The Hope Mill Theatre crack open their address book to gather a great guest-list for this Rodgers & Hammerstein tribute concert, raising much needed funds
“Night after night, as strange as it seems…”
By rights, the Hope Mill Theatre should have been opening the UK premiere of Rodgers & Hammerstein’s Cinderella next month but ever pragmatic, its very own William Whelton and Joseph Houston have turned their hand to the theatre’s first online concert. Some Enchanted Evening still pays tribute to the iconic composing duo albeit in a different form, with friends and patrons gathering to take us through this wondrous songbook and an illustrious company bringing the songs to life.
From the incomparable Maria Friedman with a King & I medley to the ever-witty Sophie-Louise Dann relishing Allegro’s ‘The Gentleman is a Dope’, Joel Harper-Jackson (who was very good in Little Women) crooning through ‘If I Loved You’ to Louise Dearman#s shimmering star quality in ‘Edelweiss’, there’s a strong set of performances here. Standout of the night for me though was The Prince of Egypt‘s Simbi Akande, whose gorgeous soprano perfectly soared in Flower Drum Song‘s ‘Love Look Away’. Continue reading “Lockdown review: Some Enchanted Evening – Hope Mill Theatre”
“What’s the worst that could happen, we’re already dead”
On their way from East Pennsylvania to the big time, four-piece close harmony group The Plaids were tragically killed on the way to the concert that was gonna make them, waylaid by a car crash with a bus full of schoolgirls on their way to see the Beatles. But through some supernatural intervention or other, they’re given the chance to nip out of the afterlife for a while to perform the gig that never was.
Such is the set-up for Stuart Ross’ Forever Plaid, a daffily charming revue of 50s hits that fits in perfectly to the cabaret space in the depths of the St James Theatre. And directed by Grant Murphy, there’s a highly amiable quartet of ghostly gents in Keith Jack, Jon Lee, Matthew Quinn and Luke Striffler, taking us through the trials and tribulations of remembering choreography and chord progressions when you’re dead. Continue reading “Review: Forever Plaid, St James”
A Very West End Christmas
A rather special project, A Very West End Christmas has gathered up a group of nearly 50 musical theatre performers to record an EP of 5 Christmas classics for a number of charitable causes – Great Ormond Street’s Giggin’ for Good, West End Fests for CRY UK and The Band Aid Charitable Trust. It’s a steal at £3.95 for the EP and with some seriously great talent onboard, assembled by co-producers Kris Rawlinson and Darren Bell, it’s a mostly very good listen.
The strongest numbers are, a little perversely, actually the ones which don’t feature the full choir. Michael Xavier croons perfectly through ‘The Christmas Song’ (although it is sad that there is no accompanying video of him roasting his chestnuts…), Chloe Hart and Jeremy Hart have lots of fun in a swinging ‘Baby It’s Cold Outside’, and there’s an interesting arrangement of’ O Holy Night’ featuring Sabrina Aloueche, Jodie Jacobs and Katie Payne (though that song will always belong to Hannah Waddingham for me). Continue reading “Christmas music 2013”
“All those things you saw in your pyjamas are a long-range forecast for your farmers”
I don’t really remember a time when theatre wasn’t in my life. I was lucky enough to have parents and aunts who took me to see shows from an early age (indeed I heard Blood Brothers from my mother’s womb!) and so I caught the bug early. And of those shows that I saw as a young’un, Andrew Lloyd Webber and Tim Rice’s Joseph and the Amazing Technicolour Dreamcoat is one that has recurred throughout my life whether watching Dad direct a school performance, being a part of my own primary school production, playing piano for both high school and drama group versions and of course going to see it multiple times at the theatre – I don’t actually recall if we saw Jason Donovan but I do remember Philip Schofield and Darren Day, whoop!
Andrew Lloyd Webber and Tim Rice’s Joseph and the Amazing Technicolour Dreamcoat has become something of a mainstay for touring theatres, it comes and goes from the West End yet Bill Kenwright’s tour has lasted for over 20 years due to its enduring appeal with audiences of all ages across the entire nation, not least this reviewer who remembers seeing both Philip Schofield and Darren Day. Latest to take the loincloth is Keith Jack who plays the biblical Joseph, a confident young man whose favourite status with his father does not go down well with his 11 brothers, especially after he receives the gift of a marvellous coat, and once banished from his homeland, only his dream interpretation skills can save him from a life of servitude. Continue reading “Review: Joseph, Churchill Theatre Bromley”