justifies (not that it needs any justification, mind) the all-female casting of the Donmar Warehouse’s Henry IV, such is the achingly rich poetry that she brings to the verse. Coming in second in what is being loosely termed a ‘prison trilogy’ after a cracking take on Julius Caesar back in 2012, the production reunites director Phyllida Lloyd with Walter and some others from that company to impose their institutional stamp on another of Shakespeare’s works (and yes, it does mean those chairs are back in the stalls!).
Here, the scope of Henry IV Part I and II has been telescoped down to just two hours and in reality, could well be called Henry IV Part I+ as it focuses mainly on a raucously rendered take on that play and throws in excerpts from Act IV Scene V and Act V Scene V from its sequel to round off the stories of Henry IV, Prince Hal and the bounteous Falstaff. It’s an audacious approach but one that really pays off, suggesting that maybe Shakespeare could have done with an editor after all – others may disagree but there’s little that’s really lost in jettisoning a whole heap of supporting characters and their scenes in this instance. Continue reading “Review: Henry IV, Donmar Warehouse”